Athens is on fire and horny at the same time, which honestly feels right for this game. You’ve got these three goddess sisters, all smug and divine and way too confident, wandering off their comfy island and dropping themselves into a city where gods, demons and succubi are tearing shit apart. It starts like some myth textbook that got drunk on Pornhub. One minute you’re standing on a marble balcony with a perfect view of the burning city, the next you’re watching a demon girl with horns and glowing eyes kneel between the protagonist’s thighs and take her time like she’s worshipping a temple. The game likes to pretend it’s about war and divine politics, but the story keeps shoving you face first into sex scenes where everything is wet, animated and way more intimate than the usual click-to-fuck stuff. I actually laughed once because a scene opened all dramatic with thunder and screaming soldiers, then cut straight to one of the sisters stroking off a captured demigod, slow handjob, her wrist flexing just enough, while she’s negotiating his loyalty like it’s part of the contract. Totally ruined the “epic” moment, but in the best way. Or worst. I still haven’t decided.

The female protagonist part hits different here because you’re not just watching her get used, she’s making choices that swing between “save the mortals” and “shove your tongue in that succubus’ mouth right now”. Some of the lesbian stuff is stupidly hot. One scene in a half-collapsed temple, there’s broken statues all around and blood on the floor, and still the game slows down for this quiet moment where she’s going down on her own sister, gentle at first, then more desperate, like they both know the Olympians are hunting them but can’t keep their hands off each other. It should be tragic, but I was mostly focused on how detailed the licking animation was. The incest angle is not shy at all: kisses that last too long, hands under robes, soft moans echoing against stone walls, like the whole pantheon is listening. At some point a god’s head literally gets smashed in right after a blowjob, blood spraying on marble, and I was just sitting there like, what the hell, my dick and my brain are absolutely not on the same page. The 3D models look great in motion, breasts actually bounce when someone gets pinned to the floor, but then a random background NPC will have a face like a melted potato and you can’t unsee it. Still, the game keeps dragging you back in with these twisted little moments: a succubus gently wiping cum off the heroine’s lips with her thumb, a sister whispering “don’t leave me” right after she makes her climax with just her fingers, Olympian soldiers screaming in the distance, forgotten. It’s messy, horny, violent, sometimes weirdly sweet, and occasionally you’ll catch yourself wondering if the gods are the villains here or if it’s just you for enjoying every second of it.

Euryale’s Gambit feels like someone took a horny myth nerd, a violent RPG fan, and that one friend obsessed with big asses, locked them in a Discord call, and told them “make a time travel porn game, no filters.” You play as Euryale, a smug little demon with huge tits and bigger attitude, dropped into 19th century drama where everyone is either bleeding, moaning, or both. The story pretends it’s about saving the future from some terrible fate, but let’s be honest, half the time you’re “saving the timeline” by shoving her face between thighs or letting her ride people until the screen is basically just skin, sweat, and some honestly ridiculous squirting effects that look like someone got a bit too excited with the particle settings. One minute you’re in a serious scene talking about destiny and ancient curses and all that, next minute you’re pinning some poor girl to a dusty couch and Euryale is grinding on her face like she’s trying to kill her with pussy. It’s chaos, but in that fun, trashy way where you keep saying “ok last scene” and then stay for five more.

What actually surprised me is how much the fighting bits and the lewd stuff like to bleed into each other. You’ll be in an RPG-style encounter, thinking it’s just stats and skills, then win, and the “reward” is Euryale basically turning the battlefield into a sex dungeon. One of the fights I had ended with the enemy on their knees, Euryale grabbing their hair, forcing deep oral until she’s moaning right into the AI voice mic, and after that she just flips around, sits on their face, and the camera goes low so all you see is her big ass smothering them while their hands are twitching. The group scenes get wild too. There’s one where it’s basically a demon myth orgy in some candlelit temple, bodies everywhere, and you end up juggling between ramming into someone from behind while Euryale rides another girl’s mouth in front of you, tits bouncing in this exaggerated 3D way that makes zero physical sense, but your brain is like “yeah ok sure I buy this.” The harem vibe creeps up slowly, first it’s one girl, then another, then family drama shows up with that “we probably shouldn’t” incest energy and suddenly Euryale’s got this little circle of lovers who all kinda want to fuck each other too. The lesbian stuff is honestly the best part, especially when she completely dominates some prim, 19th century lady, sits on her face, and doesn’t let up until she’s shaking and squirting all over her chin while the AI voice actress moans like her mic is right in her throat. The violence hits hard, then the sex hits harder, and the whole thing feels like a fever dream made by someone who likes mythology, porn, and making you feel just a tiny bit dirty for enjoying all of it this much.

