Guy wakes up in this fucked up city where feelings are literally treated like some virus, and you already feel that weird pressure in your chest before the game even lets you move. He decides he wants to die, like actually finish himself, but before that he writes this tiny bucket list that is half sad, half horny, half stupid. Yeah, three halves, brain gets confused, but it fits the mood. It’s a mobile sandbox so you kind of drift from place to place, swiping around like on Instagram when you’re too tired to think, except here you stumble into girls who are officially “emotionally sterilized” and still somehow end up with your dick in their mouth. The whole city feels like someone shoved a clinic and a strip club into the same building and forgot to label doors properly.

The male protagonist is not some strong hero, more like that guy at the back of the bus staring at the window, thinking of nothing and everything. You tap around, trigger little scenes, sometimes you hit a dead end, sometimes you hit a blowjob in some dirty side corridor with flickering neon lights. The animations are strangely smooth in some moments, like when she slowly strokes your shaft with one hand and wipes a tear she shouldn’t even be able to feel with the other. That small glitch in the “no feelings allowed” rule hits harder than it should, even while you’re just waiting for the climax scene to loop. One girl keeps this flat, empty face while she’s giving you a handjob, like it’s morning paperwork, and I swear it’s hotter than any fake moaning I saw last week on some random browser game that crashed Chrome three times. I still don’t get why the underwear texture of the nurse girl looks like it was bought from a supermarket bargain bin, it bothered me the whole time and the game never explains it, just leaves it there like some private joke.

It calls itself sandbox and it actually feels like it. No clear “go here, then here” guide, you just bump into encounters while chasing that stupid bucket list that mixes things like “kiss someone who actually feels something” with “get sucked off in the clinic storage” in the same tone. I liked that you can mess around in different parts of the city, almost like tab hopping in Firefox and Telegram while waiting for a train, coming back to the game and it’s still that same lonely guy in a world that banned hugs but somehow forgot to ban deepthroating. Sometimes the pacing is slow and you’re just tapping through silence, no big event, which annoyed me and then two clicks later I’m watching an animated scene where this lab assistant is on her knees, robotic voice, asking if this “manual relief” improves the subject’s mood while drool runs down her chin. The game is horny and very blunt about it, yet half the time it pretends it’s a cold medical report. That mismatch sticks in your head in a good, dirty way, like you’re not sure if you just played a porn game or some sad story that accidentally has really decent oral scenes.

The sky in 2059 is this ugly, sick orange, like somebody pissed on the sunset and never cleaned it. You play a guy who basically grew up in that shit, no nostalgia for the old world, no “remember when we had internet” crying. Just concrete bones of cities, blown-out highways, and horny, desperate survivors who learned pretty fast that a hard cock and a sharp weapon can both save your life, just in different ways. The whole thing is built around trying not to die while everyone around you is trying not to wear clothes. You wander through ruined malls that look like war museums, find half-melted billboards with smiling people from before, and then two minutes later you’re in a scav camp where some big-titted raider queen is laughing while she makes a guy strip naked in front of everyone because he lost a bet. She tells you to choose if you wanna join in humiliating him, help him, or just watch and jerk off behind a broken vending machine. And the fucked up part is that all three options feel valid.

What sells the game for me is how it mixes “oh shit I could die” with “oh shit I’m hard” in the same scene. Like you’ll be low on food, trading bullets for a place to sleep in an underground bunker, and the guy in charge says the only open bed is already taken by his sister. You expect some cliché, but she’s the one who looks you up and down, this tall woman with thighs like she squats cars, and asks if you have any “special talents.” You can brag about your combat skills, or you can say something like “I’m good with my hands.” That tiny choice flips everything. In one route she tests you in a training room soaked with blood and sweat, in another she just grabs your belt, shoves you against the wall, and makes you prove it with her tits bouncing in your face while her brother “guards the door” and politely pretends he doesn’t hear her moaning loud enough to wake the dead. It’s gross. It’s hot. It’s weirdly funny. And somehow you still care if your character survives the night and doesn’t bleed out later in some sewer tunnel full of feral mutants.

