You start as this skinny snow white fox guy in a medieval world full of idiots, assholes, and way too much magic, and somehow everyone wants to either kill you, fuck you, or recruit you for some “hero” bullshit. The game doesn’t waste time pretending to be something else. It’s gay, it’s furry, it’s horny as hell, and it leans into that. One wrong move in the story and suddenly you’re pressed against a cold stone wall by a huge armored bull knight, his breath hot on your neck, his hand “checking” if you’re hiding weapons between your legs. Then later the same guy acts like some noble protector while you both stand in a burning village and talk about destiny. That’s the kind of whiplash you get here. Comedy one line, dick on the next screen, tragic backstory right after the cumshot. I’ve seen softer mood shifts in old Flash porn games on Newgrounds, but here it somehow works, or maybe my standards are just ruined at this point. Dialog sounds like real idiots talking, not some writer trying to be clever all the time: guys swear, call each other out, crack filthy jokes in the middle of danger, and yeah, sometimes the fox says something so cringe you want to click past it, but that’s part of the charm. Or maybe it’s just bad writing and I’m coping, hard to tell.

The “kinetic” part means no big branching, no stat grinding crap, no pretending to be an RPG. You click, you read, you watch things escalate. And they do escalate. First time the fox gets caught by that demon with the glowing eyes, it looks like the usual “I’ll take your soul” scene, then the demon pins him down, claws tracing his chest, and starts talking about “tasting fear” while his cock is already half out. There’s this scene in a ruined chapel where you’re supposed to be doing serious magic training, but your mentor, a huge old lion wizard with tired eyes and thick arms, stands behind you to “correct your stance” and slowly grinds against your ass while explaining spell theory. The game doesn’t shy away from size difference, knotting talk, messy finishes, all that bara stuff. Muscles, fur, sweat, cum on armor, cum on old books, cum on the damn floor that nobody ever cleans. It’s not some cutesy tease; it shows hard cocks, actual fucking, power play, the fox begging for more even when he’s pretending he hates it. At the same time it tries to pretend there’s this big heroic mystery, secrets in his past, some heavy thing about what he did wrong that kicked off his journey. And yeah, sometimes you do feel that weight, like in that quiet campfire scene where he stares at his own hands and wonders if they’re made to save people or just jerk off monsters. Then two minutes later he is deepthroating a smug goat thief behind the tent because “it’s better than listening to him talk.” It’s messy, uneven, horny, and very clearly made by someone who wanted to see a snow fox get railed by half a fantasy kingdom and then still be called a hero at the end.

This one starts quiet. Not horny-chaos-from-second-one, more like slow boil. You’re this young acolyte in a tiny mountain village, technically there to “serve the gods” and “keep the sacred balance” and all that formal crap, but after like ten minutes it’s very clear the real job is getting tangled up with muscular divine men who have way too much body hair and zero sense of personal space. It feels like a romantic stats spreadsheet that accidentally grew a dick. You run around doing rituals, picking dialogue options, watching your “bond” values crawl up like you’re tracking conversion rates in Google Sheets, except every successful “ritual” ends with you pinned to an altar by some mythic beefcake who looks like he could bench press the whole temple and your character is just… letting him.

The vibe is surprisingly cozy before it gets filthy. The gods aren’t these distant glowing things, they’re big guys with scars, fat cocks and weird insecurities. One of them talks like he’s a grumpy uncle, huge chest, hairy belly, thick arms, and then once you choose a bold response instead of the submissive one he slams you against the shrine wall. That escalated fast and I loved it. You start to notice little patterns: be too polite with the storm god and you get one kind of scene, push back and suddenly he chokes you lightly while he fucks you on the temple floor, thunder outside like some overdramatic porn soundtrack. It’s all text and vibes, but the way it describes weight, warmth, the way your thighs shake after he finishes inside you, it’s not coy at all. I actually had to pause a route because my brain was trying to calculate which affection threshold triggered the anal scene while my dick was like “shut up, we’re busy”.