Dahlia’s Ordeal feels like watching an edgy late‑night fantasy cartoon that someone hacked and replaced half the scenes with porn and the other half with people getting hurt for real. The whole thing rides on this one girl, Dahlia, who looks like she should be the sweet fantasy princess type, but the game just keeps kicking her down the stairs, figuratively and sometimes almost literally. It starts kind of slow, like a normal mystery with creepy family tension, you walk around, click through dialogue, try to figure out who’s lying, and then suddenly the story grabs you by the throat with graphic violence and ugly family shit. One moment people are arguing in a quiet room with candlelight, next moment there’s blood on the floor and you’re wondering when exactly things went off the rails. The corruption angle is not subtle at all: she gets pushed, pressured, blackmailed, humiliated, then you get these choices where you can lean into it and make her act filthier, or try to keep her some kind of “good girl” while everything around her rots. Both roads are fucked, just in different flavors.

From the animation side, the cutscenes are rough in a way that kind of fits the story. You can feel the team is going for 2D comic vibes: sharp lines, expressive faces, a lot of close‑ups on eyes, lips, hands. During the oral scenes, the camera loves staying on her face, drool stringing down, mascara a bit wrecked, that kind of cheap but effective porn shot. There is one scene where Dahlia is on her knees in a dark corridor, forced to give a handjob while her uncle keeps talking about “family duty” and the camera doesn’t show penetration at all, just his hand in her hair and her fingers squeezing around his shaft in rhythm. The animation is slightly jittery, frames not always smooth, but that roughness weirdly makes it feel more uncomfortable, like you’re watching something you’re not supposed to see. And then you get a spanking cutscene where the sound design suddenly goes hard: the smack noises are sharp, skin gets red panel by panel, and the camera keeps cutting between her biting her lip and his hand raised again. They clearly had fun drawing bruises. Maybe too much fun.

Sexual harassment scenes are everywhere and honestly a bit exhausting. Guards grabbing her, hands on her thigh during “normal” conversations, people calling her names, using her as bargaining chip, all that trainer‑style slow breaking of a girl who started with some pride. And the story kind of teases “retribution” but keeps you hanging, so for a long time it’s just her being used: forced oral, shoved against walls, humiliation in front of people that should protect her. There’s one oral scene where the guy finishes on her face, then wipes it with his thumb and makes her lick it, and instead of going full porn glam the art keeps her looking small, a bit dead in the eyes. I liked that they didn’t glamorize the bloodier moments either; when graphic violence happens, it’s messy, quick, and not “cool”. Sometimes the expressions go wonky, like she looks cross‑eyed during a serious line, or hands are weird, and UI text boxes clip into the art in a way that made me stare more at the font than her tits. Also whoever chose that notification sound should be in jail, it pings at the worst moments and I kept thinking Discord was open. The cheating angle is there too, half‑whispered: people fucking behind backs, Dahlia being pushed into acts that betray what little family loyalty she still has, but the game never stops to moralize. It just lets the ugliness sit on the screen. I kept waiting for a soft, wholesome scene, like a break, a bath, a hug. It never really comes.

Brother comes back home after vanishing for years and the game just throws you into that weird mix of “family reunion” and “what the hell actually happened”. It starts pretty normal: school days, awkward small talk, sister trying to act cool but clearly obsessed that her missing brother is finally back. She waited nine years, she’s not sane, let’s be real. At first it feels like standard romance VN with a bit of teasing, some tits bouncing in your face every other click, that classic “I’m your sister but I look like a hentai search result” thing. Her ass is huge, her chest is huge, her emotional issues are somehow even bigger. The game really leans into that contrast: cute everyday stuff at school, then you go home and there’s this constant tension, like everyone is lying and only the MC is too horny and confused to notice.

