Hoshino Academy looks normal on the surface. Clean hallways, serious teachers, track stars running around like it’s a shonen anime, everyone pretending they’re “future leaders of society.” Then you open your mouth as Sasaki Keita, this loud idiot with too much justice in his brain and zero filter on his tongue, and the whole place starts showing its rot. The game throws you right into it with that first crash into Rin, the photography club president, camera hitting the floor, her eyes going wide like she just watched her whole life savings die. No fancy introduction, just “you fucked up, now pay it back with your time and your body watching hers fall apart.” It looks cute at first, like some wholesome romance VN where you help a shy artsy girl keep her club alive with cool shots and after-school trips. You walk around the school from his point of view, always stuck inside his head, listening to his jokes and stupid comments while secretly getting attached to that girl with the broken camera and the stubborn smile.

Then the Principal starts to move. Daizo is that classic ugly bastard type, but here he feels more like a slow disease. You see him in the background in early scenes, just standing there too long, watching Rin a bit too close, saying polite things that feel sticky. The story doesn’t rush the sex, and that’s what makes it nasty in a good way. It’s all small touches. Extra “private” photography advice. A hand a bit too low on her hip when he’s “correcting her posture.” A scene where you’re hiding out of sight, POV locked in while Rin thinks you went home already, and you end up watching her getting cornered in some quiet room under the excuse of “helping her secure sponsorships for the club.” The game forces you to just sit there, helpless, as his fingers trace up her thigh, while she laughs nervously and tries to stay polite. You can’t stop it, can’t pick a hero option, it’s a kinetic ride, and that hurts in this delicious, stomach-twisting way if you like NTR and corruption. That’s the thing: the corruption here isn’t only about sex. It’s watching her trust slowly tilt from you to that disgusting bastard, seeing her texts to you get shorter while her “club activities” get longer, her outfits shift, her smile turn slightly fake around you but more real when she’s alone with him, and you know exactly what that means.

Sex scenes hit like a truck when they finally show full-on action. There’s this oral scene where you’re stuck watching from behind a door crack, the AI-styled CG really leaning into her messy, half-teary look as she’s on her knees, hair grabbed, choking around him while he makes her “thank him” for some club grant. You can hear her voice trying to sound like she’s not into it, but the game gives these little details that betray her body, like the way her legs rub together or the shaky breaths when he gropes her tits through the uniform. The BDSM stuff is not hardcore chains and whips all over the place, it’s more about control and humiliation in small steps. Being ordered to pose, to undress slowly for “artistic reference,” to let him touch where he wants while promising better chances in competitions. Later it escalates into prostitution-flavored deals, sessions where he loans her out under polite school words, and you’re just trapped in that POV, knowing she used to laugh at your dumb jokes and now lets him spit on her tongue. The romantic side with Keita never fully disappears, and that makes it worse: he’s still trying to be a good guy, still cracking jokes, still clearly in love, even as the game shoves his face up against the window while Daizo slaps Rin’s ass and calls her his good little pet. The humor never fully goes away either, which honestly pissed me off and also made it hotter; you’ll have a silly scene about some club mishap, then five clicks later you’re staring at Rin getting groped under a desk while a teacher talks in front of the class. The sexual harassment, the slow mental twist, the way she starts defending him when you complain, saying you “don’t get how the world works” while she quietly adjusts her skirt over bruised thighs… it’s not kind, it’s not “fair,” and it absolutely doesn’t care what you want. And that’s exactly why my dick and my brain both ended up trapped in this messed up school.

Yuto is counting the days until he flies out, pretending to study vocabulary while actually staring at three very specific asses in his life. The landlady who leans over to collect rent with her huge tits squished in that too-tight cardigan. The older coworker who drills him at work, then accidentally brushes her soft thigh against his crotch in the break room. The convenience store manager who wears that prim uniform but bends over the low shelves like her pussy is begging for attention. All of them taken, all of them off-limits, all of them walking sex disasters. Ten days left before he leaves the country for good, so his brain just flips a switch and goes: fine, fuck it, farewell power-up. No consequences, no long-term awkwardness, just a horny sprint to see how far he can push each of them before his plane ticket cuts the scene.

