You start as the Avatar in this messed up alternate world, and it feels like someone took the cartoon I watched on my old tiny screen, poured porn all over it, then said “yeah, that’s fine.” The story pretends to care about balance and elements and all that spiritual stuff, but it actually cares about Katara’s tits and Toph’s smug little face way more. One minute you’re talking about destiny, the next minute Katara is kneeling between your legs, pushing her boobs together around your cock like it’s the most normal thing waterbenders do. That switch is honestly funny. And also kinda hot. I kept telling myself “I’m here for the plot,” with my hand already on my underwear, so I’m obviously lying to myself.

What I like is how dirty they let the girls get without making them all act the same. Katara is still that “good girl” healer type, always pretending she’s above it, then she’s crossing her eyes in this stupid cute ahegao look while you fuck her throat and you hear those gaggy sounds that are almost too much. Almost. Toph is different, she feels like the brat who would stomp on your foot and then sit on your face five minutes later. There’s this scene where she uses her earthbending to pin you in place, like you’re the one being mastered instead of the Avatar, and she just grinds on you with this cocky smirk. I both hated and loved that part, because it’s hot as hell, but she also looks like she’s having way more fun than you. And no, I don’t forgive the dev for that tiny UI button that sits just too close to the dialogue skip. I kept misclicking it and losing lines, and it annoyed me every single time, and I never learned.

The humor hits weird sometimes, in a good way. You’ll have this scene where someone gets hurt in a very graphic, “oh shit, that’s blood” kind of way, and then two scenes later you’re watching a ridiculous blowjob joke like nothing happened. It shouldn’t work, but it kinda does, like when you scroll Twitter and there’s a war clip and then a thirst trap right after. The faces during sex are wild too, exaggerated to the point of being almost ugly, but that’s what makes them feel filthy. When Katara rolls her eyes up and drools, it’s not “beautiful,” it’s “wow, she’s getting ruined,” and that hits different. Some of the AI-looking CG is a bit off if you stare too long, like hands bending weird or hair not sitting right, but you’re usually too busy staring at the boobs anyway. I kept thinking I wanted a more heroic Avatar, more serious and noble, but then again, watching this version fuck around and mess everything up is way closer to what actually happens on cam sites: lots of big talk, not much enlightenment, but everyone still comes.

This thing starts like one of those harmless school slice-of-life stories, except it never feels harmless. You’re this dude walking the halls, joking with classmates, peeking at asses in too-tight skirts, pretending everything’s normal while the game keeps whispering that nothing is. On the surface you’re just chasing romance routes and big tits, trying to figure out which milf teacher you wanna risk your future for, which childhood friend you’ll accidentally corrupt, which guy you’ll piss off enough that he starts eyeing your girl. Then it hits you that every flirt, every little “harmless” grope in the hallway, every blowjob in the music room is getting tracked, twisted, fed back into this mess of morality and mind games. One minute you’re laughing at some dumb humor scene where your buddy makes a joke about your porn folder, next minute you’re watching a scene of brutal violence and you’re not sure if you caused it or just failed to stop it.

What really got me is how your choices feel fine in the moment. You see a big ass bending over a desk and you click the option to touch. Simple. She blushes, maybe moans, maybe slaps you, sometimes both. Then three scenes later she’s crying about how nobody respects her, and the game doesn’t tell you “this is your fault,” but you know anyway. Same with the whole NTR / netorase thing. At first it’s kind of hot, letting another guy or futa girl “help out” your partner, just sharing for fun because you think you’re in control. The group scenes are wild, by the way, especially when the camera lingers just a bit too long and you catch your own character watching instead of acting. Voyeur mode inside the story itself. But little by little, jealousy starts to bleed into it. There’s this one route where you push your girl toward another guy as a joke, like “go flirt with him, I don’t mind,” and way later you catch them in a quiet corner, his hand already under her skirt, her breathing way too heavy to pretend. You can interrupt, dominate, turn it into a threesome, whatever, but that sick “maybe I went too far” feeling doesn’t really go away.