The interesting part is how the erotic scenes are tied to progression. You don’t just click through to unlock CGs, you poke into the wrong room, ask the wrong question, check a phone you shouldn’t, and suddenly the sister’s route heats up because you showed “concern”. Affection feels like a stat, but it isn’t just “do nice things, get boobs”; sometimes the right choice is actually rude, suspicious, almost cruel. I liked that you can be a bit of a shit and the game still rewards you. One moment you’re in a sweet, almost wholesome scene, touching her carefully, she’s trembling because she’s still technically a virgin and doesn’t even understand her own arousal. Next moment it cuts back to some brutal flashback with blood on the pavement, and people yelling, and your dick has to just sit there and deal with unresolved trauma. It’s kind of funny and fucked up at the same time. Pornhub tab energy but with guilt.

There’s actual investigation stuff too. You go around, ask classmates weird questions, dig through old reports, follow shady hints at night. Sometimes you’re chasing ghosts, sometimes it feels like a straight crime story, like someone in the family did something really bad and covered it with this whole paranormal angle. The game likes to mess with you: you’ll be in the middle of a clue chain and suddenly you’re in a softcore scene with your stacked sister pressed against you in the hallway, her ass grinding your crotch while she whispers about how scared she is of losing you again. It should kill the tension, but it kind of doesn’t. Or maybe it does and I just didn’t care because her tits were right there. The MC is that usual clueless male protagonist, virgin brain but thrown into a house full of secrets, and sometimes he acts sharp and suspicious, then in the next scene he forgets everything because she bends over in a short skirt. The mix of horror, crime, and incest-flavored romance is messy, not subtle at all, and honestly that’s why it sticks in your head more than it probably deserves to.

Two middle managers in suits, looking all clean and professional on the surface, and underneath it they are absolute trash in the best way. This game drops you right into their mess when they decide that normal work is boring and slow and "easy money" looks way hotter than honest labor. At first it feels almost cute: late meetings that turn into secret make-out sessions in the office, her sitting on his lap in the chair while Excel is still open, him trying not to moan too loud because the intern is two doors away. That nice little honeymoon mood lasts maybe ten minutes, then the blackmail hits, and it starts to rot from inside. You push him to take one more dirty deal, let her flirt with the wrong guy to close a contract, say yes to one more "private meeting" with the asshole regional director, and suddenly the couple is not really a couple anymore, more like two animals who still think they are in control while everyone is pulling their strings.

The game really loves making you watch the slow slide. One scene you have her acting like a queen, heels on the desk, calling the protagonist a "pathetic little clerk" while she smacks his face lightly and makes him get on his knees. It looks like roleplay at first, like they did this a hundred times before, playful, horny, safe. Then you replay that same room later, same desk, same chair, but now she is on her knees in front of a guy she clearly hates, doing oral because she knows if she refuses, a certain video with the protagonist jerking off in the office bathroom is going to every employee chat group. You see the difference in her eyes, not in some dramatic monologue, just in tiny details: she hesitates, swallows hard, forces a fake smile that breaks in the middle. He is not even in the room, and you still feel like the humiliation hits him as much as her. The dev is a bit obsessed with spanking, by the way. Like every second route finds an excuse to have someone bent over a desk, ass red, either enjoying it too much or pretending they hate it when they clearly do not. Sometimes it feels hot, sometimes it feels like the punishment is for the player's choices, not theirs. And then there are these violent scenes that show up out of nowhere, no build up, just "oh, by the way, you pissed off the wrong guy, here is a bloody nose and a boot on your chest." It can be a bit much when all you wanted was to watch your character jerk off in the office to his boss' photo in peace.

What got me most is how often the game makes you choose between protecting your ego and protecting the relationship. There is this moment where you can force her to "prove" she is loyal by letting you search her phone, and if you take that path, the whole tone of the bedroom shifts. Sex becomes this weird mix of need and interrogation. You fuck her while asking questions like "Who touched you" and the scene leans right into that toxic energy, with her whispering answers while riding you, moaning and then suddenly going quiet when you grab her by the throat a little too tight. Another path lets you push him into full-on submissive mode, where he agrees to be treated like a naughty subordinate, signing a fake "disciplinary form" before she ties his wrists with his own tie and smacks his ass until it is red. It is funny and sexy and then she casually mentions in the middle that she tried anal with someone else and you feel your stomach drop while his cock still twitches. The cheating is never just "oh, she had fun", it always comes with this bitter taste of "you pushed her there, genius". The masturbation scenes are also everywhere, from stress relief in the bathroom stall with one ear on the door, to late night alone in the office scrolling through old pics of her while he knows she is probably with someone else at that moment. It is messy, dirty, awkward, sometimes mean, sometimes tender in a fucked up way. Not elegant. Not fair. But very, very human.