The story plays out like a slow burn that suddenly remembers it wants to be filthy. Yuto starts with tiny things. A bit too-long eye contact when she leans in with her cleavage literally resting on his arm. A flirty reply where a normal guy would back off. Testing how far he can go with a "joke" about her panties riding up when she reaches for the top shelf. You poke through these choices, nudging him to be a polite good boy or a shameless little bastard. When you lean into the bastard side, the teasing escalates quick. The landlady letting him "help" with her back pain, which turns into groping her soft ass through thin yoga pants. The senior at work staying late with him in a tiny office, the air thick, her blouse slightly open, until her hand is under the desk around his cock while she pretends to explain paperwork. The manager locking the store after hours, the security shutters halfway down, letting him press her against the fridge while her boyfriend keeps calling and she just mutes the phone with shaking fingers.

Sex itself goes from kinda romantic to "oh, he really doesn’t care anymore" very fast, in a good way. One route has him licking her soaked pussy on the couch while she tries not to scream because her husband is asleep in the next room, his tongue working slow then fast as the CG shows her big tits bouncing slightly, nipples hard and shiny with sweat. Another path, you ram his dick into that perfect ass in a cramped stockroom, her skirt hitched up, her thong pulled aside, asshole stretched around him while she chokes on a moan and bites into his shoulder. There are moments where she rides him raw, bouncing on his lap until he loses it and floods her pussy, creampie dripping out in a sticky trail down her thigh while she whispers that she "can’t do this" and still keeps moving her hips. Blowjobs in a parked car, soft tongue circling the tip, messy handjobs under a blanket, toys buzzing deep inside them while they pretend to have normal conversations. The game loves that ugly, delicious cheating vibe: women glancing at their wedding rings, panting, then begging him not to stop. And the wild part is, some endings reward you for being selfish, some twist the knife with guilt, and a few pretend everything is fine while you both know it is absolutely not. The art is AI-smoothed but animated just enough that when her body shakes around his cock, you forget to care where the pixels came from. It is all about those last 10 days where goodbye is the excuse to put his cock exactly where it should never be.

The game drops you into this little romantic test lab where everything is shiny and wet at the same time, and for some reason that combo actually works. You’re a guy orbiting around this girl who looks like she’s been sculpted in a high-end porn studio, but the story keeps trying to pretend she’s just “a friend” or “someone important” or whatever. It feels like standing in a slow elevator with your crush while both of you pretend you’re staring at the floor number. Except here, the floor number has tits and a tongue and the camera really likes close-ups. It’s a kinetic thing, so you’re not doing the usual choice spam, you’re more like watching your own bad decisions play out in 3D. And because you can’t change anything, every time the guy hesitates before kissing her you kinda want to grab him by the neck and slam his face into hers. In a loving way. Mostly.

Sex-wise, the game goes straight for that “we know each other too well to be doing this, but we’re doing this anyway” vibe. Handjob in a place you really shouldn’t be getting one, like the camera is practically winking at you: yeah, someone could walk in, keep stroking. That whole exhibition angle is not over the top, just this light thrill, like when you’re sexting while sitting in a Zoom call and praying you don’t screen-share the wrong window. Then there’s the lesbian stuff which sneaks up on you, because one second the girl is “just curious” and five seconds later there’s tongue and moaning and someone’s fingers glistening under soft lighting. You’re stuck as the male protagonist watching two women get each other worked up and then somehow you’re allowed in, which is very generous of the universe. Oral, vaginal, hands, the usual porn logic progression, except the pacing is slower than I expected in a good way until suddenly it isn’t and scenes just cut a bit too fast like the game is shy about its own money shots. I kept wanting one more camera angle when she’s riding, just a tiny tilt, but no, it snaps away, like a cocktease editor got hired off TikTok.

Romance keeps trying to act like the main tag here, and it half wins. Some of the quiet moments are weirdly tender, like when she’s masturbating and you’re not even touching her, just watching, and the focus is on her face instead of her pussy for a few seconds longer than usual. That made me pause Spotify and just stare. Then two lines later she says something that sounds like a bad translation from a dating sim and I’m yanked right out again. The 3D models do a lot of heavy lifting; skin looks warm, tongues wet, nipples reacting to touch in a way that made me rewind a scene in VLC out of habit, even though it’s not a video file. And yeah, it’s obviously a proof of concept, you can feel the edges where the dev just went “eh, next build,” like that one shot where her handjob animation doesn’t match the thrust speed at all and my brain started calculating optimal stroke timing instead of enjoying the scene. I’m that freak who paused to think how many branching flags this would need if it wasn’t kinetic, and then immediately got distracted again when she sank down on him slowly, the camera hugging that angle where you see her back muscles and the way her ass hits his thighs. It’s kind of like watching someone test a love triangle strategy while only giving you one path: you can see all the temptations, the jealousy hooks, the exhibition curve, the lesbian route that could explode later, but here it’s all locked into this one horny, awkward, strangely sweet timeline that you just ride along with, whether you’d play it the same way or not.

