You start as this skinny snow white fox guy in a medieval world full of idiots, assholes, and way too much magic, and somehow everyone wants to either kill you, fuck you, or recruit you for some “hero” bullshit. The game doesn’t waste time pretending to be something else. It’s gay, it’s furry, it’s horny as hell, and it leans into that. One wrong move in the story and suddenly you’re pressed against a cold stone wall by a huge armored bull knight, his breath hot on your neck, his hand “checking” if you’re hiding weapons between your legs. Then later the same guy acts like some noble protector while you both stand in a burning village and talk about destiny. That’s the kind of whiplash you get here. Comedy one line, dick on the next screen, tragic backstory right after the cumshot. I’ve seen softer mood shifts in old Flash porn games on Newgrounds, but here it somehow works, or maybe my standards are just ruined at this point. Dialog sounds like real idiots talking, not some writer trying to be clever all the time: guys swear, call each other out, crack filthy jokes in the middle of danger, and yeah, sometimes the fox says something so cringe you want to click past it, but that’s part of the charm. Or maybe it’s just bad writing and I’m coping, hard to tell.

The “kinetic” part means no big branching, no stat grinding crap, no pretending to be an RPG. You click, you read, you watch things escalate. And they do escalate. First time the fox gets caught by that demon with the glowing eyes, it looks like the usual “I’ll take your soul” scene, then the demon pins him down, claws tracing his chest, and starts talking about “tasting fear” while his cock is already half out. There’s this scene in a ruined chapel where you’re supposed to be doing serious magic training, but your mentor, a huge old lion wizard with tired eyes and thick arms, stands behind you to “correct your stance” and slowly grinds against your ass while explaining spell theory. The game doesn’t shy away from size difference, knotting talk, messy finishes, all that bara stuff. Muscles, fur, sweat, cum on armor, cum on old books, cum on the damn floor that nobody ever cleans. It’s not some cutesy tease; it shows hard cocks, actual fucking, power play, the fox begging for more even when he’s pretending he hates it. At the same time it tries to pretend there’s this big heroic mystery, secrets in his past, some heavy thing about what he did wrong that kicked off his journey. And yeah, sometimes you do feel that weight, like in that quiet campfire scene where he stares at his own hands and wonders if they’re made to save people or just jerk off monsters. Then two minutes later he is deepthroating a smug goat thief behind the tent because “it’s better than listening to him talk.” It’s messy, uneven, horny, and very clearly made by someone who wanted to see a snow fox get railed by half a fantasy kingdom and then still be called a hero at the end.

This one starts quiet. Not horny-chaos-from-second-one, more like slow boil. You’re this young acolyte in a tiny mountain village, technically there to “serve the gods” and “keep the sacred balance” and all that formal crap, but after like ten minutes it’s very clear the real job is getting tangled up with muscular divine men who have way too much body hair and zero sense of personal space. It feels like a romantic stats spreadsheet that accidentally grew a dick. You run around doing rituals, picking dialogue options, watching your “bond” values crawl up like you’re tracking conversion rates in Google Sheets, except every successful “ritual” ends with you pinned to an altar by some mythic beefcake who looks like he could bench press the whole temple and your character is just… letting him.

The vibe is surprisingly cozy before it gets filthy. The gods aren’t these distant glowing things, they’re big guys with scars, fat cocks and weird insecurities. One of them talks like he’s a grumpy uncle, huge chest, hairy belly, thick arms, and then once you choose a bold response instead of the submissive one he slams you against the shrine wall. That escalated fast and I loved it. You start to notice little patterns: be too polite with the storm god and you get one kind of scene, push back and suddenly he chokes you lightly while he fucks you on the temple floor, thunder outside like some overdramatic porn soundtrack. It’s all text and vibes, but the way it describes weight, warmth, the way your thighs shake after he finishes inside you, it’s not coy at all. I actually had to pause a route because my brain was trying to calculate which affection threshold triggered the anal scene while my dick was like “shut up, we’re busy”.

