First thing that hits you with this one is how stupidly on-the-nose the Halloween vibe is, in a good way and also in a kind of trashy way that fits porn games way too well. It’s all haunted corridors, weird slime stains on walls, pumpkins watching you like they know you’re about to jerk off, the usual. The whole thing sits in that Avatar / Legend of Korra parody pocket, but instead of doing the grand “save the world” thing, it’s more like “try not to die while your dick is out.” You play as a guy dumped into this paranormal mess where spirits and monsters want your body in every possible sense. One second a ghost milf is literally trying to suck your soul out through your cock, next second there’s blood on the floor and a jumpscare that almost makes you close your browser out of reflex. Almost. It keeps that goofy humor tone from the FET universe, like characters crack dumb lines right before doing something completely vile, and it somehow works. You laugh, then there’s a futa spirit pinning you against a wall and using you like a toy, and the joke just feels like part of the abuse. In a fun way. Kind of.

The animated scenes carry the whole thing. They aren’t “perfect”, some loops look a bit rough or stiff, but that’s also why they feel dirtier. Korra riding you with her tits bouncing slightly off-sync, a monster cock sliding into her while she’s still pretending to be in control, the slow push into a wet pussy while a shadow hand covers her mouth and she tries not to moan too loud. There’s a sleep sex scene that’s way more messed up than it pretends to be: you waking up halfway through, not sure if it’s a dream or a ghost literally using your body. No fade-to-black, just full-on grinding, cum, and her whispering some creepy loving shit in your ear. The violence is graphic enough that you wince once or twice, like when a paranormal thing claws your back open during doggy and it’s played as joke and horror at the same time. Game lets you masturbate in one corner scene while some possessed milf watches from the mirror, and that stupid little detail stayed in my head longer than the “big” story beats. Oral scenes are all over the place, messy, spit dripping, sometimes a bit cartoonish, which somehow fits the parody. Vaginal stuff gets most of the focus, especially with Korra, and it’s very “fan brain candy”: positions you know people have been drawing for years, now in motion, plus the occasional futanari twist where suddenly she’s the one doing the penetrating and you just have to accept it because of “spooky magic.” The horror is never serious enough to kill the mood, but it’s never fully background either, so you’re jerking it while also waiting for something awful to pop up. In a way, that tension is the real fetish here.

City like this always feels a bit horny and a bit dangerous at the same time. You start as this broke delivery guy, running boring routes, talking shit to yourself in the dark streets, wondering if rent or your sanity dies first. Then one very wrong encounter later, your throat is open, everything goes black, and when you wake up you’re a vampire with a hard-on and a second life you didn’t ask for. It’s not some sparkly teenage drama either. People bleed. Heads crack. The game doesn’t fade to black when someone gets ripped apart, it actually shows you. And in the middle of that mess you’re trying to figure out if you want to be the tragic romance type or just a complete bastard corrupting every girl who crosses your path. One moment you’re having a semi-sweet talk with a shy “good girl” virgin who trusts you because you saved her from some creep, next moment you’re pushing her down on a stained mattress, finger in her ass, making her choke on your cock and calling that “training”. The writing really leans into that: one path lets you act like a protective love interest, the other like a walking red flag with fangs. Both feel right for a vampire, honestly.

What makes it fun is that it’s not only click through text and watch boobs bounce. You wander the city like in a small adventure game, poking into alleys, shops, shady clubs, even some weird paranormal spots. You pick jobs, take quests, grind stats, unlock new powers. Get stronger, get richer, get more dangerous. Superpowers and corruption go hand in hand: you charm a milf long enough and suddenly she’s begging to be your personal blood bank, legs wide open while you decide if you want to cum in her pussy or in her ass. Some scenes start almost wholesome, like you just giving a massage, a bit of teasing, a slow handjob. Then toys appear. Vibrators, plugs, collars. You pull her hair, make her ride you until there is a sloppy creampie dripping down her thighs, and she thanks you like it’s a religious experience. There is this nice whiplash between male domination and female domination too. You think you’re in control, then an older vampire girl puts a heel on your chest, jerks you off nice and slow, stops right before you cum and tells you exactly whose pet you are now. The incest angle is handled in that porn logic way: everyone acts like they know it’s taboo but they just keep going, touching, groping, “accidentally” walking in during masturbation, turning family drama into porn logic romance. And yeah, there is prostitution, actual street girls, deals for blood and sex, sometimes both at once. Some routes let you keep things romantic, soft kisses, gentle vaginal sex, cuddling after. Others push you into being a complete pervert, using mind control to turn a decent woman into a cock drunk toy who offers anal just because you smiled at her. It’s messy and a bit trashy and also kind of addicting, like watching late night anime that suddenly went full hentai without telling anyone.