Sex scenes are not shy at all. Virgin loss with awkward eye contact, messy creampies where you’re not totally sure if it was consensual or just pressured, titfucks on the school rooftop while the city burns somewhere in the distance, rough oral that slips into domination, then flips and she chokes you right back with that sudden female domination switch. There’s drugs, too, and that’s where things get weird in a different way. Some of the best animated scenes come from those mind control bits, where you honestly can’t tell if the girl wants it or your character is just rewriting her brain to want it. The game doesn’t clean it up for you. No “safe word,” no soft fade out. You’re the one clicking “continue” while she begs you to stop and also not to stop. But then you have these strange quiet romance scenes with actual warmth, like holding hands in a classroom while talking about family you really, really shouldn’t be this close to, or lying naked beside someone after fucking them raw and talking about sanity and what’s real. Sometimes it even feels wholesome before it throws another cheating scene at you completely out of nowhere. I kind of hate that. And I kind of went back to see every single ending anyway.

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

Guy wakes up from a nasty bike crash, his girl is dead, his body is somehow fine, his head is a mess. He thinks: new city, new university, new life, forget everything. Of course it goes to shit immediately. You’re walking into this school full of tight uniforms and way too short skirts, trying to act normal, and the game keeps reminding you that you shouldn’t even be alive. You’re this mix of horny and broken, which is honestly relatable after a long workday when your brain is mush but your dick still loads Chrome by muscle memory. One moment you’re in class pretending to take notes, next moment you’re staring at the teacher’s blouse and the little gap between buttons, then some creepy flicker in the corner of the screen like reality just hiccuped. It plays with that switch a lot: you’re laughing at a dumb joke, then suddenly you remember your dead girlfriend’s voice and the whole scene turns weirdly cold.

The sex stuff hits slow at first. Lots of teasing, legs crossing, girls leaning way too close, that kind of cocky flirting where you’re not sure if they’re into you or just bored. The milf professor who “cares about your trauma” but sits on the desk so you can see the shape of her ass in that tight skirt. A classmate who sends you a “homework question” pic that absolutely is not safe for study group. There’s a scene where you’re stuck in a stairwell during a fire drill, watching a girl change her shirt through this tiny glass window, and you can back out like a decent human or keep watching while she slips off her bra and you see those huge tits bounce, and the game actually reacts to that choice later. Handjob behind the gym after practice, messy blowjob in a parked car while some weird shadow moves in the background like something else is watching both of you. That part hit hard, because you’re trying to focus on her tongue and the little spit strings and instead your brain is like “hey remember your dead girl, remember her throat taking you, remember the blood”. It’s horny and fucked up at the same time and the game doesn’t try to clean it.

The best part and also the most annoying is how often it lets you be an asshole or a softie and both feel wrong. You flirt with this shy girl who clearly has a crush, she’s clumsy, big ass in those tight jeans, and you can push her into stripping for you in some empty classroom. It’s hot, she’s blushing, slowly pulling her panties to her knees, you can see a bit of her wetness catching the light, and your guy still flashes to his ex lying broken on the road. Romantic route tries to happen, but the world keeps glitching, you keep seeing that accident, and sometimes the game hits you with graphic stuff out of nowhere, like a quick shot of torn skin or crushed helmet, just long enough to kill your boner for a second. Talking to the milf in her office about “moving on” turns into her on her knees, stroking you slow, asking if you’re thinking of her or the girl who died, and you almost want to close the tab, but of course you don’t. I wish the pacing wasn’t so jumpy sometimes, like it goes from goofy meme humor in group chat to “oh look, maybe something supernatural wants you dead” in two clicks, but then I’m sitting on public transport with one earbud half in, pretending to read emails, watching a fully animated sex scene where you pin a girl against a dorm wall and fuck her raw while her phone flashlight keeps turning on and off. And in the reflection of the window behind you, there’s something standing there, just looking. You finish anyway.

