Everything in this game starts in such a painfully normal way that it kind of hurts more. Just a guy, absolutely obsessed with his girlfriend, like "she is my whole world" level, the kind of dude who keeps cute couple pics in a hidden Telegram folder and thinks that makes him lowkey romantic instead of a clown. Then you walk into the living room and she is there with another man, not even trying to hide it, like this is a casual Tuesday. That first scene feels almost boring visually, but the timing of the voice lines and the silence between them, that stuff hit me harder than any fancy effect. His voice cracks when he tries to sound calm, like he wants to say "what are you doing?" but it comes out half breath, half broken laugh. And her tone is not cartoon evil, it’s soft and a bit annoyed, like he just interrupted a Netflix show. That tiny detail made the whole thing feel way dirtier than if she was just yelling "you’re useless." I’m a VA nerd, so I notice where they cut the breath sounds, and here they leave them in, slightly messy, like a real cheap porn audio, but somehow it works. I had my headphones on and legit felt uncomfortable in a good, fucked up way.

Once his whole impotence thing starts becoming a real plot point, the game leans hard into teasing and humiliation, but it doesn’t scream it at you. She starts talking to him differently. There is this one scene where she’s sitting on the couch in just an oversized t‑shirt, legs bare, feet in his lap, and her voice goes all sweet while she is casually stroking the other guy with her toes, not even looking at him. Voice actress there nails this fake girlfriend tone, like "you know I still love you, right?" followed by a moan that is very clearly not for him. I paused the game and actually replayed that line in VLC just to study the drop in pitch when she says "love". It’s not clean studio quality, you can hear the room, maybe a cheap mic on OBS or something, and I weirdly liked that more. It gives this voyeur vibe, like you’re hearing something from a neighbor’s wall instead of a polished hentai OVA. At the same time, sometimes the male moans from the bull feel copy‑pasted between scenes, which pulled me out of it once I noticed. Now I can’t unhear it and it annoys the hell out of me, but I kept playing anyway, so I guess that says something.

Later parts go pretty hard on the whole psychological spiral. The protagonist’s internal voiceover shifts from shame to this creepy acceptance way too smoothly, and that is where the multiple viewpoint thing kicks in. Hearing her thoughts while she’s getting pounded in the bedroom, knowing he is in the hallway "guarding the door", is wild. She’s thinking about how small his pride feels now, while her actual voice is all breathy and playful, half laughing when the other guy tells him to come closer and watch. And there is this balcony scene that got stuck in my head: she makes him stand outside while she rides the guy on the sofa near the window, telling him in this light, joking tone to "keep an eye out for neighbors", and the actress throws in these tiny giggles every time the couch squeaks louder. It sells the exhibitionism perfectly without needing some huge monologue. Also, I’m not even a big foot guy and still the way she uses her feet on both men, with those smug little comments, made me go "ok, maybe I get it now". The whole thing is messy, sometimes the timing is off, one transition cut is brutal as hell and made me laugh, but the rawness of the voices, the awkward breathing, the moments where someone talks over someone else and they didn’t edit it out, that all makes the NTR hit much harder than some ultra-polished VN with sterile moans. It feels like listening to a relationship slowly rot in your ear, and yeah, that’s exactly as hot and as miserable as it sounds.

Ayako wakes up in a body that still remembers how to fight, how to fuck, how to obey certain voices in her head, but not who she really is. That is basically the opening mood here: this weird mix of horny confusion, old myth stuff and a girl who knows she used to be terrifying. The game throws you straight into her fake “normal” life, where she’s stuck in this glossy modern city that feels like a cheap set. She moves through it, clicking on doors, phones, neon-lit streets, and all the time the framing is like some animation storyboard that never got finished. Camera angles hold a bit too long, some cuts feel slightly off, like the editor went for a smoke and never came back. Honestly, I kind of like that. There is this rough timing in the cutscenes that makes Ayako’s blank stare feel more broken than sexy at first, and then suddenly the scene shifts and she’s on her knees, mouth open, because someone whispered the right phrase and that “hunter” instinct is now just a puppet string. The whole oral stuff is framed almost like ritual sometimes: slow shots of her lips, lingering on spit and tongue, like the camera is trying to remember something at the same time as her.

The lesbian tension is not subtle, and that is good. When Yumi shows up, she has this soft, almost gamer-girl vibe at first, but the way the shots linger on hands, thigh touches, that slow press of bodies when they think they’re alone, it feels like the animator is low‑key obsessed with girls grinding on each other. There is one scene where Ayako is supposed to focus on some mythological clue, some symbol tied to old Asian underworld lore, but instead the framing just keeps going back to her fingers twitching near her own pussy as Yumi talks, like her body is answering a different question. She ends up masturbating in a small side room while a demon voice in her head feeds her flashes of past battles mixed with images of Yumi’s tongue between her legs. The cut is brutal, no smooth build up, it just jumps from quiet mystery to her gasping and fingering herself, thighs shaking. Then back to plot like nothing happened. It’s messy, but it feels real in this porn-brain way. The mind control angle hits hardest when Rin appears. Rin doesn’t even need to touch her; the voice alone tilts the whole scene. You can see it in the way the camera slightly drops below eye level whenever Rin speaks, giving Ayako this small, almost lost look, then suddenly she’s taking orders, tasting demon essence on her tongue, half in ecstasy, half in terror, and we never really get a clean line between what she chooses and what’s being pushed into her skull. The supernatural stuff is everywhere in the background, glowing symbols, distorted shadows, those brief flashes of Yomi that burn through a frame like a glitch, but your eyes keep ending up on wet lips, shaking legs, two girls clinging to each other in the dark while something old and hungry watches. It feels less like a nice polished hentai movie and more like opening a horny animator’s rough cut folder where nothing is properly labeled, but everything is way too personal.