Angelica shows up in this city like she thinks life is finally going to calm down, and within five minutes you are watching people eye-fuck her in the hallway while you try to remember which key opens the damn inventory. She is 22, fresh grad, thinks she is smart, then gets sucked into this crime and family mess where everyone either wants to fuck her, use her, or both at same time. You start just helping her move in, checking some messages, a little masturbation scene in the new apartment if you push certain choices, and suddenly you are in the middle of some shady deal behind a strip club, staring at a guy who looks like a dilf version of a cartel accountant. The jump is wild but it somehow feels natural, like "yeah of course we went from unpacking boxes to blowjob in a car behind the bar." I got distracted at one point just opening every dialogue option to see who is secretly a creep, and surprise, most of them.

There is this thing the game does where it teases you with exhibition vibes all the time. Tiny skirt, no panties, camera lingering on her ass way too long while she walks through crowded street, some dude "accidentally" bumps into her and his hand stays on her hip for a second too long. You can lean into it or try to keep her more "good girl" but even when I tried to play her careful I still ended up in this scene where she is half naked behind a half closed door, moaning quietly, while some family member passes by the hallway and you just know if you click wrong they see everything. It turns into this weird mix of voyeur and exhibition, like you are watching and also making her the show for other people. Sometimes it felt hot, other times I was like "ok this is kinda messed up" then the next second there is anal on a leather couch and my brain just shuts up. The game calls it corruption, but it is really just you slowly finding out everyone around her is horny and slightly criminal or fully criminal. There is group sex, there is multiple penetration, stuff that hits fast once the story opens up, and when the interracial scenes hit they do not tiptoe around it, it is right in your face and pretty filthy. One of the best moments was this stripping scene where she is supposed to just "audition" and it escalates to oral and groping while another girl watches from the back room, half in the shadows. That little voyeur angle, plus the sound of cheap club music looping, somehow made it way hotter than it looked at first.

I kept thinking the game only cares about Angelica, but then the other playable characters show up and suddenly you jump into someone older, or into a guy, or into this milf type who is part of the family mess. The tone shifts when that happens. With her, scenes feel like "oops, I am in danger, also I am horny." With the others, it is more "I know exactly what I am doing and I am still a terrible person." There is one older man you control who walks into a massage place, and that whole sequence turns from casual talk to sexual harassment to full on prostitution-level negotiation in like three dialogue lines. The writing is not perfect, some phrases feel like they came from Google Translate, which is funny because my English is not even good and I still noticed it, but in sex scenes it weirdly helps, makes the dirty talk shorter and more direct. Creampies, anal, double penetration, that stuff is not hidden, when it goes there the camera stays and the sound design pushes it, with those wet sloppy sounds you pretend you do not like but you turn the volume up a bit. Oh and there is graphic violence that pops out of nowhere sometimes, like one moment you are deep in a blowjob scene in a car, next moment someone gets beaten halfway to death in a back alley and you wonder if you should have taken a different choice three scenes back. Only thing that annoyed me constantly was how clicky the UI feels in some menus, like the hitbox on one button is weirdly tiny and my fat mouse finger keeps missing it, and I never got used to that. Anyway, you go from masturbation in a lonely apartment to family drama, to stripping, to crime mystery, to group sex in some cramped room where everybody is sweating, sometimes in the span of what feels like ten clicks, and my brain kept going "one more scene then I stop" then I forgot what I was doing before I started playing.

A lich on the throne, a princess in chains, and you stuck in the middle like some horny middle manager of a dead kingdom. That is the whole mood here. You’re not a chosen hero, you’re the guy who helped the coup and now has to live with it while everyone around you tries to fuck you, kill you, or both in the same scene. The game runs in browser, VN style, but it doesn’t pretend to be classy. It’s all court politics, rotten magic and filth. One moment you’re negotiating with the undead king’s sexy fixer with her smug little smile and leather collar, next you’re in the dungeon “questioning” a rebel girl, and the choices are basically: be a bastard, be an even bigger bastard, or try to be decent and watch the world punish you for it. The writing is surprisingly sharp in that Eastern Euro fan-translated way where sometimes a line is awkward as hell but it hits harder because of that. There’s this scene where you visit a brothel that operates under the lich’s protection, and the madam talks about “patriotic holes” in such a dry tone I had to pause my browser and just stare at the screen.