Game feels like somebody mashed a porn comic, a goofy superhero show and one of those messy family dramas from Netflix, then said “yeah ok, what if everyone was hot and kind of a pervert.” You start as this dude who’s basically the walking center of gravity in a house full of ridiculous curves and way too little shame. There’s school stuff on the side, but it’s mostly there so the girls can wear tight uniforms, bend over desks and pretend they’re focusing on homework while you’re staring at their asses. The whole thing has that 3D render vibe where boobs are just slightly too perfect and every milf’s butt looks like it was optimized in Excel for maximum surface area. I kind of respect that, professionally.

The story is split in a weird data way in my head: “story mode” is your main plotline with the incest harem, twins, powers, family secrets, etc., and “free roam” is like the sandbox dashboard where your KPI is “how many holes filled concurrently.” You pick which girl’s storyline to go deep into first, and that actually changes the emotional tempo. Go with the milf aunt early and the game instantly feels like a corruption chart trending up: slow teasing, long eye contact at breakfast, her walking around with a towel that keeps almost slipping, then suddenly she’s riding you on the couch while some dumb sitcom plays in the background. Pick the twin route first and it’s more like a broken A/B test where both variants are just “sisters competing to see who can drain you faster.” One scene has you “helping them study” and you end up with one sister under the table sucking you off while the other pretends to quiz you, cheeks red, nipples poking through her top. The tension is less subtle there, more “everyone in this house is two seconds from a gangbang.”

Superpowers pop up in a way that’s actually kind of funny. Not deep Marvel-level, more like “hey, I can freeze time long enough to pull down the teacher’s shirt and stare at her tits while she’s stuck mid-sentence” or using some mind trick to nudge a shy girl into showing you what her panties look like. That voyeur angle is everywhere. You catch the milf masturbating in the shower, spying from a crack in the door. Or you watch the two girls making out on the bed, hands all over each other, one grinding her thigh between the other’s legs, and you just sit there like some creepy analyst, tracking their moans, waiting for the right second to walk in and “help.” Then the game lets you replay that same scene later in free roam and push it harder: add anal, swap positions, bring a third girl, turn a soft lesbian moment into full-blown group sex where faces are messy and nobody’s even pretending to be innocent anymore. I wish the UI for the free roam scenes was less clicky and more like a flow, but it’s not going to change and whatever, I got used to it.

Sex variety is nuts, by the way. One minute you’re doing slow, almost romantic vaginal with your “relative” on her bed, her legs wrapped around you, whispering shit she should absolutely not be saying to a family member. Next moment you’re in a kind of half-joking threesome with her and another girl, choking on laughs and dick at the same time, cum dripping down her chin while the other girl holds her hair like it’s some friendly team activity. Anal shows up often enough that it feels like anyone over 30 in this universe just defaults to offering up their ass once they trust you. There’s this late scene where you pin the milf against the wall, her huge tits bouncing while you push into her ass, her moans loud enough you’re sure the “kids” can hear, and she just doesn’t care anymore. Lesbian content is not optional; girls lick each other like they’ve been waiting their whole lives for you to leave the room so they can finally taste some pussy. One of my favorite moments is in the school setting, on a rooftop, where two girls are pressed together, kissing slow, one sliding her hand down the other’s skirt, wet sounds way too loud for outside. You show up, they pretend to be shy for two lines, then you’re balls-deep in one while the other rides your face, both of them held up by your “mysterious power” like some messed up vertical bar chart of naked bodies.

The humor is stupid in a good way. Characters throw horny jokes around all the time, like the milf calling your cock her “favorite workout equipment,” or one twin telling the other to “share the resource, I saw him first but I don’t mind concurrency.” It makes the hardcore scenes feel like you’re in on some private joke, not just clicking porn stills. At the same time, some transitions between serious story and horny comedy feel like someone forgot to switch tabs in their brain. You go from tragic family secret to a titjob gag in two lines. Speaking of titjobs, they look great even though sometimes the camera angles are a little weird, like the dev really loves close-ups of nipples more than faces. Not a crime, just funny. And the violence tag? It spikes here and there when the fantasy plot kicks in: a fight where powers clash, blood on the ground, then directly after that you’re comforting a bruised girl with your tongue between her thighs because that’s how this universe handles trauma apparently. There’s no NTR, which I kind of appreciate as someone who likes clean ownership in his mental dashboard. Everything belongs to the main dude, period, including the twins, the milf, the schoolgirls, the side chicks. It’s pure harem math, and the game leans hard into that, like a line going straight up on a chart that probably should worry somebody in a real-life ethics meeting. But here, it just makes sense.

