You start as this young sultan who basically inherited a messy empire, a half-empty harem and a bunch of advisors who care more about their own pockets than your crown. The game doesn’t treat you like some all-powerful god from the first minute, more like a horny newbie with a very big title and not enough experience. You’re juggling money, politics, and a growing collection of very different girls and boys, all with their own hang-ups and kinks. One moment you’re trying to keep the janissaries from revolting, the next you’re deciding if the new redhead slave gets trained as a personal toy or sent to charm some foreign ambassador. That kind of “ok I just wanted to see titties, why am I making trade deals now” feeling is pretty much the core vibe here. The management part sneaks up on you: taxes, buildings, intrigue, and then suddenly you’re halfway through min-maxing your silk routes just to afford another exotic dancer with a ridiculous ass.

The harem stuff isn’t just “collect girl, fuck girl, forget girl”. Some of them fall in love, some just want to serve, some definitely want to own you back. You can be very soft, boyfriend-style romantic with one wife, giving her slow oral in a candlelit bath while she moans and tells you about her fears, and five minutes later you’re in the training room with the leather toys on the wall, collaring a mouthy slave and using her throat like it’s your property. There’s a nice contrast between those quiet bedroom scenes and the louder group events, like that first time you organize a private orgy to celebrate winning a war: half the harem piled on silk cushions, girls sharing your cock, a nobleman watching while his “gift” gets taken from behind right in front of him. Some scenes go into gay content too, which actually fits the court vibe: a loyal guard kneeling, kissing your ring, then your shaft, clearly torn between worship and lust while you decide if he gets promoted or just fucked. There’s cheating drama baked in as well; you can promise one beloved concubine to be “only hers”, then sneak off to have anal fun with the new dancer in the baths, hoping the little spying eunuch doesn’t talk. And of course he talks.

Sex isn’t just a menu choice here; your political choices change who you can touch and how. You want that proud noblewoman with the big tits who keeps insulting you in council? Maybe you crush her family in a tax scandal and she ends up in chains in your private chambers, glaring at you while you finger her wet pussy and tell her exactly what her new job is. Or you go the other way and actually woo her, give her power, and she climbs into your lap by her own will, riding you slow while whispering court secrets. The sandbox structure means you keep stumbling into weird stuff: a lesbian scene where two of your favorites start “training” each other without your order, one licking the other’s ass while they talk shit about your fashion sense; a sudden option to lend a slave to a visiting prince for a night and later decide if you punish her for “enjoying it too much”. A lot of the fun is in those small moments: trying to keep track of who you promised anal to, or realizing that the quiet bookish girl you kept ignoring now runs half your palace because you focused too much on the big tits. It’s messy, horny, and kind of mean sometimes, like real court gossip mixed with porn, and the game doesn’t really care if you try to be a good guy or the kind of sultan who uses every mouth and hole in the building just because he can.

Monet feels like somebody took a regular city, squeezed out all the warmth, and replaced it with glass, chrome and secrets. IRYS throws you in there like you just woke up from a dream you half remember, wearing a cheap suit and an ID badge that says you belong to Deimos. You start as this regular office guy, doing spreadsheets, watching useless meetings on Zoom while pretending to listen, getting coffee that tastes like it was filtered through somebody’s sadness. On the surface it’s that boring corporate life. Then you start noticing small weird things. People know things about you that you never told them. A coworker remembers a night you “spent together” that you’re pretty damn sure never happened. Your boss praises you for a project you have no memory of, and in the same breath hints that you owe him more than just good performance. That’s when the game starts to crawl under your skin a little.

The horny part doesn’t show up like a hentai pop-up. It slips into the routine. You’re in a late-night office review, just you and this colleague with big soft tits almost falling out of her blouse, blue light from the monitor on her skin, both of you talking about quarterly targets like robots. Then there’s a line of dialogue that feels too intimate. She leans in too close. Her hand stays too long on your shoulder. One click and you push her away and keep pretending to be a good boy. Another click and you grab her wrist, pull her into your lap, and suddenly your boring Excel sheet is sharing space with her moans and the sound of your cock sliding into her on the boss’s fancy ergonomic chair. IRYS is like that a lot. It gives you these “professional” masks and waits for you to peel them off. Sex scenes are very physical, animated just enough that when you’re fucking her against the office window or bending her over a lab table, you feel every thrust. Sometimes you are gentle, slow, like she is something you want to protect from this fucked up city. Other times the corruption hits and you use her, hand on her throat, filling her raw and hard while she begs you not to stop, even when the guilt dialogue kicks in afterward and makes you question if those feelings are yours or some Deimos script injected into your brain.