Sex wise, it goes all over the place, and I mean that literally. Group scenes in candlelit halls with masked nobles using slaves like toys, rough groping in narrow corridors while guards pretend not to see, monster stuff in the catacombs where tentacled things treat clothes as a suggestion. There’s soft girl on girl moments too, especially around the princess if you steer her that way, with slow kissing and oral, but the game really likes humiliation and control. Tits fuck in chains, throat used like it’s just another hole, and the classic “kneel and open your mouth while we talk politics” thing that never really gets old. Some scenes are animated just enough to be dirty, not smooth, like those old Flash games we all pretended not to know, and somehow that fits. The BDSM has levels: sometimes it’s light bondage and teasing, sometimes it goes all the way into graphic torture mixed with sex that will absolutely not be for everyone, but the game does not stop to explain or apologize. There is one lesbian torture interrogation involving a captured resistance girl and a noblewoman that is written almost lovingly, then slips suddenly into real cruelty, and I honestly had to click through slower because it felt too real.

The morality stuff is where it sneaks up on you. You can play loyal dog to the lich, leaning into the corruption, whoring out prisoners, pimping citizens into prostitution to fund your schemes, basically turning the kingdom into a meat market. Or you can side with the resistance, which is not pure at all either. They use people, they push you into group orgies for “trust building”, they throw captured collaborators to monsters for entertainment. The princess is the weird center of it all, locked up but still dangerous. If you visit her cell enough, and push her buttons, she flips between broken submissive and manipulative brat, and there’s a route where she lets you fuck her through the bars while whispering about burning the whole city. I liked how the choices actually branch into different endings, not just color swaps. One run I ended as a half-mad mercenary fucking a demon on a pile of corpses, another I limped into a bittersweet “good” ending where the princess rules and I’m basically her private pet, chained on a cushion behind the throne in a golden collar. The game uses explicit violence and sex like a hammer, but sometimes it slips in a line like “you remember the faces of those you sold” and that hits harder than all the blood. Also, tiny thing, the auto-skip sometimes stops at random lines and it annoyed the hell out of me and I kept meaning to fix it in settings and never did.

Moonlight throws you into this dirty, glossy future where everyone pretends they’re happy because their brain is on a leash. Neural implants drip little shots of pleasure in your head while an app rents out your meat-suit to whatever corpo wants a warm body. It sounds ridiculous but it feels… too close. You’re this burnt-out detective with more regrets than friends, poking around a death that smells like murder but is written up as “unfortunate malfunction”. Classic. Except here the corpse has an implant history that doesn’t add up, a porn subscription tied to a dead identity, and an ex who cries like she’s rehearsed but still clutches his jacket like a real widow. The game keeps you in that sweet spot where you’re never sure if people are lying or if the tech is lying for them. Also there is so much teasing it’s almost rude. One moment you’re going through encrypted chat logs, next moment a milf corporate handler is leaning over your shoulder, blouse half open, casually asking whether you’ve ever tried orgasm lock with a neural override. The flirting keeps cutting through the bleakness in a way that feels very queer to me, like everyone is using horniness as armor. I relate too much probably.

Sex scenes don’t come flying at you every two clicks, they crawl up slowly, like bad decisions at a bar. You talk, you joke, you push someone too hard in an interrogation, they push back, things snap. I had one scene where I was questioning this older lab tech, soft belly, tired eyes, very “I have seen some shit”. We start arguing about consent when your body is on remote control, and suddenly she’s grabbing the collar of your coat, pressing you against a sterile glass wall, telling you she wants to feel a real tongue, not a programmed rhythm. The game lets you decide if you go down on her right there among the humming machines while security cameras pretend to sleep, or if you pull away and keep playing the noble asshole. The animation sells it in a very unpolished way; sometimes the lips clip a bit or the angles look too porn-hub, but honestly it kind of fits. It feels like underground smut recorded in a shitty rented apartment, not some corpo-funded sex sim. There’s blood too, real rough stuff. One route turned into a total mess when the guy I was tailing got his implant fried right in front of me, smoke out of his nose, body twitching on the ground while my character is still half hard from a blowjob in the alley five minutes before. It’s uncomfortable and hot and confusing, and the writing never stops to hold your hand and tell you how to feel. Queer vibe shows up more in the edges than in labels: guys checking you out in clubs, women in sharp suits who don’t care what’s in your pants as long as you can keep up, trauma and desire tangled together. Some romance paths clearly want you to think they’re soft and wholesome, then they will turn around and ask you to choke them while they’re jacked into a virtual beach. And I swear the text messages you get on your in-game phone remind me of my ex who used to sext from the metro, like there is this messy, non-perfect English in some lines that actually hits very close to home for me as a non native speaker. Nothing feels translated for a straight American audience, just tossed at you to deal with. It’s horny, fucked up, a bit clunky, and somehow that makes it more honest.