This one feels like I walked into my own gallery at closing hour, lights half off, and there is just this one piece on the wall that will not let me go. A retired hunter, alone, pretending the world has moved on. And outside the door, a lovesick werewolf, so full of longing and hunger that it almost hurts to read. The game is short, yes, but it hits like a very focused exhibition: just you, the wolf boy who never really stopped chasing you, and a forest night that smells of wet fur, blood, and someone you used to fuck or maybe should have. You pick your pronouns, you name your hunter, but it still feels like the story already knows you. It treats you as if you have history with this creature. The first time he steps out of the dark, half monster, half man, teeth shining, eyes too soft for that body, it’s like some twisted fairytale where the woodcutter secretly wanted the wolf all along.

What I liked is how the erotic bits grow out of that mood instead of just dropping from the sky. The build up is slow and sticky: brushing against his fur, the way his tail twitches when you threaten him with your old hunter voice, the way he still calls you like you’re the only person in the world who ever mattered. And then it becomes very physical, very fast. There is dry humping that feels desperate, almost clumsy, like he has been replaying this moment in his head for years and actually touching you overloads him. The handjob scenes are messy, all panting and grinding, like he wants to climb into your skin. I liked the oral a lot because you feel it from the hunter’s point of view, the heat of his mouth, the wet noise, the way he struggles to keep his fangs away from your cock while still licking you stupid. There is cock warming too, with that strange mix of comfort and filth: him buried in you or wrapped around you, both of you not really moving, just breathing and trembling while his knot or his mouth keeps you trapped. It is strangely tender, even when there is biting and marking, your neck, your chest, his claws in your back, like he is carving his name into an old property. Sometimes it gets a little too wordy, like the writer is afraid to shut up and just let you sit in the silence between thrusts, but then you get one perfect line like “you taste like home” and my brain just stops.

CGs are few but they land nicely, like catching flashes of explicit sketches in some NSFW Twitter scroll that you shouldn’t open at work. Him on top of you, eyes glazed and needy, fur matted, your body pinned under claws that could rip you open while his cock presses hard against your stomach. Or that moment where he’s between your legs, ears back, cheeks flushed, mouth full of you, wolfish features twisted around devotion and greed. The multiple endings make the sex feel heavier, because you know you might break him for good. One wrong choice and that romantic, horny monster you just had rutting against your thigh with his tongue hanging out can end up bleeding in the dirt because of you. It’s a game about fucking, yes, but it is also about how much power you keep over someone who loves you enough to let you kill him. I played it on mobile in bed, screen too bright, one hand scrolling and the other wandering lower every time he whined your name. At some point I got annoyed that the text box covers just a bit too much of his body during one of the best scenes and I kept adjusting my phone like that would fix it, and now I can’t stop thinking about that tiny stupid issue instead of going back in for the last ending. Anyway. The sound of him begging, even just in text, sticks in your head like a good meme you don’t want to share with anyone. This is not a clean story, not emotionally and certainly not physically, and that is exactly why it works.

Game feels like opening an old Facebook chat with your childhood crush and then immediately getting dragged into the kind of horny soap opera you only admit watching when your VPN is on. You start as this guy who used to be super close with Emilia, then shit went bad, family moved, classic “I’ll totally message you” lie, and now, many years later, life decides to throw you right back into her orbit. And not just hers. She has younger twin sisters now, and they’re grown, hot, way too grabby for their own good, and apparently never learned the word “boundaries.” The game basically locks you into this messy reunion where awkward nostalgia, unresolved drama, and slow-burn romance keep crashing into handsy teasing and full-on sex like some horny soap that forgot how brakes work.

Most of it plays like a kinetic story, so you don’t get that much choice, but it actually kind of fits this one. It feels more like binging one of those trashy Netflix dramas on autopilot while half your brain is busy thinking “ok but if she’s mad at him, why is her hand on his dick right now?” The MC is still a virgin at the start, which is honestly hilarious with how fast everyone around him flips from “long time no see” to “hey, let me grind on your lap.” There’s a strong focus on teasing, slow groping, stripping piece by piece, that kind of thing, before the more hardcore stuff starts. Animated scenes help a lot; there’s this one moment in the living room where one of the twins is “just joking” by climbing in your lap, and the way her hips move in the animation is way more indecent than anything she actually says. Feels like the dev knew exactly which angle people pause on in other games and just locked the camera there.