What really got me was how the romance and the sci-fi mess bleed into each other. There is this one scene where you wake up in your small apartment, naked, next to a coworker you definitely did not take home. Her hair is messy, thighs still glistening, your cum leaking out of her, and she looks at you like you have been lovers for months. You check your phone and there are whole chat logs, selfies, dirty pics, little heart emojis, like a full relationship that someone speedran while you were asleep. It feels like the universe glitched and rewrote your fate. As somebody who actually believes in destiny, that hit weird. You start asking: did I really fall for her before and just forgot, or was this romance manufactured in some secret Deimos experiment so they can pull my strings better? Later, when you take her in the back of the office, pressed against a server rack humming with data, her legs wrapped around your waist while you fuck her deep and she whispers that you were “always meant for each other”, you can’t even tell if that’s sweet or just another line of code. The game loves putting you in those moments. You climax inside her during some illegal lab test, alarms faint in the background, and instead of simple post-nut clarity you get this strange dream flash of another timeline where you never joined Deimos and she never existed. IRYS keeps poking: is your dick leading you, or is the company guiding your dick so it can own your heart and your guilt at the same time. I kinda hate that it works so well. I also kinda love it. I’m confused. It fits the city.

This one starts like some sad wage slave fantasy, but it actually hits harder than I expected. You die like an idiot at a traffic light and then wake up in this magic world with a body that isn’t falling apart from stress and coffee, a weirdly wholesome adopted family, and a job as a low-rank adventurer who is way too in love with an A-rank witch. Mia is the “cold bitch who melts” type, yeah, but the game gives her just enough little human moments that I kinda ended up fighting with the dev in my head: no, she belongs with me, not with every bastard in the guild. She snaps at you, she blushes, she does that smug little half smile when she’s clearly teasing and pretending she doesn’t care. There’s this scene where she cleans monster guts off you with magic and then, completely straight face, wipes a little bit with her fingers and licks it, like she’s testing potion ingredients. It’s not sexy at first. Then she looks at you, tongue still out, and you go “ah ok, we’re doing this.” I hated how much I liked that.

What I love and kinda hate is how the game keeps playing chicken with you about “trusting” her. The romance parts are really sweet and honestly a bit cringe in that way only fantasy VN can be. Hand-holding under the cloak, lazy cuddling in the inn, her one time letting you use her thighs as pillow while she reads a grimoire and pretends you’re not basically nuzzling her ass. That part feels almost like a normal lovey game. She gives you a handjob with this super serious face while talking about spell formations, like she’s doing lab work, then at the end she breaks and giggles when you cum on her wrist. Then some chapters later, the same hand is wrapped around another guy’s cock and she has this dazed look, and the camera lingers on her fingers like it remembers before you do. I wanted to close the game at that part and also replay it immediately. The netorase pieces are sneaky too. It starts with “haha what if we just showed a bit of skin in the tavern to scam free drinks” and ends with you pretending you’re ok while she gives an under-the-table footjob to some drunk knight right in front of you. You still get the text choices like you’re in control, but both answers are hurt. Classic. I swear one of the most evil things was a simple kissing scene. You finally get a proper kiss on the bridge at night, she’s shaking, you can feel she really wants you. Then, much later, that same bridge shows up again and she stands there with another man, laughing too loudly, her lipstick slightly smeared. No explicit sex there, just the echo of that kiss, and it hit harder than any creampie CG.