Rob is the kind of main guy who already feels cursed before the story even starts, and the game leans into that in a way that kinda tickled the little eldritch goblin in my brain. He’s this broke college kid, forgotten by his own parents like some unwanted relic in the attic, while his sister is treated like the golden idol in the house. Nothing supernatural on screen yet, but the family vibes feel wrong in a way I usually only get from old horror books where no one says the quiet part out loud. You can feel something rotten behind that “strange event” with the parents, like an old cult ritual gone bad or a deal with something that doesn’t care about humans at all. Then he goes to a poker game, which sounds boring, right? It’s not. That table might as well be a summoning circle, because from that moment the whole thing starts slipping out of normal reality into this twisted mix of sex, crime, and violence that feels like a god with eight mouths is laughing just off screen.

The erotic stuff doesn’t pretend to be healthy or pure. Sex here is raw, rough, and often tangled in fear and power games. One scene sticks with me: Rob is in this cheap, dim room with a girl who’s supposed to be just a “contact” for his little criminal step up. Conversation goes nowhere, nerves are high, and instead of some slow, tender buildup, it just snaps into a hungry kind of fucking that feels like both of them are using each other as a way not to think about how close to death they are. Her eyes roll back, tongue out in that over-the-top ahegao way, but it doesn’t feel goofy, it feels like she’s losing a piece of herself to whatever dark mess Rob is dragging behind him. Another time he’s in the middle of an investigation, blood on the floor, body still warm, and he ends up getting his cock sucked in the next room like the violence just opened a door inside him and now everything is leaking out. It’s wrong in a very deliberate way, like the game is asking “you still jerking off to this?” while it keeps pushing more. And yeah, I still did.

What really hooked me is how the sexy moments and the cruel ones keep melting into each other. One minute you’re flirting, pulling a girl closer, her lips on you, her hand guiding you in, and the next you’re dealing with torture, murder, talk of ***, this heavy criminal underworld that doesn’t respect life at all. It’s like watching a ritual where blood and cum are treated as the same offering. Harem vibes grow slowly around Rob, too, but not as some nice power fantasy. It feels more like he’s accidentally building a cult around his broken life, women orbiting him for all the wrong reasons, some of them wet and giggling, some half-broken, some clearly dangerous. The animated scenes hit hard enough, sometimes a bit clunky, sure, but the impact is there: thighs shaking, mouths stretched around him, bodies tied to dark choices he made earlier. I wish the investigation parts had a bit more brain to them, sometimes they just feel like clicking through until you get to the next sex or mutilated corpse, and there’s this one sound effect that keeps repeating and drove me nuts, but in a weird way that roughness makes it feel more like some cursed underground thing you found by accident rather than polished porn. It’s not realistic at all, and that’s honestly what I liked: everything feels like the city itself is a hungry thing watching Rob fuck and kill his way deeper into a story that’s only pretending to be about a poor student.

Reality show from hell, that’s kind of the vibe here. Not the goofy Netflix stuff where everyone cries in the confessional, more like “what if Big Brother was run by someone who jerks off to cruelty and power trips.” You’re the new guy thrown into this locked-down futuristic house, cameras everywhere, no privacy, and twenty-something horny, scared, fucked‑up contestants pretending they’re here for fame while everyone knows deep down they’re being used like meat. It’s all bright lights and fake smiles on the surface, but a few scenes in you start to feel the rot. People get “eliminated” and it’s not just some walk-of-shame to a taxi. The showrunners treat bodies as props. Holes as content. Consent as a slider they can turn off whenever ratings need a boost.

