A redheaded city girl walks into a tiny Scottish village in the middle of nowhere and, of course, everyone is horny and something is wrong with the sea. That’s the basic vibe here. The game throws you into this foggy coastal place where people smile a bit too warmly, stare a bit too long, and somehow every friendly conversation can slide into “hey, why is half the town ready to strip outside in the rain if the waves tell them to.” You play her, and she’s not some pure innocent flower either. She’s curious, she’s stubborn, and she keeps ending up in situations where saying “no” is possible, but saying “fuck it, I want to feel this” is way more tempting, especially when soft female lips are involved. There’s a lot of reading, a lot of choices, and the sex doesn’t just appear out of nowhere; it crawls toward you slowly, like the tide, until you realize your panties are around your ankle and that married woman you just “interviewed” for your little investigation has two fingers inside you and her wedding ring is cold against your skin. Then the scene lingers. It doesn’t jump cut away. It makes you stay there in the mess with her breath on your neck, her tongue on your clit, and you trying to remember you came here to solve something, not to be somebody’s secret seaside toy.

What I liked is how often the game puts you outside, literally. Wind, rocks, slippery grass under bare knees, salt on skin, clothes half pulled up against a crumbling wall. Girls going down on each other behind a boathouse while the sound of the surf is loud enough that you’re not sure anyone would hear you moan. There’s a threesome, too, that starts almost romantic and then turns into this raw, dirty sharing thing where your character is passed between warm hands and hungry mouths like she’s a gift from the sea, not a person with a brain. In some routes she cheats, in others she gets cheated on, and sometimes you just sit there watching a milf who should know better push you down on a blanket and tell you to relax while she spreads your legs and tastes you like she hasn’t eaten pussy in years. The corruption side is more emotional than people might expect; it’s not just “you were straight now you’re gay and into anal.” It’s more like “you were in control, and then one day you realize you need their touch like air.” At one point I tried to keep my heroine strong and distant, refused a few offers, built up her “resistance” like the game quietly nags you to do, and still ended up on my knees, mouth full, fingers digging into someone’s hips while the sea sang behind us. I’m not complaining. Or I am. Hard to tell. The only thing that annoyed me was this one dialogue choice that looked innocent and suddenly turned into a full-on group scene, complete with wet sounds and someone’s tongue where the sun doesn’t shine, and I just sat there thinking, “okay, I guess we’re doing this now.” But then again, that’s kind of why I kept clicking.

Elizabeth Barton is the kind of redhead your brain keeps replaying when you should answer emails. Middle of her life, big tits that make blouses look like they’re about to file a complaint, tight business skirts, that “I know what I’m doing and I know you’re looking” vibe. She runs this clothing franchise like a boss, but the game doesn’t treat her like some cold power woman. She’s messy, horny, insecure in the little ways that feel too real. One minute she’s calculating sales, the next she’s staring at herself in the mirror in her office, hand sliding under the waistband, pretending the security cameras can’t see shit. They can’t. Probably.

Then Holly just dumps her daughter on her. That’s where the summer gets weird. Jessica walks in like trouble in short shorts, that mix of brat and lonely girl, the kind where you know she’s going to push every line because nobody’s watching her close enough. The game really leans into that slow-burn teasing. First it’s small stuff. Liz catching Jessica lying on the couch, legs open a bit too wide, phone in hand, watching some guy rail a girl on Pornhub with the volume almost off but not quite. You have this tiny choice: pretend you didn’t hear the moans or make a joke that is way too adult for an “aunt.” Both feel bad in a good way. And because it uses multiple protagonist, you jump into Jessica’s head after that scene and realize she noticed the stare, liked it, and then goes to her room to masturbate with her earphones in, replaying that half-second of eye contact.

The game’s sex content is filthy in a slow, adult way, not just “click to see boobs.” You get lesbian tension between Liz and some older MILF customer who comes in for “help with sizing” and very obviously wants Liz on her knees between the dresses rack. There’s this oral scene in the stockroom with a Black delivery guy that hits that interracial porn energy without turning him into a stupid caricature, which surprised me. Liz acts like it’s a one-time mistake and then checks the delivery schedule twice a day. At the same time, you might push her toward cheating in a more emotional way: late-night messages, hand under the table scenes, her rubbing her thighs together when her “partner” sends her a dick pic during a family dinner. Sometimes the cheating is only in her head, sometimes you fully go for it and watch her swallow and then go home like nothing happened.