The game doesn’t stick to only one flavor of pain either. There is full-on cheating, yeah, like watching her kneel and swallow another dude’s load while the narration insists she’s thinking of you, and you know she isn’t. The sleep sex scene pissed me off in a good way. You go to bed exhausted and wake up to her riding you slowly, whispering that she “couldn’t hold back anymore” which would be cute if there wasn’t already this hint that she’d been warmed up earlier by someone else. Small detail: the wet sound isn’t quite right the first thrust and your brain goes “why is she this ready” and then shuts up because tits. There’s anal too, but honestly it’s less about you being dominant and more about you realizing she already learned to relax for someone before you. The game throws in some female domination moments where she cuffs you with magic and edges you with her mouth, then the next scene flips it and you’re the one pinning her to the wall and making her beg to be filled. I liked that power shift, though I wish she had kept the little witch hat on during that oral scene and she just doesn’t and I’m still annoyed about it for no sane reason. Also, furry side characters show up and of course they get scenes that are way hotter than they have any right to be, especially one smug fox girl who makes fun of you while jerking you off with her tail, like this is normal Tuesday. There’s humor all over, sometimes dumb, sometimes actually good, like your party member making NTR jokes inside the story as if he knows what kind of VN he lives in. I forgot to mention that one whole dungeon arc is basically designed just to humiliate you in public with exhibitionism stuff, where Mia pretends to be under mind control and “forced” to show off her body to a crowd, except the more they look the wetter she gets. The AI-style CG gives everything this weird almost-too-perfect face that becomes creepy when she’s moaning for someone else. It’s messy, horny, petty, and yeah, I’m still arguing in my head that Mia is better as my girl, even while watching her get pounded from behind and still calling my name at the wrong moment.

This thing feels like somebody smashed together every horny Japan fantasy from old forums, some meme culture, and then just let it run free on your phone while you pretend you’re checking WhatsApp in public. You’re this dude dropped into “country of the rising sun” territory, but it’s not trying to be deep or realistic. It’s more like scrolling horny Twitter, then suddenly you’re in the middle of a harem adventure where everyone has gravity‑defying tits and no sense of personal space. First girl I met had boobs so big they were practically their own side characters, bouncing like they’re animated on a slightly drunk Friday night. She’s flirting, you’re picking dialogue, suddenly it goes from joking about anime to her pressed against you in a train, nipples poking through the uniform like the fabric is begging for mercy. And the game just shrugs like “yeah, that’s normal here.”

What I really liked is it pretends to be a laid-back sandbox romance, then slips a parody scene right in the middle of you trying to be a decent guy. One moment you’re walking around some generic city street, basic UI at the bottom, checking your messages, thinking you’re playing it smooth like in a dating sim. Next moment, a crossover event slaps you in the face: a familiar “totally not that famous waifu from that big anime” shows up, with bigger tits, new name, same chaotic energy. She cracks a dirty joke, the game breaks the fourth wall, and suddenly you’re in her room, clothes half off, phone vibrating on the bed, and she’s riding you like she’s trying to break a speedrun record. The sex scenes go straight to the point: pussy shots, close view, her moaning in that over-the-top anime style while your character’s just hanging on for dear life. There is one romance path where you actually feel something like feelings, then the script instantly ruins it with some dumb gag and I kind of loved that, even if it pissed me off. Vaginal scenes are done like old-school hentai loops, lots of focus on those huge boobs bouncing in rhythm, cum dripping, her legs wrapped around you while the camera refuses to be modest. Sometimes the pacing is all over the place, like you switch from a funny harem argument to a hardcore fuck session with almost no buildup, and it shouldn’t work, but somehow that chaos kind of fits the whole vibe. I opened it once just to “check something quick” and ended up stuck on a long scene with three girls teasing each other over who gets to sit on your lap first, like a horny version of musical chairs that never ends properly.

On mobile it’s very “one hand for phone, one hand for you,” which feels intentional. Text choices, quick taps, small icons, you’re flirting while your bus stop is getting closer and closer and you’re absolutely not stopping the scene. There’s this one adventure-style part where you’re moving between locations, picking who to visit, and you accidentally trigger a chain where two big-boob heroines end up arguing over you at a café. They lean in, tits almost on the table, voices rising, and some NPCs in the background are drawn like they know exactly what’s about to happen. Next cut, one drags you somewhere “private,” shoves your back to the wall, yanks your pants down, and starts riding your dick raw, her breasts slapping your chest, sweat on her collarbone catching the light. The parody side keeps leaking in: a character referencing gacha pulls while literally “pulling” your cock, or romance flags popping right when she’s moaning your name with her pussy clenching on you. It’s stupid, overcharged, self-aware, actually kind of sweet in a very horny, very not-safe-for-anything way, and incredibly easy to play with your thumb while you pretend you’re just checking Instagram.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