Since I’m into voice work, I went in listening more than watching at first. The moans and gasps during those “teasing” scenes where the girls rub against the MC in the communal bedroom while the others pretend to sleep? That shit feels way too real. There is this one sleep sex moment that actually made me stop and replay, because her breathing shifts so slowly, from deep sleep to confused whimper, then to this reluctant arousal when he pushes her panties aside and starts fingering her under the sheet, while the cameras zoom in and the producers whisper in your ear through the UI, basically encouraging you to keep going. No cartoonish screaming, it’s awkward, wet, quiet. A little uncomfortable. Actually more than a little, and that’s sort of the point here. Same with the blackmail scenes: they use old sex clips, private files, nudes, all that, to force a shy girl to join a group sex “challenge” with guys of different races on live feed, and the MC can either back off or lean into it. When you go with it, the mix of humiliation and arousal in her voice is kind of insane. She’s choking on cock, trying to say “stop” and “keep going” in the same breath. It’s sick, and it’s hot, and I kind of hate myself for liking it.

The sci‑fi / dystopia flavor sits in the background like a bad smell. Futuristic collars, shock systems, drugged drinks served after every elimination, some AI host that sounds almost friendly while pushing the contestants into anal, double penetration and messy creampie “competitions” that feel like twisted party games. There’s interracial and swinging stuff that actually feels like it belongs there, because the show is clearly trying to mix as many bodies and skin tones as possible for the “audience,” not for the characters. At one point they chain a couple to a wall and have other contestants jerk them off in turns while the floor slowly fills with water and blood from the last “test” in the next room, like a porno Saw ripoff that actually commits to the idea. The sound design sells it: wet slaps, muffled cries, someone laughing in the control room, you can hear a mic crackle when one girl is forced into anal while another guy is already buried in her pussy, so you get this rough, overlapping breathing that makes it feel way more chaotic than the usual porn game rhythm. And yeah, it’s all 3D models doing vaginal, oral, anal, the whole package, but I kept coming back to the way they react. Tiny “fuck” under their breath when you push too deep. Nervous giggle before a forced blowjob. That stuff hits my VA brain. The violence goes hard, too: broken noses, bruised throats after rough throat-fucking, someone getting beaten because they refused a group scene, then later you see them again, limping, still used as a toy. Sometimes the MC is just another predator in the system, sometimes he feels trapped with them. The game doesn’t really care what kind of person you are, as long as you keep playing along with its nasty little show.

Athena’s Revenge feels like someone smashed a Greek myth book, a porn folder, and a metal album cover together, then said “yeah, that’s fine, ship it.” You’re dropped into this hellish road trip with Stheno and Euryale, the kind of monster girls who look like they’d ruin your life and then complain you didn’t last long enough. It kicks off right after the last mess, no hand holding, no recap, just “we’re going to Hell to get Athena back, and we’ll fuck or murder anything that gets in the way.” Sometimes both. The world is all red glow, chains, and wet noises, with that chunky animated style where tits and asses move like they have their own physics engine. The first time Stheno walks toward the camera and her ass jiggles inside that armor, I actually paused and rewound like some horny archaeologist doing “research.”

The sex scenes are where the game stops pretending it’s about plot and just leans in hard. You’ve got monster girls with curves that make zero anatomical sense, demons with way too many tongues, futa surprise scenes that kinda sneak up on you in the best way, and this whole harem energy where every new ally or enemy feels like, “Ok, when do I get to ride that?” There’s one moment early on where the group hits a demon outpost, and instead of just slaughter, you get this interrogation that turns into a blowjob competition. Euryale on her knees, drool stringing, the demon’s cock throbbing in closeup while Stheno watches with this jealous smirk, like she’s annoyed but also kinda turned on. Then Igret shows up later, smug succubus queen, and her scenes are just filth. She wraps her tail around your neck, pushes you between her thighs, and it cuts between her face, that lazy half-lidded look, and her pussy grinding in your mouth while the background is literally burning. It’s stupidly hot. Then suddenly the story wants to be serious, talking about revenge and divine punishment, while a demon girl with huge tits is still panting on the floor from getting railed in the last scene. The tonal whiplash is hilarious and also… I liked it. Maybe. I think.