There’s this scene that stuck with me where you’re escorting a small group through a ruined overpass. Wind howling, chunks of car skeletons everywhere, that feeling that someone is watching. You can choose to sneak slow and careful, or move fast and loud to scare off scavengers. I picked fast, like an idiot. Snipers open fire, one of your companions gets her leg shot and you have to drag her into cover. She’s this smug, curvy trader who kept flirting with you earlier, joking she’d “pay in kind” if you helped her find a safe town. When the bullets stop and it’s just the sound of her breathing hard, she asks you to cut her pants open to check the wound. You kneel between her spread legs, knife in hand, and instead of panicking she starts teasing you, saying “You’re blushing more than I’m bleeding.” You get this choice: focus on first aid like a good little boy, or let the tension flip into something filthy right there behind a burned-out truck. If you go lewd, you’re literally eating her out while she winces and laughs, leg wrapped in a bloody bandage, telling you to go faster before someone spots you. It shouldn’t be sexy. It absolutely is. And somehow that moment changes how she talks to you later when you run out of supplies and she offers to “share body heat” in a cold storage room that’s definitely not cold anymore by the time you’re done. The game keeps doing that. Serious survival, then stupid horny, then a joke about pre-war porn nobody gets anymore, then someone’s brains explode on a wall. It’s messy, and that’s exactly why it works.

Heavy metal sky, poison fog somewhere far under your feet, and you stuck on this floating rust bucket where everybody pretends they’re professional and noble until the lights go dim and belts come off. That’s the vibe here. You’re the new guy on the elite resource crew, supposed to be all serious with scanners and oxygen levels and “mission focus,” but half your brain is already thinking about that mechanic girl in the hangar who keeps “checking” your harness straps way too slow. On the surface it’s all sci-fi gear, suits, fancy tools, but between trips it turns into something closer to a porn hub search history that learned how to walk. You go from briefing room to blowjob in a storage closet faster than Discord goes from “hey guys” to full rule 34. Some of the scenes hit hard out of nowhere too. One moment you’re watching the airship drift through this neon green cloud, listening to some low hum like a chill lo-fi playlist, next moment you’re on your knees between someone’s thighs, hands tied to a pipe, feeling her thighs push your face deeper while she rides your mouth like it’s the last oxygen tank on the ship. The animation has this slightly off timing sometimes, which weirdly makes it feel more real, like when a horny cam model’s camera lags on Chaturbate and your brain just fills in the movement anyway.

What I liked is how the sex isn’t just “reward unlocked, congrats, here is generic pose number three.” There’s this scene after a rough mission where you stumble back to your bunk, sweating, gear still half on, and this older officer follows you in, locks the hatch, pushes you to sit, then just sinks down on your cock without a word. No slow fade, no speech, just this desperate grind. You feel the airship tilt a bit, alarms muffled in the background, and she clamps down on you right when some turbine roars outside. She rides you hard, nails digging into your shoulders, and when she makes you cum inside her, it doesn’t cut away. She just stays there, full of you, breathing heavy, one gloved hand on your chest, and you see your cum leak out slowly when she finally lifts off and tells you to “suit up again, hero.” That creampie shot with the light from a cracked porthole flickering over her skin honestly stuck in my head more than the big “story” moment before it. Funny thing, the UI color drives me crazy, by the way, this weird shade that looks like someone tried to copy Spotify in low light and failed. Anyway, the BDSM bits start almost playful then escalate, like the first time they strap you to that inspection table “for a safety scan” and suddenly the restraints tighten more than they need to. There’s a scene where they gag you with an air filter strap and use you until you’re basically just a toy, and at the same time the game pretends it’s still about keeping the city alive. It lies. This thing is about mouths full of cock in maintenance shafts, messy cream dripping onto cold metal floors, and that strange feeling when you’re hanging from a cable over the toxic fog thinking about how good it felt when the captain’s boot pressed between your shoulder blades while she rode you from behind and told you you’re just another resource to extract.

Reality show from hell, that’s kind of the vibe here. Not the goofy Netflix stuff where everyone cries in the confessional, more like “what if Big Brother was run by someone who jerks off to cruelty and power trips.” You’re the new guy thrown into this locked-down futuristic house, cameras everywhere, no privacy, and twenty-something horny, scared, fucked‑up contestants pretending they’re here for fame while everyone knows deep down they’re being used like meat. It’s all bright lights and fake smiles on the surface, but a few scenes in you start to feel the rot. People get “eliminated” and it’s not just some walk-of-shame to a taxi. The showrunners treat bodies as props. Holes as content. Consent as a slider they can turn off whenever ratings need a boost.