Alyssia wakes up in the dark like the world forgot her. No memories, no name on her tongue, just this slow echo of fear and heat under the skin. The first thing that cuts through the fog is your voice in her head. Not some noble guardian angel crap, not a perfect hero. Just you, whispering into this pretty little warrior with big soft breasts, thick thighs and that perfect ass you immediately want to see pressed against something hungry. The game doesn’t rush. It lets her stumble through ruined hallways and dead forests, half naked in shredded armor, breathing loud enough that you almost feel it in your own chest. Every sound is close to the ear: the squish of mud, her boots scraping stone, her tiny gasps when she brushes against a corrupted vine that twitches a bit too eager against her legs. You’re not clicking through a checklist. You’re… inside her skull, nudging her toward danger or safety, and the line between those two starts to blur so fast it’s almost funny.

The crazy part is how quiet it gets right before the fucked up stuff happens. No big horror sting, no “watch out!” flashing. She turns a corner, the music goes almost silent, you feel this slow pressure in your chest, and then some shadow thing with too many limbs pins her to a wall and that’s it. Armor bent aside, tits spilling, eyes wide, and you’re choosing what she says, if she fights, if she gives in. First time a monster shoves something thick and wet between her lips, she tries to bite, to resist, gagging around it while another tendril slips between her cheeks and starts teasing her ass. And you can tell the artists had fun here. The AI CG looks like someone begged the model to worship curves. Her body is soft but strong, the way her stomach tightens when she’s lifted up and spread, pussy dripping while she gets filled front and back. Double stuffed, her moans half anger, half confused arousal as you decide if she clings to her lost “honor” or lets that corruption seep deeper. Sometimes the camera lingers on simple things, like a strand of spit connecting her mouth to a fat monster cock after a messy blowjob, or cum leaking out in a slow drip after a brutal creampie that leaves her shaking and glassy eyed. And yeah, I wish the UI text wasn’t that tiny in one of the dialogue menus, but anyway, back to her getting railed.

There’s this romantic thread sneaking through the filth that caught me off guard. If you keep pulling her toward softer choices, she’ll start talking to you like you’re her lover, not just a voice. She blushes when you tell her she did good, even when she’s on her knees, face splattered, swallowing every last drop like it’s the only thing keeping her sane. You can steer her into something sweeter, tender kisses before sex, the way she slowly relaxes when a human-looking partner takes her gently, sliding into her wet pussy while she wraps her legs around their waist and actually smiles. Or you can drag her down to the point she doesn’t even flinch when something huge pushes into her ass and pussy at the same time, her mind so twisted by you that multiple penetration feels like home now. The game remembers those choices. She learns to beg. Or she learns to love. Or both, which is honestly the best outcome. One run she ends in a warm embrace, another she’s a used little toy for whatever monsters crawl out of the dark, dripping cum, eyes lost, completely yours in the worst way. And not gonna lie, the moment she looks at the “camera” and whispers “Stay with me… don’t leave my head” after everything you made her do? That hit harder than it should.

It’s hard to tell if this game wants to mess with your head or your pants, probably both. I started it thinking it’s just another lazy romance sim, just tapping choices while waiting for the next steamy scene. But it’s weirdly emotional in places. The story bites when it wants to - like when the messages start rolling in and you think, oh damn, this is gonna ruin some poor dude’s life. The cheating vibe isn’t just there to shock; it gets under your skin. I caught myself feeling... guilty? Which is wild because I was the one making those dirty choices, pushing things further with that woman who couldn’t stop looking over her shoulder. The way the mobile format traps you in vertical mode weirdly adds to it. You scroll like you’re checking your own texts, like the phone’s really buzzing for you.

Still, there’s this one scene that hit harder than expected - the balcony one, where the camera (well, imaginary camera, 'cause it’s all text and sound) lingers on her hips before she turns around, acting like she’s not about to wreck a relationship. And when it flips from slow teasing to just raw, noisy motion, it’s so unembarrassed about being horny it’s almost artistic. Except it’s not, it’s just filthy fun. I kinda love that fake realism where you’re sure someone’s gonna walk in mid-moan, and you’re yanking your finger off the screen like you’ve been caught. They nailed that adrenaline - probably better than the “love” angle, which sometimes feels like filler between fuck sessions.