The writing jumps between sweet and trashy in a funny way. One moment you’re helping fix a prayer banner and talking about duty and devotion, next moment that same “gentle” god has you straddling his lap, his cock grinding between your cheeks while he whispers that a devoted acolyte offers his whole body, not just his hands. There are small mechanics that you start to min-max without even thinking: like which nightly duty to take, which offering to pick, how “pure” you pretend to be in public. I kept a stupid Excel sheet open tracking which answers gave intimacy points and which unlocked what, then I blew one of the big endings because I got greedy and went for one more sex-heavy choice with the other god. Suddenly the “husband” style route snapped, and the guy who had been all soft and protective basically looked at me like I was a slutty tourist in his temple. Still fucked me, rougher than before, but the epilogue text hit different. That walk-of-shame paragraph where the villagers bow to you while you’re sore and know you technically saved them but kinda broke your main relationship? That stuck more than any cum detail.

It’s lewd as hell without feeling like a cheap porn generator. When a scene says he pushes deep, it lingers on stretch and breath and how your legs tremble, not just the finishing line. There’s one altar scene where your acolyte is on his back, robes pushed up, the god holding your ankles up high so your hole is exposed to the candlelight, and he just… takes his time, tracing your rim with his thumb while you squirm and try not to beg. That whole thing is like fifteen screens long and I remember more about the way it built up tension than about who was technically “on top” in the lore. Also, tiny nerd complaint: the save slots are labeled in a slightly weird way and I keep overwriting the wrong branch, which made me replay the same blowjob under the waterfall three times. Not that I’m mad about that specific scene, the description of water running down his abs while he holds your head and groans is stupidly hot, but still. I keep forgetting which path I’m planning, then some god with thick thighs and a smug smile shows up and all the careful “route optimization” goes out the window and I’m just clicking the option that sounds like “yes, ruin me, holy daddy”.

Guard uniform, shitty fluorescent lights, that stink of sweat and bleach that almost comes through the screen, and then this guy shows up in your block. Artemis. Wrong kind of pretty for a place like that. Soft face, sharp eyes, mouth that looks like it was made to talk back and suck cock, both. The game just throws you into that fucked up mix of power and attraction without a slow intro, which I liked. You’re already in the role, already the one with the keys, but somehow he feels scarier than the whole cell block. Not scary like monster, scary like "I know exactly what you want and I’m going to make you admit it." The flirting starts way too early to be healthy, way too late to stop, and every line he drops has that vibe where you can’t tell if he’s actually scared or just acting weak so you’ll push harder. And yeah, it’s mostly reading and choosing, but it doesn’t feel dry, because half the time I was alt-tabbing out of sheer secondhand shame, then going right back in like a horny idiot.

The thing that got me is how the game keeps playing chicken with your morals. You get these choices like "do the professional thing" or "maybe just touch him a bit" and it sounds simple, but the writing keeps nudging you, poking at your curiosity, making the “nice” options feel kind of fake. At some point I realised I was picking the worse path just to see how far the dev will go, and it does go pretty far into fucked territory. There is that whole predator vs prey dance, but it flips. You start as the guard, the big man with the baton, but Artemis knows how to tilt his head just a little, sit on the bunk in that half-feminine pose, open his legs too wide, make you aware how easy it would be to hurt him and how much he kind of wants you to. Or pretends to. Hard to tell. That tension is the hot part, not even the actual explicit bits, though those are written with enough dirty detail that I had to stop reading on my phone in public transport after one very specific line about making him kneel on the cold floor of the cell. The world is cruel, the prison is worse, but the horny brain prevails.