Sex itself goes pretty far. Handjobs that feel messy and clumsy in a good way, deep oral where the girl’s eyes water and she has to pull back, interracial scenes that are actually framed like real encounters instead of some weird fetish ad, and more emotional romance stuff too, where Emilia finally stops pretending she doesn’t care. Then out of nowhere the game just slams you with real graphic violence in some parts. Like, soft lighting, half-naked girl giggling, then suddenly someone gets hurt badly and there’s blood and you’re sitting there like you accidentally clicked the wrong tab. Honestly it hit harder because the rest of the game is all warm bodies and dumb jokes and then, bam. They use it to push the story forward, tie into the big life event that brings everybody together again, but it still catches you off guard. There are multiple endings depending on your route and how you handle the emotional stuff, though you can’t sidestep the sex anyway, which is kind of the point. The twins are playful and bratty and clearly into groping and messing with you, Emilia is the slow-burn heart of the story, and you’re stuck in the middle, trying to figure out if this is a romance, a porn game, or that one night your brain keeps replaying when you’re trying to sleep.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

Memory comes back to you like a drunk kiss in a dark alley: rough, confusing, kind of hot, kind of scary. You wake up in this ugly-beautiful world that smells of steel, sweat and wet soil, and the first thing you see is her. Big soft tits leaning over you, hair falling like a curtain, lips moving, voice low, asking your name while you’re still staring down her cleavage instead of answering. The game doesn’t rush, it just lets you sit there in that POV angle, eyes level with her neckline, while she talks about war and kingdoms and you’re thinking about everything except politics. It feels dirty in a slow way, like fingers sliding under a shirt when no one is in a hurry. Then suddenly you’re walking through a camp where men scream and banners burn, and the same woman acts like nothing happened, like she didn’t just wake you by practically smothering you with her chest. That little emotional whiplash is half of the charm here. Or half of the problem. Hard to say.

What surprised me is how often your dick has to wait while your brain does some work. You click around in this point and click wandering, poking at tents, broken carts, blood stains, talking to people who all want something. Then the game throws you into turn based combat out of nowhere, and for a moment you almost forget there is sex at all, until after you win and she thanks you with her mouth in a quiet corner, on her knees, your view locked right in POV as her lips stretch around you. There’s this scene where you finish a dungeon, half dead, armor cracked, and the other love interest, colder, sharper, with that perfect body that looks like it was made to be pressed against a stone wall, just grabs you by the collar and drags you into a ruined chapel. She talks about strategies and sides in the war while stroking you lazily with her hand, like it’s nothing, like you’re just another weapon she oils before a battle. I hated how sometimes the teasing goes on too long, how the game lets you wander three screens clicking empty barrels instead of pushing you back into her arms, but then that slow pace makes it hotter when it finally breaks and she drops to all fours, back arched, tits swinging while you pound her from behind as if the whole world outside is burning. Which it kind of is, with all that graphic violence splattered around, heads split, bodies on spikes, and then suddenly you’re in a tent with soft candlelight, her lips shiny with spit and your cum, talking about who you should support in this stupid war like it’s pillow talk.

I liked that the male protagonist is not some mute wall of muscles, he throws small comments, gets confused, sometimes sounds like a horny idiot who pretends he cares more about honor than about getting his dick sucked, and that feels very real. I had this one moment where I chose to help some poor bastard on the roadside, and it turned into a bloody mess, cut throats, dark magic, and afterward one of the girls looked at me like I was her personal hero, slid under my cloak and started slow oral right there behind a broken wagon, while the sky glowed red from burning villages. It aroused me and also annoyed me because the controls in that scene felt fiddly, like the cursor just refused to land where I wanted, and I kept thinking about that instead of focusing on the way her tongue moved. But then she looked up with cum on her lips and laughed, and I forgot my little complaints for a while. The world feels heavy, any step might drag you into another fight, another dungeon, another choice about who lives, who dies, who gets to ride your cock in a dirty cave with echoes of moans mixing with screams from somewhere far away. It all tastes like metal and sex, like sweat on bare skin under armor, like being torn between going home or staying just one more night in this cursed place because you want to see her on top again, tits bouncing in rhythm with the turn based beating of your enemies outside the tent. Dare to play it alone, or invite company?