The writing jumps between sweet and trashy in a funny way. One moment you’re helping fix a prayer banner and talking about duty and devotion, next moment that same “gentle” god has you straddling his lap, his cock grinding between your cheeks while he whispers that a devoted acolyte offers his whole body, not just his hands. There are small mechanics that you start to min-max without even thinking: like which nightly duty to take, which offering to pick, how “pure” you pretend to be in public. I kept a stupid Excel sheet open tracking which answers gave intimacy points and which unlocked what, then I blew one of the big endings because I got greedy and went for one more sex-heavy choice with the other god. Suddenly the “husband” style route snapped, and the guy who had been all soft and protective basically looked at me like I was a slutty tourist in his temple. Still fucked me, rougher than before, but the epilogue text hit different. That walk-of-shame paragraph where the villagers bow to you while you’re sore and know you technically saved them but kinda broke your main relationship? That stuck more than any cum detail.

It’s lewd as hell without feeling like a cheap porn generator. When a scene says he pushes deep, it lingers on stretch and breath and how your legs tremble, not just the finishing line. There’s one altar scene where your acolyte is on his back, robes pushed up, the god holding your ankles up high so your hole is exposed to the candlelight, and he just… takes his time, tracing your rim with his thumb while you squirm and try not to beg. That whole thing is like fifteen screens long and I remember more about the way it built up tension than about who was technically “on top” in the lore. Also, tiny nerd complaint: the save slots are labeled in a slightly weird way and I keep overwriting the wrong branch, which made me replay the same blowjob under the waterfall three times. Not that I’m mad about that specific scene, the description of water running down his abs while he holds your head and groans is stupidly hot, but still. I keep forgetting which path I’m planning, then some god with thick thighs and a smug smile shows up and all the careful “route optimization” goes out the window and I’m just clicking the option that sounds like “yes, ruin me, holy daddy”.

House full of ghosts, but they all look like skinny pretty boys in thigh highs and skirts. That’s the vibe here. You move into this creaky old place after your dad dies, with that weird heavy silence in the walls, and instead of dust and spiders you get these tiny smooth femboys showing up in your room, your shower, your bed, your head. They’re not transparent, they’re not “woo spooky”, they sit on your lap, breathe on your neck, grind on you, but everybody else just walks through them like air. So you’re having this soft yaoi daydream, dick hard, while the neighbor talks about plumbing, and this little crossdressing brat is licking your ear and calling you “onii-chan” even though you’re not related at all and also he’s legally an adult, calm down. The game sort of leans into that mental question: are you losing it, or is this a very specific kind of gay blessing that only you get. And it doesn’t answer. It just smiles at you with another pair of glossy lips and asks if you want to kiss him or make him choke on it.

What I liked is how it swings between horny and kind of sad without warning. One second you’re picking a dialogue option about whether you want to pull his panties aside or make him keep them on while you push inside, the next second he’s asking if you’re scared to end up alone like your dad. The writing is weird, like the dev’s first language was feelings and porn, and English somewhere after that. Some jokes hit, some lines feel like Tumblr from ten years ago glued to Pornhub comments, but it sort of fits. The boys are all petite, flat chests, soft tummies, smooth thighs, and yeah you can tell the art is AI if you stare too long at hands or backgrounds, but honestly I was zooming in on the bulges and the way the skirts ride up when they sit wrong on your face. There’s this one scene on the stairs where your foot clips inside the step a bit, and it drove me insane, like, why that specific angle, why that tiny glitch, I kept thinking about it during a blowjob scene for no reason. Dialog choices actually do matter a little, you can be gentle or trashy, “are you okay?” or “open wider”, and they react in these small ways, shy smile, needy whine, a little blush when you call them “good boy”. Sometimes the pacing drags with too much inner monologue about grief, and then suddenly a petite femboy is riding you raw in your dead dad’s bedroom and moaning your name like it’s a blessing. The whole thing feels like someone’s horny therapy session turned into a visual novel, sloppy at the edges, kind of broken, sometimes really sweet, sometimes just filthy, like when the quiet one sits on your face and pretends you’re not there, “since I’m only in your mind anyway”, while your character is literally gasping into his damp panties. It’s romantic, but also not, but also yes. I don’t know. I clicked every lewd option I could and still felt weirdly soft in the chest after the last route, like I’d just masturbated to my own loneliness in cute thigh highs. In a good way, or maybe not.