Charlie thinks he is just going to one of those boring business dinners with his dad, the kind where old guys talk about stocks and golf, and you just sit there trying not to fall asleep while scrolling TikTok under the table. Instead he walks straight into a slow motion car crash for his whole family, and the game makes you watch every second of it, like one of those trainwreck Reddit threads where you tell yourself “ok last post” and then suddenly you are fifty comments deep. The new partner, Marcus, walks in like he owns the restaurant, and pretty fast it feels like he owns the dad, the mom, the house, even the damn air in the living room. His son Tyler is there too, cocky as fuck, smiling at Charlie’s twin sister like he already fucked her in his head three times before dessert. Nothing crazy happens at first, it is all polite smiles and firm handshakes and “so proud of you, son”, but the camera keeps lingering on Skylar’s eyes a little too long when she looks at Marcus, and you just know that this shit is not going to stay wholesome for long. That is the fun part, by the way, it never jumps straight into the porn, it lets the tension sit there, like when you are in a crowded subway and you feel somebody standing a bit too close behind you and you are not sure if it is an accident or not.

Later, when they all start visiting each other more, the vibe in the house changes. Skylar in her elegant dresses that try to be modest but cling to her ass anyway, pouring wine for Marcus, laughing at his jokes, leaning forward so you see her tits almost spill out. She is pushing 40, but the game shows her like she is at that perfect age where she knows exactly what her body does to men and also hates herself a little for enjoying it. There is one scene where Charlie comes home and finds her in the kitchen, hair a bit messy, lipstick slightly smudged, dress hitched up just a tiny bit too high, and Marcus’s car is still in the driveway. Nothing is said, nobody confesses anything, but the way she avoids his eyes while pretending everything is “normal” hits harder than any cheap sex scene. And then, of course, later you see exactly what was happening in that kitchen, from a different angle, with her bent over the table, hands flat on the wood, big tits swaying while Marcus pounds her like she was never even a wife, just some thick bitch he picked up. The game loves this kind of structure, it shows you the innocent version first, then comes back and twists the knife, and honestly it makes you feel like shit and horny at the same time.

Claire, the twin, is on a totally different path, but it still circles around Marcus and Tyler. She is the pretty one, the golden girl, the type that posts gym selfies on Instagram and gets 3k likes from dudes with “alpha” in the name. When Tyler starts hanging around, she talks to him like it is nothing, but the body language is all over the place. Short shorts on the couch, legs open just a bit too wide, teasing him with these “you wouldn’t dare” looks. There is one moment in the pool where she climbs on his shoulders, laughing, while Charlie just sits there watching, alone, and the camera angle makes it too obvious she is rubbing herself on the back of Tyler’s neck. It is not subtle. Then later, when she finally gives in, she rides him like she has been waiting years for this kind of dick, big hands on her hips, her ass bouncing up and down, water shining on her skin. And she looks over Tyler’s shoulder, right into the imaginary “camera”, like she knows you are watching her destroy that good-girl image. Honestly, her moaning gets a bit too repetitive, like the same 3 lines on loop, and it pulled me out for a second, but after that I forgot again because the scene just keeps pushing it, testing how far she will go.