Game feels like opening an old Facebook chat with your childhood crush and then immediately getting dragged into the kind of horny soap opera you only admit watching when your VPN is on. You start as this guy who used to be super close with Emilia, then shit went bad, family moved, classic “I’ll totally message you” lie, and now, many years later, life decides to throw you right back into her orbit. And not just hers. She has younger twin sisters now, and they’re grown, hot, way too grabby for their own good, and apparently never learned the word “boundaries.” The game basically locks you into this messy reunion where awkward nostalgia, unresolved drama, and slow-burn romance keep crashing into handsy teasing and full-on sex like some horny soap that forgot how brakes work.

Most of it plays like a kinetic story, so you don’t get that much choice, but it actually kind of fits this one. It feels more like binging one of those trashy Netflix dramas on autopilot while half your brain is busy thinking “ok but if she’s mad at him, why is her hand on his dick right now?” The MC is still a virgin at the start, which is honestly hilarious with how fast everyone around him flips from “long time no see” to “hey, let me grind on your lap.” There’s a strong focus on teasing, slow groping, stripping piece by piece, that kind of thing, before the more hardcore stuff starts. Animated scenes help a lot; there’s this one moment in the living room where one of the twins is “just joking” by climbing in your lap, and the way her hips move in the animation is way more indecent than anything she actually says. Feels like the dev knew exactly which angle people pause on in other games and just locked the camera there.

Sex itself goes pretty far. Handjobs that feel messy and clumsy in a good way, deep oral where the girl’s eyes water and she has to pull back, interracial scenes that are actually framed like real encounters instead of some weird fetish ad, and more emotional romance stuff too, where Emilia finally stops pretending she doesn’t care. Then out of nowhere the game just slams you with real graphic violence in some parts. Like, soft lighting, half-naked girl giggling, then suddenly someone gets hurt badly and there’s blood and you’re sitting there like you accidentally clicked the wrong tab. Honestly it hit harder because the rest of the game is all warm bodies and dumb jokes and then, bam. They use it to push the story forward, tie into the big life event that brings everybody together again, but it still catches you off guard. There are multiple endings depending on your route and how you handle the emotional stuff, though you can’t sidestep the sex anyway, which is kind of the point. The twins are playful and bratty and clearly into groping and messing with you, Emilia is the slow-burn heart of the story, and you’re stuck in the middle, trying to figure out if this is a romance, a porn game, or that one night your brain keeps replaying when you’re trying to sleep.

This one feels like I walked into my own gallery at closing hour, lights half off, and there is just this one piece on the wall that will not let me go. A retired hunter, alone, pretending the world has moved on. And outside the door, a lovesick werewolf, so full of longing and hunger that it almost hurts to read. The game is short, yes, but it hits like a very focused exhibition: just you, the wolf boy who never really stopped chasing you, and a forest night that smells of wet fur, blood, and someone you used to fuck or maybe should have. You pick your pronouns, you name your hunter, but it still feels like the story already knows you. It treats you as if you have history with this creature. The first time he steps out of the dark, half monster, half man, teeth shining, eyes too soft for that body, it’s like some twisted fairytale where the woodcutter secretly wanted the wolf all along.