Guard uniform, shitty fluorescent lights, that stink of sweat and bleach that almost comes through the screen, and then this guy shows up in your block. Artemis. Wrong kind of pretty for a place like that. Soft face, sharp eyes, mouth that looks like it was made to talk back and suck cock, both. The game just throws you into that fucked up mix of power and attraction without a slow intro, which I liked. You’re already in the role, already the one with the keys, but somehow he feels scarier than the whole cell block. Not scary like monster, scary like "I know exactly what you want and I’m going to make you admit it." The flirting starts way too early to be healthy, way too late to stop, and every line he drops has that vibe where you can’t tell if he’s actually scared or just acting weak so you’ll push harder. And yeah, it’s mostly reading and choosing, but it doesn’t feel dry, because half the time I was alt-tabbing out of sheer secondhand shame, then going right back in like a horny idiot.

The thing that got me is how the game keeps playing chicken with your morals. You get these choices like "do the professional thing" or "maybe just touch him a bit" and it sounds simple, but the writing keeps nudging you, poking at your curiosity, making the “nice” options feel kind of fake. At some point I realised I was picking the worse path just to see how far the dev will go, and it does go pretty far into fucked territory. There is that whole predator vs prey dance, but it flips. You start as the guard, the big man with the baton, but Artemis knows how to tilt his head just a little, sit on the bunk in that half-feminine pose, open his legs too wide, make you aware how easy it would be to hurt him and how much he kind of wants you to. Or pretends to. Hard to tell. That tension is the hot part, not even the actual explicit bits, though those are written with enough dirty detail that I had to stop reading on my phone in public transport after one very specific line about making him kneel on the cold floor of the cell. The world is cruel, the prison is worse, but the horny brain prevails.

It’s pretty dark without the game patting you on the head about it. No big speech about trauma, just little details: the way he flinches when you move too fast, the way other guards talk about inmates like meat, offhand comments about what happens in the showers. It’s messy, morally and sexually, like one of those old yaoi fanfics on LiveJournal that half of us cut our teeth on, only a bit more grown up and kinda meaner. Artemis is that type: slight, almost fragile, but with enough lip to make you want to shut him up by grabbing his neck. He’ll tease you, call you "officer" with this tiny smirk, then suddenly there is this one line where he sounds genuinely terrified and it punches you right in the gut while you still have a hard-on. The choices make you complicit. You can try to be the good guy, but the text never lets you feel clean, and honestly that’s why it sticks. Sex here is power, manipulation, pity, and actual lust all tangled together, not separated into nice categories. If you like your gay prison fantasies soft and wholesome, this is not that. If you always wondered how far a bored, lonely guard might go with a dangerous little femboy inmate who knows exactly what card to play, this thing crawls under your skin, rubs up against every bad impulse, and waits to see which button you press next.

Solace City looks clean from far away, like a postcard you buy in an airport, but when you actually walk its streets it feels sticky, like someone spilled sex and blood everywhere and never wiped it up right. You play this guy who clearly has done some serious shit before the story starts, the kind of man who knows exactly how to break a jaw and still offers his seat on the subway. He shows up in this huge corrupt city with nothing but bad memories, a smart mouth, and that “I should probably mind my own business but I won’t” attitude. The whole thing is built around a mystery that keeps mutating. You think it is just missing girls, then suddenly you are snooping around a supposedly normal campus, watching drunk students pretend everything is fine while you know some of them might be running blackmail rings, porn stings, or worse. One moment you are joking with a cute girl outside a dorm, the next you are in a warehouse watching a guy bleed on the floor because you made a choice three scenes ago that pissed off the wrong people. The game loves this shit, this mix of flirting, violence, and “oh fuck, that escalated fast.”