Hana is the only one who actually feels safe at first, the childhood friend, the sweet one who studies hard and sends you stupid memes on WhatsApp at random hours. The game plays her more lowkey, less obvious slut energy, more the girl you secretly want to marry but you are too dumb to say anything. When the whole BNWO influence starts touching her too, it stings different. There is this classroom scene, Charlie and Hana alone, desks around them, papers everywhere, where she admits she feels “weird” about all the changes, then accidentally lets slip that Marcus and Tyler “give her butterflies” because they are so confident. You can see Charlie die inside a little. Later, when she finally ends up wrapped around that same world, legs spread, dark skin and light skin mixing, being held down and fucked hard while she tries not to scream too loud, you kind of feel betrayed, even if you were waiting for the exact moment with your hand already on your dick. The game is not shy about the contrast, honestly, the way it shows the guys as big, powerful, almost too perfect, with the girls melting under them. It leans hard into that fantasy of being replaced, of watching your mother, your sister, your best friend fall under someone else’s shadow. And since it is kinetic, you cannot stop it, there is no “good route” where you save them and they stay pure. You just keep clicking, scene after scene, as your whole world gets taken apart and rearranged around bigger cocks and darker skin and women who moan louder for strangers than they ever did for their own men. Somewhere in the middle of all that, Charlie almost disappears, which is kind of the point. You are not really him anymore, you are the ghost stuck in the corner of every room, forced to see how far it all goes. And it keeps going.

You pull up to this creepy old family estate with your aunt, thinking it’s just some boring photo job before the place gets sold off. Empty hallways, dusty furniture, that old house smell that feels like it sticks to your clothes. Not sexy at all at first. Then the highway gets blocked by a wreck, phone signal dies a sad little death, and suddenly you’re stuck there for the night with your “aunt” who looks more like someone’s porn search history than a real relative. Big tits barely contained, that kind of ass that makes you forget basic manners, and this weird tension where every “innocent” touch feels like it’s about one step away from turning into a hand on your thigh. The game just leans into that slow burn, like it knows exactly how wrong this whole setup is and doesn’t give a fuck.

It’s a kinetic thing, so you’re not here sweating decisions, you’re here to watch this guy slowly lose his moral compass while ghosts, shadows, and other shit that probably shouldn’t exist keep poking holes in his sense of reality. One minute you’re walking around rooms that feel too big and too quiet, getting this cold horror vibe, and the next your aunt is bending over the wrong way and your brain is like “yeah, I’d risk the family curse for that.” The paranormal stuff isn’t just for jumpscares either. There’s this monster girl scene where the line between “I should run” and “I should fuck this” basically vanishes, and the game just smiles at you while you try to pretend you’re not into it. Humor pops up at weird times too, like the protagonist reacting to something terrifying with horny sarcasm instead of fear, and it actually works. You’ll be going from being low-key freaked out by a shadow in the doorframe to watching a blowjob with a sex toy involved and thinking “okay, priorities, sure.”

Romance here is screwed up in the best way. It’s not tender, it’s not clean, it’s two lonely people in a haunted house using each other while pretending it’s about “comfort” and “closeness.” There’s a masturbation scene where the MC thinks nobody is watching, except of course something is, and the whole voyeuristic thing just slaps harder because of how exposed he looks. The exhibitionism hits in small doses: a half-open door, someone almost walking in, maybe a ghost lurking while she rides you, that kind of “someone could see” pressure that makes everything hotter. Oral, vaginal, toys, big curves shoved in your face, the works, and it all happens in this weird mix of horror and comedy where you’re aroused, then on edge, then laughing at a stupid line. It’s messy, morally fucked, and not even pretending to be wholesome. Honestly feels less like a polished porn fantasy and more like some horny fever dream you had after binging horror movies and scrolling Pornhub at the same time.

Twenty four, broke, kicked out, scrolling porn on your phone in a shitty mood, then you load up this thing and suddenly you’re standing in the hallway of your step aunt’s house, holding a single duffel bag like some failed adult. That opening hit me harder than I expected, honestly. It’s not subtle. The game throws you straight into that feeling of being worthless and embarrassed, while she’s there in the doorway, blonde hair a bit messy, wearing clothes that are absolutely not “proper aunt” level. She talks, actually talks, with real voice lines, and the tone is this weird mix of warm and a bit too soft, like she’s trying not to show how lonely she is. From the Unreal side of my brain, I kept expecting some fancy camera tricks, but it stays tight in POV, just you and her, and that works way better for this kind of teasing vibe than any flashy stuff.