I weirdly wanted more of the small stuff - like the texting, the silent ellipsis bubbles that build tension better than any unclothed scene. But then again, maybe that’s what kept me hooked: the little waits, the guilt you half-ignore while doing it anyway. It’s messy, it’s hot, it’s too real at moments I didn’t expect. Three words? Wrong, wet, honest. **Dare to play it alone, or invite company?**

Laura feels like that girl from those old Italian coming of age movies, except here the camera actually stays in the bedroom and doesn’t politely fade to black when the clothes start coming off. She’s 26, hot in that natural way, not some anime balloon with physics from another planet. Curvy but believable. The story starts pretty harmless: small southern town, bullshit economy, a plan for a little shop and a small house, her and Mario doing the “we’re gonna make it” couple fantasy. Then little by little, you watch that fantasy get traded for quick cash and dirty favors, and somehow it’s horny and depressing at the same time. In a good way. Or maybe I’m just broken from too many early 2000s browser porn games.

Playing on phone actually fits it. Feels like reading filth on WhatsApp when you should answer work emails. It’s a simple click, read, pick choice kind of thing, but those choices sting a bit because the game doesn’t treat Laura like a bimbo puppet. She knows what she’s doing most of the time. She argues with Mario, she calls bullshit when she sees it, she still ends up with her mouth around some guy’s dick anyway because money talks louder than pride. There’s one scene where she’s in a car with this sketchy “business partner” of Mario, and it starts as small talk, nothing special, just some cheap flirting. Then the camera angle drops and she’s bent over, trying not to smear lipstick all over his cock while he holds her head. The writing isn’t “poetic” or anything, it’s blunt. You get stuff like “she feels the tip against the back of her throat and tries not to gag” and that’s it. Honest, a bit rough. Exactly the vibe.

The criminal side creeps in slow. First it’s just extra cash in an envelope, then suddenly the guys she blows have bodyguards. The sex itself is pretty straightforward: oral, classic pussy pounding, some kissing that actually feels like romance and not just a loading screen between positions. There’s this one quiet moment after a cheap hotel fuck where she’s lying on the sheets still half naked, texting Mario, acting like she was out doing errands. The game lingers a bit too long on that, and it hits weirdly hard. Like those old Flash games where you suddenly felt guilty masturbating because the story got sad for two clicks and then went right back to cumshots. Sometimes the dialogue is clunky, sometimes a scene ends too fast, sometimes her reactions feel a bit too cool for what just happened, but I kind of like that rough edge. It reminds me of the first dirty visual novels I played on Newgrounds clone sites, where nobody knew how to write women but somehow you still got hooked on their shitty little lives. Same energy here, just more focused on one wife slowly letting the world fuck her while pretending it’s still her plan.

Grief, horny thoughts and shitty autocorrect, that’s the basic vibe here. You sit in the skin of this older dad who suddenly has way too much free time because his only kid, Lidia, just flew off to some fancy university abroad. No more daily breakfast talks, no more nagging about homework, just a quiet house and a buzzing phone. The whole thing runs on text chats and little phone events, so you’re basically stalking your own daughter’s new life through WhatsApp-style messages and those fake notification popups that make you check your real phone like an idiot. At first it’s all cute and innocent: “Dad, I got lost on campus lol,” “Look at my dorm room,” typical teen stuff. You play the supportive, slightly awkward father, send her dumb stickers, give her clumsy advice about laundry and meeting new people. And then the conversations start drifting. Slowly. Painfully slow, in that “wait, did she just tease me or am I sick” kind of way.