What I liked is how the erotic bits grow out of that mood instead of just dropping from the sky. The build up is slow and sticky: brushing against his fur, the way his tail twitches when you threaten him with your old hunter voice, the way he still calls you like you’re the only person in the world who ever mattered. And then it becomes very physical, very fast. There is dry humping that feels desperate, almost clumsy, like he has been replaying this moment in his head for years and actually touching you overloads him. The handjob scenes are messy, all panting and grinding, like he wants to climb into your skin. I liked the oral a lot because you feel it from the hunter’s point of view, the heat of his mouth, the wet noise, the way he struggles to keep his fangs away from your cock while still licking you stupid. There is cock warming too, with that strange mix of comfort and filth: him buried in you or wrapped around you, both of you not really moving, just breathing and trembling while his knot or his mouth keeps you trapped. It is strangely tender, even when there is biting and marking, your neck, your chest, his claws in your back, like he is carving his name into an old property. Sometimes it gets a little too wordy, like the writer is afraid to shut up and just let you sit in the silence between thrusts, but then you get one perfect line like “you taste like home” and my brain just stops.

CGs are few but they land nicely, like catching flashes of explicit sketches in some NSFW Twitter scroll that you shouldn’t open at work. Him on top of you, eyes glazed and needy, fur matted, your body pinned under claws that could rip you open while his cock presses hard against your stomach. Or that moment where he’s between your legs, ears back, cheeks flushed, mouth full of you, wolfish features twisted around devotion and greed. The multiple endings make the sex feel heavier, because you know you might break him for good. One wrong choice and that romantic, horny monster you just had rutting against your thigh with his tongue hanging out can end up bleeding in the dirt because of you. It’s a game about fucking, yes, but it is also about how much power you keep over someone who loves you enough to let you kill him. I played it on mobile in bed, screen too bright, one hand scrolling and the other wandering lower every time he whined your name. At some point I got annoyed that the text box covers just a bit too much of his body during one of the best scenes and I kept adjusting my phone like that would fix it, and now I can’t stop thinking about that tiny stupid issue instead of going back in for the last ending. Anyway. The sound of him begging, even just in text, sticks in your head like a good meme you don’t want to share with anyone. This is not a clean story, not emotionally and certainly not physically, and that is exactly why it works.

You start as this quiet guardian angel, not some shining armor guy, more like a nosy mod in a cursed Discord server, watching a girl in a city that feels cut off from the rest of the world. At first it’s almost calm: narrow streets, fog stuck between the buildings, people pretending they’re normal while catgirls and foxgirls just wander around like it’s nothing. You don’t walk in the city yourself, you nudge it. Tiny choices, small pushes, changing who she meets and what kind of shit she gets dragged into. One run she’s shy, hiding under hoodies and closing curtains, another run she’s half naked in a bar window, acting like she forgot what shame is. The game never stands up and says “here is the corruption route now,” it just lets scenes creep in. A dirty job offer here, a “favor” there, some pervy landlord watching her undress through a crack in the wall while you decide whether to stop it or see what happens next. It feels wrong and interesting at the same time, which I guess is the point.

The city itself slowly turns into this living kink playground if you let it. That quiet back alley becomes the place where she ends up on her knees between two strangers, trying to keep eye contact with you, like she still hopes some angel is actually watching. One decision earlier you told her to take that “easy money,” now she is in a cheap motel room with a group of guys, mascara smeared, trying to act like she’s fine with being used as a cum dump. If you push her harder, the outfits get bolder, tops vanish, skirts get shorter, and suddenly every corner has someone wanting a taste. Interracial scenes in cramped stairwells, public blowjob next to a parked car while a foxgirl girl records it on her phone, lesbian stuff in a steamy bathhouse where she lets another girl pin her to the wall and ride her face until she almost passes out. Sometimes she’s on top, humiliating some poor bastard, spitting in his mouth, choking him a little. Next day she’s the one getting slapped, called a whore, forced to say thank you while a crowd watches and laughs. The game swings between male dom, femdom, and just pure chaos, and the whole time you’re stuck in this weird zen state, clicking options like “encourage” or “ignore” while people choke each other out in graphic, messy detail.