Most of the time you are in visual novel mode, clicking through dialogue, picking who to help, who to lie to, and when to just grab someone by the throat and shove them against a wall. There are animated scenes for the fun parts, and the sex isn’t shy. Girls strip slow when they trust you, fast when they are angry and horny and trying to prove a point. One of the best moments for me was in a shitty little student bar: you are playing a dumb arcade-style minigame on a busted machine with this girl who looks too innocent for this city, betting clothes instead of coins. She starts losing on purpose, watching you from the corner of her eye, unbuttoning her shirt piece by piece while the neon lights flicker and some asshole pukes in the bathroom. Another time you are in a luxury penthouse, holding a gun you stole two scenes earlier, with a crime boss on his knees and his girlfriend in nothing but heels behind you, still catching her breath because you absolutely railed her to get her to betray him. Choices can swing you between “romantic protector” and “cold psycho” real fast. You might spend five minutes comforting a traumatized girl, letting her cry on your shoulder, then walk outside, grab the guy who hurt her, and pulp his face against a car hood. There is romance here, but it is romance built from bruises, secrets, and morning-after sex where nobody is sure if they are safe or just addicted. Sometimes the pacing feels like a drunk party: quiet talk in the kitchen, then suddenly someone is naked on the balcony screaming at the neighbors, then back to whispering about who disappeared last semester. You chase leads, unlock scenes, play around with minigames that pop up just when you were getting used to only clicking choices, and every time you think “ok, that’s enough crazy” the game just smiles and throws another girl, another threat, another chance to fuck or destroy someone right in your lap.

Mooncity feels like that messy shelf in my figure closet where everything is thrown together, but somehow my eye still goes first to the cute dangerous girl with blood on her sword. The story pretends to be about this quiet guy, Welt, shipbuilder boy who just wants to care his mom and mind his own boring life, but the city basically grabs him by the collar and drags him through filth and boobs at same time. One street has cult idiots, next corner some gang shaking people for coins, then suddenly, oh, fluffy-eared escort leaning on the wall, tail flicking, asking if he wants “company” like she’s talking about tea instead of grinding his soul out of his body. I like that the game acts serious and horny in same breath. Sometimes it even works. Sometimes it feels like drunk fanfic I still bookmark.

The visual novel parts do a lot of heavy lifting here. You click, you read, you choose, and then suddenly you are in a brothel room with a wolf-girl warrior who has scars on her belly and this smug smile like she already undressed you ten moves ago in her head. She talks about work, about hunting monsters, about how she loves strong men, and then mid-sentence she just straddles the poor boy and rides him until his legs look like jelly. There is no shy fade to black, she keeps talking, teasing, asking if he likes being squeezed by strong thighs, if he prefers claws on his back or soft fur on his face. And when you think “okay, that was the lewd scene”, she just flips him over and starts using him like toy. I hated that. I replayed it three times. The monster girls are like that too: one flower-demon girl in the arena smiles really sweet, with petals on her head like cute headband, then traps Welt in thick vines, spreads his legs and makes him cum just from rubbing plant tendrils against his cock while audience screams for blood. It is awful and yes, I have screenshots saved in my Telegram chat with myself. By the way, the fishing minigame can go fuck itself, why is it more annoying than fighting actual monsters? Anyway. The turn-based combat surprised me because sometimes it suddenly gets rough in a fun way, like you think this is just grinding, but losing a fight means you wake up half naked, covered in bite marks from some catgirl thug, wallet empty and dignity missing, and you kind of want to lose again just to see what she does if she gets bored. The game world is cruel, filthy, too horny in stupid places and not horny enough in one or two scenes I really wanted more, but Mooncity feels alive in that sick, cute, broken way I keep collecting in my heart.

They say everyone who flies fringe space is running from something.

And burn it all, you are.

You are Rael. Freshly removed from events that have shattered your life, you’re left adrift and alone. Stranded on the backwater Yakeshi Station at the fringe of galactic society, all that you are is staked on one last chance to make amends and set your life back on course. One opportunity, with everything on the line. Through Zuberi, captain of the Astrogation Guild deep-space exploration vessel Void Dreamer, you have that chance. Board his ship, join an eclectic crew all there for various reasons of their own, and explore the mysterious outer edges of the galaxy as you try to put yourself back together.

Just be careful. Fringe space is far from safe, and the darkness between distant stars holds secrets more deadly and more powerful than you can possibly imagine.