Her first “you can stay as long as you need” line already sounds like a lie, in a good way. There’s this tiny pause, that small breath the VA does, where you feel she wants more than just a tenant. And then the kinetic thing kicks in. No choices, no fake “moral paths”, nothing. You’re strapped into this slow, horny train and it’s going exactly one direction. That annoyed me for like two minutes, since I’m used to branching nonsense, but then the scenes start building on each other so clean that I forgot I even wanted choices. It’s basically daily life with a hot step aunt who pretends she’s only being motherly while her hand stays on your shoulder just a bit too long. The camera angle when you sit at the kitchen table and she leans close, her breasts almost brushing your arm, is honestly so simple but it works. No crazy animations, just enough movement and voice to make your brain go “yeah, she knows what she’s doing.”

The first actual lewd moment is almost irritatingly realistic. It’s not some instant clothes off bullshit. You’re exhausted from your new job, flopped on her couch, and she sits behind you, starts “massaging” your shoulders. Her fingers drift down your chest, and the MC keeps doing that awkward internal monologue, trying to stay polite, like “I shouldn’t think of her like that.” Meanwhile she’s breathing warm in your ear, and you see just the corner of her lips in the frame, this half smile. When her hand slides lower and she pretends to be surprised that you’re hard, that line is delivered so casually it almost feels improvised. Then she strokes you off, slow, with this mix of guilt and hunger in her voice, whispering that it’s just to help you “relax, after such a hard day.” It’s filthy and tender at the same time. I hated that it worked so well on me, because the setup is simple as hell, but the pacing and the teasing sell the whole thing without needing any complicated systems or effects. The game just sits there and goes: you’re broke, you’re stuck, and your only comfort is an older blonde woman who should not be doing this to you, but she keeps doing it anyway, and you keep letting her.

Pharmacy games always sounded boring in my head. Like, I imagine clicking bottles of vitamins and some old man asking about blood pressure. Then this thing shows up, and the pharmacy is just background noise for a bunch of horny people who desperately need… “alternative treatment plans.” You’re basically watching a day in Sina’s All Hours Pharmacy, except every “consultation” quietly drifts into porn logic. Customer says “my back hurts” and two dialog boxes later they’re bent over the counter getting “thorough physical support.” It feels like someone mixed workplace comedy with hentai and then forgot which one was supposed to be the main dish, so they just doubled down on both.

The whole thing is kinetic, so you’re not pretending to be some strategic mastermind. You’re just riding along, like a perv on rails. No choices, just vibes. Which is weirdly nice. I didn’t have to think, I just sat there with coffee in one hand and mouse in the other, clicking through as the staff solves problems using zero medical training and a lot of big tits physics. Breasts are basically secondary characters here. I swear there’s a scene where the pharmacist leans over and her boobs are doing more talking than her mouth. Her “consultation technique” is like: step one, lean in so the guy sees nothing but cleavage; step two, ask totally normal question with the most smug face; step three, he’s instantly cured except for the rock hard problem in his pants. Also the cocks are stupidly big, like “how is this physically inside you and you’re still making jokes” level cartoon nonsense. It’s great. It’s dumb. It’s kinda hot. It makes zero sense. Perfect.

What really got me though is the tone. One second you have straight up dirty talk at the counter, the next second someone cracks a joke like this is some workplace sitcom. At one point a customer comes in with “stress”, and suddenly the pharmacist is like, “We offer body‑to‑body relaxation, side effect includes not walking straight.” Nobody reacts like that’s insane. The staff treats sex like just another line item on the receipt. There’s a bit with a girl with huge boobs trying to restock shelves and they keep smashing into boxes and you just know the dev sat there thinking “yeah, this is very important for the medical realism.” The humor is very “I watched too much hentai and now I write scripts,” which honestly, mood. It’s horny but not super mean, just very shameless. I do wish there were moments where you could at least choose how fast the scenes escalate instead of everything jumping straight from mild flirting to “raw dog in the back room,” but it also kind of fits the whole no‑refunds, no‑breaks energy of the place. Half the time I forgot this is supposed to be a pharmacy at all. It just feels like porn with lab coats and name tags, which, yeah, I’m absolutely not complaining.

Natalie’s life looks normal for like five minutes and then absolutely refuses to stay that way. She’s this shy-looking clerk in a tiny pharmacy in a new city, trying to remember where every damn box is stacked, and at the same time she’s secretly scribbling crazy alchemy notes in the back room instead of doing boring inventory. That “small pharmacy” vibe is just a cover; the real fun starts when she finally gives in to the idea that if nobody is going to make her feel strong, big, wanted, she’s just going to brew that feeling herself. The moment she drinks her first potion and realizes her muscles are actually swelling out under her clothes, her arms tightening her sleeves, chest pushing her uniform buttons to their limit, you can feel her brain kind of glitch between “oh fuck this is hot” and “oh shit I can’t show myself like this outside.” Which, obviously, means she shows herself like this outside. A lot.

