This one feels like scrolling your phone after a breakup, half naked in bed, then suddenly falling into someone else’s messy life and going, “oh shit, that’s me.” You’re this college guy who used to just rot in his room, drowning in cheap snacks and porn tabs, pretending that ghosting your ex and muting half your contacts counts as “healing.” Then basketball drags you back into the light. Not as some heroic sports anime star, more like the dude wheezing on the court, staring at a girl’s bouncing tits in a sports bra and losing the ball because your dick thinks faster than your brain. The game leans into that awkward, horny, slightly cringe vibe. You’re not a smooth sex god at the start. You’re a rebound. For your own life, and sometimes literally for some of these girls who also use you to forget their shit.

The way it mixes horny and emotional is weirdly hot. One moment you’re in a quiet dorm room, just you and this girl with a huge ass squeezed into tight leggings, music low in the background, her hair messy in that “I didn’t plan to get fucked tonight” way. She laughs at something stupid you say, leans in, her tits softly pressing into your arm, and the whole world shrinks to the sound of her breath in your ear. Then the next scene you’re on the court, sneakers squeaking, crowd noise like a fuzzy roar, and you’re staring at the cheerleader with big boobs bouncing in slow motion while you miss a free throw you absolutely should have nailed. The writing loves to drag you back and forth like that. Loving the chaos and then pretending you’re better than it. The harem stuff sneaks up on you too. You start with just trying to talk to one girl without sounding like a Reddit post, and before you know it you’ve got a horny goth chick teasing you, a sweet sporty girl who moans your name when you pin her to the shower tiles, and some bratty college princess who pretends she hates you even while she’s grinding on your lap in a dark party corner. Choices matter, but not in that stiff “good route / bad route” way. More like: do you jerk off alone and text someone after, or do you swallow your fear, go to that date you almost cancel, and end up with her hand sliding under the table, stroking your hard cock while you try not to knock over your drink.

What really sticks is how slow some scenes let things build. There’s this moment where you’re just sitting on a bed with a girl, legs touching. She talks about some stupid fight with her ex. Nothing epic. The lights are low, some indie song plays on her laptop, just a soft background, and you’re watching the way her big breasts move under her loose shirt as she breathes. You feel like a piece of shit for checking her cleavage while she opens up, but the game knows you’re doing it and kind of laughs with you. When she finally climbs into your lap, straddling you, kissing you with this mix of need and hesitation, it feels earned. Like you really crawled out of your slump for this. Then other times it just goes full hentai brain, like “hey, you won the game, here’s a girl with ridiculous big tits riding you until the bed squeaks, moaning so loud you’re sure the whole dorm hears.” And both vibes work. It’s romantic one second, absolutely filthy the next. You masturbate, you fail, you get humiliated and turned on by the wrong things, you pick dumb options just to see what happens, maybe you score big, maybe you crash and burn. It never pretends you’re some perfect hero. You’re just a horny college idiot trying to turn one little rebound into a life where you fuck up less and fuck a lot more.

Vault Wanderer is one of those horny little parody projects that feels like it started as a shitpost between friends on Discord and somehow became an actual game. You play this guy who crawls out of a comfy underground vault into a wasteland that is less about radiation and more about who is fucking who, and with what. The whole thing mixes classic turn based RPG combat with stupid jokes and very explicit scenes that just kind of slam into you out of nowhere. One second you are clicking through some goofy dialogue about bottle caps, the next you are watching a futa raider get her dick sucked in a surprisingly long animated loop while your character pretends he is not into it. The game loves voyeurism like crazy. Almost every location has some “oops I walked in on them” moment, except it is never really an accident and everybody is cool with you standing in the corner jerking off. Or pretending to “research.” The writing knows exactly what it is doing: it makes fun of the wasteland clichés, then uses the same clichés to justify a harem route where every big tits, big ass, wrong-race-for-this-town waifu somehow ends up in your camp.

What surprised me most is how messy but confident the sandbox structure is. You are just dropped on the surface with this point and click map and told to explore, and the game absolutely does not care if you go straight to a lesbian futa bar and stall your “main quest” for two hours doing nothing except footjobs and blowjobs in different outfits. There is real RPG stuff happening in the background: stats, turn based fights, random encounters that sometimes end in actual combat and sometimes turn straight into oral sex scenes if you pick the horny dialogue option. I lost one fight because I was too distracted watching the enemy’s boobs bounce in the attack animation, which is a stupid reason to reload, but here we are. The art is simple 2D CG but the animations have just enough motion to make the scenes feel alive without turning into weird rubber people. Some of the interracial setups are actually hot, then the game drops a joke so bad it short circuits the mood and you kind of hate it for ten seconds, until the next harem scene where three girls are roleplaying “capturing” you and you forget you were mad. The mobile support is oddly good too; I tried it on my phone while half-slouching on the couch with Chrome open and it ran smoother than some serious games on Steam. Sometimes the text spacing gets fucked on smaller screens and nobody bothered to fix it, which annoyed me for like a full minute while I was trying to read a masturbation scene and the last line wrapped in a stupid way, and then I clicked next and forgot. That is basically the whole vibe here: horny, rough around edges, a little broken, but when the wasteland mommy with huge boobs kneels down for oral and the camera zooms in just right, your brain stops caring about polish completely.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