It’s pretty dark without the game patting you on the head about it. No big speech about trauma, just little details: the way he flinches when you move too fast, the way other guards talk about inmates like meat, offhand comments about what happens in the showers. It’s messy, morally and sexually, like one of those old yaoi fanfics on LiveJournal that half of us cut our teeth on, only a bit more grown up and kinda meaner. Artemis is that type: slight, almost fragile, but with enough lip to make you want to shut him up by grabbing his neck. He’ll tease you, call you "officer" with this tiny smirk, then suddenly there is this one line where he sounds genuinely terrified and it punches you right in the gut while you still have a hard-on. The choices make you complicit. You can try to be the good guy, but the text never lets you feel clean, and honestly that’s why it sticks. Sex here is power, manipulation, pity, and actual lust all tangled together, not separated into nice categories. If you like your gay prison fantasies soft and wholesome, this is not that. If you always wondered how far a bored, lonely guard might go with a dangerous little femboy inmate who knows exactly what card to play, this thing crawls under your skin, rubs up against every bad impulse, and waits to see which button you press next.

War in this game doesn’t feel clean at all. Everything is humming, buzzing, a little wrong, like the whole space station is breathing slow and wet around you. You’re tossed into Alexis’ head right after this lunar mess, and the world around him is all hard metal, cold corridors, alarms that whine in the background while the camera just lingers too long on another guy’s neck, his jaw, the way sweat slides down under the collar of a uniform that’s clearly one size too tight on purpose. It’s funny, because the story pretends to care about strategy meetings and patrol routes and alien intel, but the real action is in those tiny pauses when Osman leans a bit too close, when Evan’s voice drops for no reason, when Leon looks like he wants to punch a wall or kiss it. There’s this low constant echo in the sound design, just a little reverb on footsteps and doors, and somehow it makes every quiet conversation feel like it’s happening in a hidden corner where you’re not supposed to be, but you stay, because of course you stay.

First time you get Alexis alone in the barracks, the game lets you click around useless shit, like his datapad, the locker, the stupid little plant that somehow survived an alien invasion. I spent way too long poking that plant. It wiggles in this pathetic way and doesn’t matter at all, but I kept expecting it to do something horny. It never does. Anyway, the real heat starts when Osman shows up with that lazy grin and sits on the edge of the bed, and the music just drops to this slow, pulsing beat that feels like it’s syncing with your pulse… or lower. There’s no silly fade out when things get explicit. You actually hear belts, zippers, the soft thud of bodies against the mattress, the little breath Alexis sucks in when fingers go somewhere new. The choices here aren’t explained much. You get lines like “Push him further” or “Hold back” and you’re just thrown into it. Sometimes the “gentle” option leads to Alexis getting his throat fucked rough, and the “aggressive” one just turns into a desperate cuddle against a bulkhead after a mission. That messy, not-quite-logical reaction of the game feels actually honest, like sex after trauma isn’t neat or predictable, it’s all over the place.

The sci-fi side is weirdly intimate too. You’re on this ship in the middle of nowhere, “protecting mankind”, but really you’re just watching horny soldiers try to forget everything for a while. A briefing room scene with Leon starts as a boring report about alien movements, then your choice to “reassure him” ends with his hand on your throat, pushing you back into the commander’s chair, the big holographic map of the war flickering calmly while he grinds against you, still half in uniform, half undone, like the galaxy can wait while he ruts. Later with Evan, you’re supposed to be calibrating some scanner, but the game keeps letting your eyes drift down to his crotch, his tailbone, the hint of muscle under the suit. The interface even tilts a bit, like Alexis is losing focus. There’s this one shot where the window shows the dark of space, a slow blue flare of some distant thing, and in front of it you just see their silhouettes, one guy on his knees, the other bracing against the console, sounds of sloppy head mixing with the quiet hum of the ship. It’s hot, but also kind of sad, and then suddenly it’s funny again because a random alert pops and you both have to scramble, dripping, to act like nothing happened. It’s clumsy, horny, sometimes too slow, sometimes it rushes you right into a scene where you’re pressed between two bodies and a cold wall, and none of it feels polished. Which is exactly why it sticks in your mind when you close the browser and realize you still hear that low ship hum in your ears, together with the little broken noises Alexis makes when someone finally pushes him way past what he thought he wanted.