There’s a surprisingly nasty edge to the violence though. Heads get ripped off, guts spill, some angels and demons die screaming, and then five minutes later someone’s face deep in a slick pussy like it’s a reward screen. The harassment stuff is very in-your-face too, demons grabbing, groping, pinning the girls against walls, and the game flirts with that line where you go “hmm, ok, this is hot but also damn, dude.” Some scenes lean hard into that forced vibe, others flip it and the girls are the predators, like when Stheno pins a lesser demon, sits on his face, and tells him if he stops licking she’ll cut his tongue out. I kinda love her, kinda fear her, kinda wanna ask her to step on me. What really stuck in my head though is one tiny detail: the way saliva and cum are animated during oral. It clings to lips, stretches, drips on boobs, sticks to thighs, and they show it from these close angles that made me lean toward the screen like an idiot. At one point a demon girl swallows and a little bit spills out the corner of her mouth, trails down to her big tits, and I had to pause just to stare. Meanwhile, the choices you make in dialogue pretend to matter, sometimes they do, sometimes they don’t, but I still clicked like it’s Tinder with extra steps. And that one background sound in the citadel, that low humming thing? It got into my head and annoyed me for the rest of the playthrough, and I kept thinking I’d find an option to turn it off, but no, it just stayed there, buzzing, like a mosquito with a sound fetish.

Christmas lights, cheap tinsel, fake smiles and then suddenly the room tilts and your brain feels like it’s running on Windows XP in safe mode. That’s basically Becky’s life now. You’re in her head, this 21-year-old brunette with a body that makes every camera angle feel like it’s trying to cop a feel: big tits squeezed into clothes that are definitely one size too hopeful, ass fighting the seams whenever she bends to pick something up. It’s not just “oh wow she’s hot”, it’s that kind of heavy, bouncy flesh that makes every quiet hospital corridor sound louder in your skull because the game actually gives her weight. Footsteps soft on tile, the tiny swish of fabric when her thighs brush, the creak of a cheap chair when she shifts her hips. I’m a sound nerd, I notice this stupid stuff.

The “Vertigo” thing isn’t just a plot excuse, it feels like a constant little audio bug in the back of your ear. When Becky has one of her episodes, the whole soundstage starts to warp, like someone dragging a vinyl record with their finger. Background hum from the hospital suddenly dips, people’s voices slide slightly out of pitch for half a second and then snap back. It’s unnerving and kinda hot at the same time, especially when it hits in the middle of a lewd scene. One second she’s getting pushed against a wall by a woman in a tight nurse outfit, clipboard clattering on the floor, breathing getting faster, soft wet sounds starting up, and then boom, that weird heartbeat-in-your-ears effect kicks in and you feel like you’re going to tip over with her. The nurse here isn’t just “sexy outfit + boob window”, she talks to Becky like she’s a patient and a plaything. Latex gloves snapping, that faint rubber squeak when her hand slides over bare skin, the rustle of sheets when she pins Becky down for a “check up” that has zero to do with medicine. Slight moan in the left ear, a low whisper in the right, it’s surprisingly intimate for a porn VN.

Outside the hospital stuff, you get this slow-burn investigation mood where Becky tries to figure out what Vertigo actually is, and why other people have their own twisted versions of it. You walk into apartments at night and the whole ambience changes: fridge hum, distant city noise, floorboards creak when that older woman with the milf energy steps closer. She’s got that dangerous calm voice, like someone who already made a bad decision and wants company. When she leans in, you hear the faint clink of jewelry against her cleavage, her breath deeper, more confident than Becky’s shaky little gasps. Sex scenes with her feel heavier, more raw. Bedframe hits the wall with a dull thud, Becky’s muffled cries against a pillow, wet sounds not overdone but sharp enough you feel them in your neck. Then, in the same game, someone screams in another room, there’s blood on tile, and the sound design doesn’t flinch: impact is meaty, not cartoony, and the silence after is worse. No heroic music, just the buzzing light and Becky’s breathing going from horny to panicked. It jumps between lust, fear, curiosity so fast it almost feels broken, but that messy mood actually matches her: horny, confused, turned on by people she should probably be running away from, chasing answers that only lead to more fucked up nights. I still hate one thing though: there is this one looping corridor ambience that has a tiny echo in it, like a spoon touching a mug, and once you hear it you cannot unhear it. Never fixed, just sits there, quietly annoying, while Becky’s big ass walks past another door that definitely hides something you probably shouldn’t open.