And Jessica isn’t just some side prop. When you play from her POV, she’s got all this pent-up bi curiosity. The way she looks at Liz is part “aunt” and part “woman with big ass who clearly knows how to fuck,” which is… yeah. There’s a sequence where Jessica borrows Liz’s blouse, doesn’t wear a bra, then does a little private stripping in Liz’s bedroom mirror, grinding on a pillow, imagining Liz walking in. You can later nudge the story so that Liz actually does walk in during a different “accident” and the look they share is way hotter than half of the full-on sex scenes. That’s the good stuff. And the office scenes, holy shit. Doing boring stock numbers on a laptop while there’s a vibrator inside, trying to stay professional on a video call while clenching? It hits different when the character is a businesswoman who’s supposed to act all proper. I wish the phone UI in-game wasn’t so clunky, notifications sometimes pop in weird timing and broke my mood once, but then Liz bent over to pick something and her skirt rode up and my brain just deleted the complaint.

By the time lesbian scenes start to properly bloom, like Liz and a regular customer sharing wine after closing time in the fitting room, slow kissing, one hand under the shirt, one between thighs, licking like they’ve been thinking about it since the first discount coupon, it feels earned. Not rushed. And when the game flips back to Jessica alone in her room, watching lesbian porn on her phone, trying to match the rhythm, moaning into the pillow so Liz doesn’t hear… that contrast is nasty in the best way. Nothing in this story feels safe. People are always one drink, one late shift, one “accidental” touch on the big tits away from blowing up their boring lives. It’s that quiet tension of a long summer where everyone is horny, pretending they’re not, while the clothing store, the house, even the fitting rooms feel like they’re soaked in sex already.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.

Angel is the kind of girl who still says “sorry” when someone gropes her in the train, which is exactly why this city eats her alive. She’s this cute redhead trying so hard to be “good” while the whole place is basically a hunting ground for frustrated creeps. You start with her doing little everyday stuff that should be boring, like taking the train, doing classes, helping at home, but it never stays normal. Every routine quickly turns filthy. Guy “accidentally” rubbing his crotch against her in a packed wagon, professor sliding his hand over her thigh while pretending to help her with an exam, landlord walking into the shower like it’s his house, not hers. And the worst part is how often the game lets you pretend it’s all just a misunderstanding. If you want. If you don’t, it becomes exactly what it looks like.

The bar is the main playground. It’s not some cool stylish place, just a tired, sticky-floor hole full of drunks who have nothing better to do than stare at Angel’s ass while she carries beers. You’re bussing tables, trying not to spill glasses, playing these stupid little minigames to keep up with orders, but your real focus is on where the hands are going. A guy pats the seat and tells you to sit on his lap “just for a second,” and the game throws you a choice that looks small. Sit and smile to keep the tips flowing, or pretend you didn’t hear. Both feel bad in different ways. Same with the classic “if you bend a bit lower while wiping, I’ll tip better.” Thing is, it’s not one big decision. It’s a thousand tiny ones, and after a while it’s hard to say which moment was the first time you actually crossed a line. There’s this one scene where you’re carrying a tray, the bar is crowded, and some asshole slips his hand up your skirt right in front of everyone. The screen narrows your options to stupid things like “keep walking” or “yell at him,” and neither stops his fingers from already being there. That felt too real, in a messed up way.

What I liked is that even away from the bar, the game doesn’t magically chill. Going home in the evening has its own flavor of harassment, random guys at the bus stop, that creepy neighbor pretending he’s “just checking the mail.” Inside her house isn’t safe either, the landlord has that slime energy of “I pay for this, you know” and he acts like her body is part of the rent. You get choices that feel unfair, like letting him watch TV with her in a towel because she has no clean clothes, or locking herself in the room and risking “punishment” later. Half the time I picked the “safer” choice and still felt like shit. The game is not subtle about the fetish side, it’s full of public groping, forced “accidents,” blackmail, that whole corruption fantasy where morality slowly slips away. But it also nails that specific humiliation of pretending everything is normal while someone fingers you under the table at work. There’s roleplay bits too where Angel starts leaning into it if you push her that way, using the bar as an excuse to dress sluttier or flirt harder for tips, and even then the world doesn’t suddenly turn respectful, it just gets bolder. It’s messy, sometimes annoying, kind of repetitive in places, but it feels like it really understands this particular fantasy of being a “good girl” trapped in a city that refuses to let her stay that way.

Lucio’s whole life is basically tits, cards, and terrible business decisions, and the game just throws you in the middle of that mess like “yeah, good luck, boss.” You’re this guy who somehow owns a brand new casino and has no idea how to not fuck it up. Every choice you make swings between “professional owner” and “degenerate perv” and the girls react to that. The casino feels like your hunting ground and your prison at same time. One minute you’re pretending to care about revenue and poker odds, next minute you’re staring at a redhead dealer trying to remember how to speak because her shirt keeps slipping lower every time you raise the bet. It’s very much a visual novel brain, so you’re clicking through dialogue, watching CGs pop up, choosing lines that range from smooth to “wow, I should be arrested for saying that.” The humor is stupid in a good way, like the game is constantly winking at you. It knows you’re here to see big tits and big asses bouncing around the poker tables, and it doesn’t try to be high art or some shit. The AI CGs sometimes look a little too clean, like the girls are models in some weird casino catalog, but that actually kinda works with the parody vibe.