There’s this moment pretty early where she accidentally sends you a selfie that is way too thirsty to be “for dad.” You can pretend you didn’t notice, or you can poke at it. The game totally lets you be that responsible parent who shuts it down, but of course the fun path is when you don’t. You joke back, she jokes harder, and suddenly the banter gets flirty in a way that would get your ass banned from most Discord servers. It’s kind of messed up, because the more lonely she feels at uni, the more clingy and playful she gets on the phone. She tells you about cute guys in her class, about some older professor that gives her looks, about drunk parties and how she “accidentally” forgot her bra. Then she sends voice notes about how no one understands her like you. Then she sends a pic where her top just “slipped.” You give “support,” she gives nudes. Fair trade, right? The game leans hard into that slow corruption thing: at first it’s fatherly pep talks, a bit of romance roleplay as a joke, then late-night sexting where she’s literally typing with one hand and telling you exactly when she’s about to cum. There’s a route where she starts asking you how to “handle” older men, and the way she phrases it makes it pretty clear she’s imagining you, not them. When she finally sends the first straight-up explicit shot, with cum dripping down her thigh, she frames it like she wants “advice” if she did it right. Like she’s submitting homework to daddy. You get that hit of “oh fuck this is wrong” and then you tap the next choice anyway. The dad’s side is not just horny either. You get these little details, like him scrolling through old photos of his dead wife while Lidia is live-texting him about how needy she feels. Sometimes he literally flips between an old family pic and a fresh shot of her tits, and your dialogue choice decides if he focuses on guilt or lust. The humor is dirty and kinda mean too, with her calling you a dilf in one branch and then playing it off as “haha just TikTok slang.” The teasing is constant: read receipts, typing indicators that stop and vanish, half-finished messages like “Sometimes I wish you were here to…” and then she deletes it and sends some safer line. The game knows exactly how to bait you. There are scenes where she’s in her dorm bed after a shitty day, crying in voice, and you can either comfort her like a normal parent, or gently nudge it into romantic territory, and both feel wrong in different ways. When she finally asks you to stay on the phone while she touches herself, whispering “pretend you’re here with me,” it hits that nasty sweet spot between romance and total taboo. Text based, yeah, but some of those one-line messages feel filthier than a whole CGI porn movie. And the worst part? The game lets you be genuinely caring, even protective, right in the middle of making her describe where your imaginary cum lands on her face. You’re basically roleplaying emotional support and perverted fantasy in the same breath, and the writing is just good enough that you kinda forget how fucked that actually is.

Matthew is a bit of a mess, and honestly that makes him hot in a weird way. Fresh grad, no clue what to do, absolutely overwhelmed by daddy issues and pressure, then suddenly you drop into his head like some horny guardian angel with an agenda. You’re not just clicking through his story, you’re literally steering his thoughts, poking at his fears, dangling pleasure in front of him like a carrot while the whole “save humanity” thing sits in the background going hello, remember me. One moment you’re having a serious talk with him about what it even means to choose something freely, next moment you’re pushing him to say yes to a girl who is clearly trouble, just because you want to see how far he’ll go when his dick is making the decisions instead of his brain.

The sci‑fi angle isn’t just some lasers and space wallpaper either, it feels more like you’re a strange higher being that can be both kind and a complete bastard at the same time. You flirt with him without ever really being on screen, which is kinda fucked up and kinda hot. Telling him “trust me” while you line him up for a threesome, watching him hesitate, then finally give in and grab those hips like he’s been starving his whole life. The sex scenes go from tender “I want you to feel safe” to full on “shut up and take it” pretty fast if you push him there. There’s this one moment where you convince him that relaxing is part of the mission, and he ends up with a girl riding him slow on the couch while the TV shows news about the world going to shit. He’s moaning, sweat on his chest, and in the corner the headline is literally talking about collapse. That contrast sticks in the head more than any cheap porn loop.

Not everything hits perfect though. Sometimes he overthinks in huge text blocks when all you want is to pull someone’s panties aside and get on with it. There’s a choice where you just want to say “yeah sure, let’s fuck”, but the option is written like some philosophy homework and you kind of roll your eyes. Still, when the visuals line up just right, the bodies look good enough that you forget you were annoyed five seconds ago. I liked how some of the girls don’t instantly act like brainless sex toys, they argue, they doubt, and when you finally talk Matthew into crossing a line with them, it feels dirty in a very human way. You watch him slide a hand under a shirt, fingers brushing nipple, her breathing changing, and in the back of your mind you know this might screw up his future, his morals, his “save the world” plan, but you press continue anyway. And that tiny guilt mixed with arousal, that’s where this game actually gets interesting. It’s not just about how many positions you can unlock, it’s about you slowly realizing you’re enjoying breaking this boy while pretending to guide him. Which, to be honest, says as much about the player as it does about poor Matthew.