Feels weird to call Parasite Black a “game” when half the time it feels more like some horny, cursed holiday special I accidentally made into a tradition. I’m doing this goofy calendar-board thing on my stream where each day gets a theme, and this one ended up in the “Evil Santa’s Mistake” slot. Fits too well. You’re this poor bastard who survives a suicide mission and comes back with something inside you that really shouldn’t be there, and from that point on Mirnos basically turns into one huge “how ruined can this guy’s body and morals get” experiment. One second you’re plotting turn order in combat, next second you’re watching a milf sorceress ride you while her lactation literally stains the screen and you forget there was a fight at all. Not even joking, I missed a button prompt because I got distracted by jiggle physics and a smug dialogue line about “needing to relieve the pressure.”

What I liked is how filthy moments sneak in sideways. You open the map thinking “ok, sandbox, explore a bit, maybe loot,” and then some corrupted nun-type offers “blessings” that are basically: blow the holy guy, get tentacle’d behind the altar, then end up in a threesome where you kind of lose track who has a dick and who has a spell. There’s futa in there, but it isn’t thrown at you like a big neon sign. It just shows up in the middle of a foursome and you go “oh, ok, that’s happening now,” and it works. Same with the voyeur stuff: I was just checking a room for loot and accidentally triggered a scene where an older queen-ish gilf is getting railed by her guard, and the game straight up asks if I want to watch or join. Picked watch first, because of course I did. Regretted and didn’t regret at the same time. And the pregnancy angle sneaks up too: after enough raw fucking, some characters start talking about “consequences” and suddenly the netori scene you thought was just you banging a guy’s wife has real fallout showing up later in dialogue. That part actually stung more than I expected.

Combat is turn based but not sleepy. You actually think about who to target, where to burn skills, and there’s this fun tension because you know if you win there’s a decent chance the reward is someone stripping, someone getting their ass used, or some monster using your new “gift” in ways that are definitely not approved by any fantasy church. Sometimes fights drag a bit and I just wanted to skip to the anal or the harem event I knew was sitting behind it, especially when some early mobs feel like HP sponges. And yeah, a few routes are more polished than others. You notice it when one milf gets a full animated riding scene with different speed cycles, but the random village girl just gets a quick blowjob loop and a line that reads like a first draft. Didn’t stop me from reloading to see if I could corrupt her more though. Playing on phone is way too easy, by the way. I was on a fake “bathroom break” at work, thumb-tapping through strategy choices and then suddenly there’s this animated tentacle thing spreading a knight’s ass, and I’m speed-hitting the screen like I’m messaging on Telegram so no one walking by hears the audio. Audio that is a bit uneven, by the way, like moans are hot but some lines feel like they were recorded with different mics. Still, when you end up in a harem pile with a big-tits demon, a pregnant ex-priestess and a snarky futa elf arguing over who gets your cock first while the world is literally being eaten around you, you kind of forget to be picky. I just wish the calendar had a “too horny to function” day, because that’s where this thing belongs.

You start off thinking it’s just another fantasy visual novel with tits and dragons, right? Then it hits you - this thing actually *wants* you to care about who you fuck. You’re tossed into this castle, all dressed up like some half-hero, half-sacrifice, and the queen’s gaze feels like she’s undressing your soul. The choices come fast, and they’re not just “pick girl A or girl B.” They twist your story, they mess with your head. One moment you’re flirting with a sly elf who keeps her armor half-open just to tease you, the next you’re in a candlelit chamber, her breath hot on your neck, whispering something that sounds like a spell but feels like a promise.

And then the dragon part - holy hell. It’s not just a pet or a mount; it’s a whole mood. The game plays with that line between power and surrender, and it’s filthy in the best way. There’s a scene (you’ll know it when you get there) where you’re supposed to “bond” with your dragon, and it’s dripping with tension. The camera lingers, the sound design goes low and throaty, and suddenly you’re not sure if you’re taming the beast or if it’s taming you. The lesbian routes? Way more tender than I expected, but still raw - like two warriors trying to outlast each other in bed, both refusing to be the first to beg.

It’s not perfect. Some transitions feel like the devs got distracted halfway through animating a kiss, and the dialogue sometimes sounds like it was written by someone who’s never actually seen a naked person. But then it’ll throw a line at you that just *clicks*, and you forget the rough edges. It’s messy, horny, weirdly emotional. Like a fever dream that smells of sweat and dragonfire. You’ll probably finish it once, swear you’re done, then start again just to see what happens if you say yes to the queen this time.