What I liked most is that the “romance” is horny as hell but still feels like a slow burn, especially if you’re the type who plays solo and reads everything like it’s your personal soap opera. Teasing is the main dish here. Girls lean in close, whisper bullshit in your ear, bend over to pick up cards, pretend they don’t notice your eyes are stuck to their cleavage, then pull back right before you think “ok, now we fuck.” Clothing disappears step by step. First jacket, then the tight shirt, then the bra just slightly moved so you see the side of the nipple in one CG, then next scene she’s sitting in your lap in only panties talking about “raising the stakes” and you’re like yeah ok I guess productivity is dead today. I had one scene where I kept winning at poker against this stacked redhead, and every time she lost she had to remove something. The way the camera slowly goes lower, from her smug face to those heavy tits squeezed in a bra that’s absolutely losing the war, to her ass pressed against the chair, was way more exciting than just “here’s full nudity in 2 clicks.” And at the same time, sometimes the transitions between scenes are really abrupt, like you go from joking to almost sex in a single text box and it feels like the script skipped a page, but then she cracks a dumb joke about your “poker face” and it somehow fits again. It’s messy, it’s horny, it’s half-romance half shameless strip show, and the whole casino feels like it exists only so Lucio can surround himself with a mini harem of big tit redheads and other walking distractions while pretending it’s all about the cards.

Belle feels like that coworker you always half-suspected was trouble, except here she’s already in your apartment, already in your life, already your partner in this weird blurry space between romance and “we’re about to break something important.” The game drops you straight into that mood where work brain hasn’t fully turned off but she’s bouncing around with this secret purchase, acting smug and horny at the same time. It calls itself lighthearted, and yeah, it mostly is, but it keeps poking at those little power fantasies office people usually bury under spreadsheets and Slack messages. One moment you’re joking about expense reports, next moment she’s waving around a magic thing that messes with bodies like it’s a new productivity app. I actually opened Discord mid-play to tell a friend “this woman is absolutely going to ruin the universe,” then went right back because I wanted to see how badly she’d mess you up first. The humor is very “someone wrote this after a long week at work” and that kind of fits. Sometimes a joke lands really stupid and then two screens later she says something filthy and you forget you were rolling your eyes.

The main kick here is watching bodies change in front of you and deciding just how far you let it go. Belle starts off as that cute, slightly chaotic partner type, then the game keeps handing you these little yes/no moments, or “push it more / let it calm down” choices. Her tits don’t just grow, they creep up on you. It feels like the game is going “this is still fine, right?” until suddenly her shirt looks like it’s about to explode and she’s acting like it’s the most natural thing ever. Same with your own body; at one point you’re this regular guy unwinding after work, later you’re glancing at the screen thinking “ok this cock is honestly too big, where does that even go.” When she teases you about “testing capacity” I had that tiny second of “yeah sure, fantasy logic” then she actually tries and you can almost feel the weight of it, like the scene is slightly too cramped for what the writer stuffed in. There’s a moment where she’s redhead hot, tits huge, climbing on you, and the line between playful and almost predatory is very thin, and that’s what lingers. Not the joke, not the silly world-saving comment, just this woman laughing while she slowly rides more of you than seems physically sane.

The structure itself is that VN-style branching, nothing surprising, but the way it uses it feels like you’re in a dirty lab experiment. “What happens if I let her push that button again?” “What if I say no this time?” The game doesn’t explain shit, it just trusts that you understand how these menus work after playing any other VN in browser. I kind of hated the tiny pause before some of the transformation beats. The text sits there, one more click, you know something’s going to swell or stretch, but the pacing is slightly off, like the writer was tabbing between this and Twitter. There’s also this blonde version look that shows up and I actually preferred that over the red, then the scene cuts away right when it’s getting interesting and never circles back, which annoyed me more than any bug would. On the fantasy side it’s not deep lore, it’s just “we found weird power, let’s abuse it” and that actually says something sad about how we treat bodies as toys in media, but then Belle’s giggling while your cock is throbbing and I stop being a responsible academic and just click the filthiest option. I wish they’d done more with the business angle they hint at, like turning office politics into literal body politics, but they don’t and they probably never will, which is almost charming in a lazy way. Anyway, the scene that stuck in my brain is this: you standing there way too hard, she’s bigger, softer, heavier on your lap, saying something stupid like “for science,” and both of you know this isn’t about science at all, it’s just about how far this evening can bend before it snaps.