What I really enjoyed is how her power trip stays messy and horny instead of heroic. She’s not saving the city, she’s flexing in front of the mirror, one hand cupping her growing tits while the other slips down her skirt, watching herself in this blurred reflection as her abs pop and veins crawl up her biceps. Sometimes she overdoses a bit and her body goes past “fit” straight into “thick muscle goddess with cat ears,” with her tail twitching every time someone in the shop accidentally brushes her chest. And yeah, that happens more than “accidentally,” there’s a whole scene where a cute regular girl pretends to check her own pulse while basically groping Natalie’s pecs, then just gives up pretending and buries her face in those huge boobs while Natalie lifts her like she weighs nothing. The kinetic novel style keeps it simple to follow: click, read, click, get slammed into another horny scene where she’s getting her nipples sucked through a half-buttoned top in the stockroom, a vibrator buzzing between her thighs while she’s trying not to moan loud enough for the old guy at the counter to hear. The humor swings from stupid pun levels (a “performance enhancer” potion that only enhances how loud the ahegao faces get) to this perfect timing where she tries a transformation mix that should make her “more appealing” and instead turns her partially into a monster girl with claws and glowing eyes, then the next girl who walks in just goes, “holy shit you look hot, can you pin me to that fridge?” and Natalie, already dripping and breathing heavy, absolutely does. Exhibitionism hits hard too, like when she has to stay in the shop while her potion is still active, muscles pumped, top tight, nipples hard, and a catgirl customer starts teasing her, sliding fingers under her waistband, telling her she looks like a superhero porn knockoff. Natalie ends up grinding on the counter, one hand on this girl’s ass, the other squeezing her own thigh just to feel that firm muscle. You get lesbian tongue action, toys pulled from “medical supplies,” lube disguised as ointment, and those ridiculous ahegao moments where her eyes roll back as she’s riding a strap-on strapped to a smug muscle girl who looks like what Natalie wants to be in her filthiest dreams. It’s all text and art, no choices to worry about, so you just ride the wave of her experiments getting more perverted: from private masturbation sessions with a hand mirror under her skirt to full “I’m locking the door and using you as my test subject” scenes, where the nerdy girl that came for vitamins walks out barely able to stand, thighs shaking, neck marked, and Natalie’s flexing abs shining with sweat. The tone flips between horny comedy and “I can’t believe they drew that” filth fast, like she’s awkward and blushing one second, then slamming someone against storage shelves and groping them hard enough to leave finger marks the next, panting, drooling a little, eyes wide in that stupidly hot ahegao expression that makes it clear these potions are not just about muscles anymore.

Mike never imagined waking up one morning transformed into Hannah, a woman navigating a new identity filled with confusion and unexpected desires. Trying to protect his family drags Mike into a tangled web of debt, deceit, and a bizarre curse that changes everything he thought he knew about himself. As Hannah, he must not only unravel the sinister forces threatening his father but also confront the dizzying challenges of living as a woman in a world that suddenly feels charged with new temptations and vulnerabilities.

With the unwavering support of close friends Patty, Rick, and Henry, Hannah explores the boundaries of her newfound femininity, experiencing everything from teasing glances to bold acts of exhibitionism that awaken hidden passions. Their camaraderie fuels both the emotional depth and the risqué escapades that define Hannah’s transformation, blending heartfelt connections with steamy encounters that test loyalty and ignite desire. Through this chaotic blend of magic, romance, and raw eroticism, Hannah learns to wield her superpowers not just to fight for her father’s safety but to reclaim control over her own body and destiny.

Blending sharp wit with steamy 3DCG animations, the game crafts an immersive experience where psychological complexity meets unabashed eroticism in every frame. The campus setting provides a fertile ground for voyeuristic escapades and heated exchanges, where every interaction pulses with the tension of forbidden desire and self-discovery. As Hannah’s story unfolds, players decide how she balances the seductive allure of her body with the urgent need to protect those she loves, crafting an ending as unique as her journey.