What really hits is when the violence ramps up and the sex doesn’t stop. There is this scene where some thugs drag her behind a warehouse, and it’s not soft at all. She gets pinned to cold concrete, legs forced open, you see the panic, then that fucked up moment where panic turns into something else. Blood, spit, rough thrusts, her voice cracking between begging and moaning, and you’re still there in your little guardian menu, deciding whether to call in a miracle or just let it scar her more. Next playthrough maybe you steer her towards a brothel instead, and now prostitution is almost “cleaner” by comparison: a line of clients, one after another, her learning how to deepthroat while a madam talks about prices. She leans into exhibitionism too, standing under a flickering streetlight in nothing but a thin top, nipples visible, pretending she’s cold while secretly getting turned on by all the staring eyes. Sometimes you do nothing and just watch her through cameras, like a voyeur god, as she lazily rides a guy on a sofa and stares at the invisible you, almost like she knows she’s never alone. The sandbox thing means you just kind of wander between events, trigger something wild, then waste time talking to some random catgirl who wants her tail pulled. It’s messy, uneven, too slow in parts, and yet that fits. Like sex where you both lose rhythm, laugh a bit, then go harder and rougher than before. The girl changes, the city changes, and somewhere in there, you realize you stopped trying to “protect” her and started being curious how far down she can slide.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

Memory comes back to you like a drunk kiss in a dark alley: rough, confusing, kind of hot, kind of scary. You wake up in this ugly-beautiful world that smells of steel, sweat and wet soil, and the first thing you see is her. Big soft tits leaning over you, hair falling like a curtain, lips moving, voice low, asking your name while you’re still staring down her cleavage instead of answering. The game doesn’t rush, it just lets you sit there in that POV angle, eyes level with her neckline, while she talks about war and kingdoms and you’re thinking about everything except politics. It feels dirty in a slow way, like fingers sliding under a shirt when no one is in a hurry. Then suddenly you’re walking through a camp where men scream and banners burn, and the same woman acts like nothing happened, like she didn’t just wake you by practically smothering you with her chest. That little emotional whiplash is half of the charm here. Or half of the problem. Hard to say.

What surprised me is how often your dick has to wait while your brain does some work. You click around in this point and click wandering, poking at tents, broken carts, blood stains, talking to people who all want something. Then the game throws you into turn based combat out of nowhere, and for a moment you almost forget there is sex at all, until after you win and she thanks you with her mouth in a quiet corner, on her knees, your view locked right in POV as her lips stretch around you. There’s this scene where you finish a dungeon, half dead, armor cracked, and the other love interest, colder, sharper, with that perfect body that looks like it was made to be pressed against a stone wall, just grabs you by the collar and drags you into a ruined chapel. She talks about strategies and sides in the war while stroking you lazily with her hand, like it’s nothing, like you’re just another weapon she oils before a battle. I hated how sometimes the teasing goes on too long, how the game lets you wander three screens clicking empty barrels instead of pushing you back into her arms, but then that slow pace makes it hotter when it finally breaks and she drops to all fours, back arched, tits swinging while you pound her from behind as if the whole world outside is burning. Which it kind of is, with all that graphic violence splattered around, heads split, bodies on spikes, and then suddenly you’re in a tent with soft candlelight, her lips shiny with spit and your cum, talking about who you should support in this stupid war like it’s pillow talk.

I liked that the male protagonist is not some mute wall of muscles, he throws small comments, gets confused, sometimes sounds like a horny idiot who pretends he cares more about honor than about getting his dick sucked, and that feels very real. I had this one moment where I chose to help some poor bastard on the roadside, and it turned into a bloody mess, cut throats, dark magic, and afterward one of the girls looked at me like I was her personal hero, slid under my cloak and started slow oral right there behind a broken wagon, while the sky glowed red from burning villages. It aroused me and also annoyed me because the controls in that scene felt fiddly, like the cursor just refused to land where I wanted, and I kept thinking about that instead of focusing on the way her tongue moved. But then she looked up with cum on her lips and laughed, and I forgot my little complaints for a while. The world feels heavy, any step might drag you into another fight, another dungeon, another choice about who lives, who dies, who gets to ride your cock in a dirty cave with echoes of moans mixing with screams from somewhere far away. It all tastes like metal and sex, like sweat on bare skin under armor, like being torn between going home or staying just one more night in this cursed place because you want to see her on top again, tits bouncing in rhythm with the turn based beating of your enemies outside the tent. Dare to play it alone, or invite company?