Angel is the kind of girl who still says “sorry” when someone gropes her in the train, which is exactly why this city eats her alive. She’s this cute redhead trying so hard to be “good” while the whole place is basically a hunting ground for frustrated creeps. You start with her doing little everyday stuff that should be boring, like taking the train, doing classes, helping at home, but it never stays normal. Every routine quickly turns filthy. Guy “accidentally” rubbing his crotch against her in a packed wagon, professor sliding his hand over her thigh while pretending to help her with an exam, landlord walking into the shower like it’s his house, not hers. And the worst part is how often the game lets you pretend it’s all just a misunderstanding. If you want. If you don’t, it becomes exactly what it looks like.

The bar is the main playground. It’s not some cool stylish place, just a tired, sticky-floor hole full of drunks who have nothing better to do than stare at Angel’s ass while she carries beers. You’re bussing tables, trying not to spill glasses, playing these stupid little minigames to keep up with orders, but your real focus is on where the hands are going. A guy pats the seat and tells you to sit on his lap “just for a second,” and the game throws you a choice that looks small. Sit and smile to keep the tips flowing, or pretend you didn’t hear. Both feel bad in different ways. Same with the classic “if you bend a bit lower while wiping, I’ll tip better.” Thing is, it’s not one big decision. It’s a thousand tiny ones, and after a while it’s hard to say which moment was the first time you actually crossed a line. There’s this one scene where you’re carrying a tray, the bar is crowded, and some asshole slips his hand up your skirt right in front of everyone. The screen narrows your options to stupid things like “keep walking” or “yell at him,” and neither stops his fingers from already being there. That felt too real, in a messed up way.

What I liked is that even away from the bar, the game doesn’t magically chill. Going home in the evening has its own flavor of harassment, random guys at the bus stop, that creepy neighbor pretending he’s “just checking the mail.” Inside her house isn’t safe either, the landlord has that slime energy of “I pay for this, you know” and he acts like her body is part of the rent. You get choices that feel unfair, like letting him watch TV with her in a towel because she has no clean clothes, or locking herself in the room and risking “punishment” later. Half the time I picked the “safer” choice and still felt like shit. The game is not subtle about the fetish side, it’s full of public groping, forced “accidents,” blackmail, that whole corruption fantasy where morality slowly slips away. But it also nails that specific humiliation of pretending everything is normal while someone fingers you under the table at work. There’s roleplay bits too where Angel starts leaning into it if you push her that way, using the bar as an excuse to dress sluttier or flirt harder for tips, and even then the world doesn’t suddenly turn respectful, it just gets bolder. It’s messy, sometimes annoying, kind of repetitive in places, but it feels like it really understands this particular fantasy of being a “good girl” trapped in a city that refuses to let her stay that way.

You are a detective from a small provincial town. Five years ago, your sister Norika disappeared without a trace. The memories of her and your relationship with her still haunt you, but you've lost all hope of finding her. However, the death of your brother and some unexpected news push you to pull yourself together once more. Immerse yourself in a captivating story, investigate the case, and find your sister.
Along the way, every choice you make will have consequences, shaping the storyline and determining the ending. A plethora of charming ladies and captivating H-scenes will keep you entertained.​

The air is thick with a heady mix of musk and sweetness, a scent that clings to skin and lingers in the warm glow of late afternoon light. It’s a fragrance that stirs memories and ignites a quiet longing, pulling you deeper into a world where boundaries blur and desires awaken.

The soft light catches on strands of hair and the glisten of flushed skin, painting a portrait of vulnerability and raw beauty. Eyes trace the contours of a figure caught between hesitation and yearning, every detail sharp and vivid against the muted backdrop.

Soft lips trail along a collarbone, igniting sparks that dance beneath the skin, awakening dormant sensations with every gentle stroke. A slow, deliberate exploration unfolds as hands roam with increasing confidence, mapping the landscape of flesh and fantasy.

In this intimate crucible, the protagonist confronts the shadows of her past and the flickering flame of her own burgeoning identity. Every whispered thought and stolen glance builds toward a climax of self-discovery, where pleasure and choice intertwine in a dance as old as time.

Immerse yourself in a text-based odyssey that delves deep into the complexities of desire, identity, and the intoxicating power of choice. Let the narrative envelop you in its rich textures and evocative moments, inviting you to savor every delicious detail.

A desperate plea echoes through the cold void of space, pulling you into a perilous web. You hesitate at the crossroads, knowing one wrong step could doom everything. Every option promises lust, betrayal, or power - none offer safety.

The ripples from your action spread fast, dragging you deeper into corruption and intrigue. Enemies reveal hidden motives, some become lovers, others slaves; trust is a fragile currency. Each encounter reshapes your destiny, mixing pleasure with peril in equal measure.

Your decisions carve your legend among rebels, criminals, and those wielding forbidden powers. The lines between domination and desire blur as your influence expands.