Since I’m into voice work, I went in listening more than watching at first. The moans and gasps during those “teasing” scenes where the girls rub against the MC in the communal bedroom while the others pretend to sleep? That shit feels way too real. There is this one sleep sex moment that actually made me stop and replay, because her breathing shifts so slowly, from deep sleep to confused whimper, then to this reluctant arousal when he pushes her panties aside and starts fingering her under the sheet, while the cameras zoom in and the producers whisper in your ear through the UI, basically encouraging you to keep going. No cartoonish screaming, it’s awkward, wet, quiet. A little uncomfortable. Actually more than a little, and that’s sort of the point here. Same with the blackmail scenes: they use old sex clips, private files, nudes, all that, to force a shy girl to join a group sex “challenge” with guys of different races on live feed, and the MC can either back off or lean into it. When you go with it, the mix of humiliation and arousal in her voice is kind of insane. She’s choking on cock, trying to say “stop” and “keep going” in the same breath. It’s sick, and it’s hot, and I kind of hate myself for liking it.

The sci‑fi / dystopia flavor sits in the background like a bad smell. Futuristic collars, shock systems, drugged drinks served after every elimination, some AI host that sounds almost friendly while pushing the contestants into anal, double penetration and messy creampie “competitions” that feel like twisted party games. There’s interracial and swinging stuff that actually feels like it belongs there, because the show is clearly trying to mix as many bodies and skin tones as possible for the “audience,” not for the characters. At one point they chain a couple to a wall and have other contestants jerk them off in turns while the floor slowly fills with water and blood from the last “test” in the next room, like a porno Saw ripoff that actually commits to the idea. The sound design sells it: wet slaps, muffled cries, someone laughing in the control room, you can hear a mic crackle when one girl is forced into anal while another guy is already buried in her pussy, so you get this rough, overlapping breathing that makes it feel way more chaotic than the usual porn game rhythm. And yeah, it’s all 3D models doing vaginal, oral, anal, the whole package, but I kept coming back to the way they react. Tiny “fuck” under their breath when you push too deep. Nervous giggle before a forced blowjob. That stuff hits my VA brain. The violence goes hard, too: broken noses, bruised throats after rough throat-fucking, someone getting beaten because they refused a group scene, then later you see them again, limping, still used as a toy. Sometimes the MC is just another predator in the system, sometimes he feels trapped with them. The game doesn’t really care what kind of person you are, as long as you keep playing along with its nasty little show.

Waking up naked in a city that looks like Silent Hill fucked a factory and then forgot to clean up after, that’s the vibe here. You open your eyes, have zero clue who you are, and the first real thing you focus on is this girl, Ophelia, who is hot in a wrong kind of way. Not wrong like “oh no, she’s evil”, more like “why does her body move like that and why do I like it so much”. She talks to you like she’s already decided you’re hers, and the game never really lets you feel fully safe around her, even when she’s stroking your cheek or dropping to her knees in first person view. One second you’re flirting, next second you’re both scavenging in a ruined supermarket while something wet and angry screams somewhere in the dark aisle behind the cereal. It’s messy, horny, and kind of romantic in that trash-fire way where the world is ending but you still argue about who gets to be on top.

The loop sneaks up on you. At first you just click around, pick up scrap, figure out some simple crafting, like “ok, I need this to not die, and that to impress the monster girl who can snap me like a twig but would rather tease me senseless”. Then you start thinking in turns. That nasty creature you meet in the subway? You’re watching its attack pattern, saving skills, deciding if losing here is actually a bad thing, because there is a non-zero chance it pins you down and suddenly you’re getting railed while the combat music is still echoing in your head. Sometimes it’s vaginal, sometimes it’s anal, sometimes the thing pulls out a surprise dick and your brain goes “wait what” at the same time your body goes “keep going”. The wild part is, a lot of these sexy punishments you can avoid if you don’t fuck up, but the game kind of tempts you to misplay. Like, you know that if you keep defending instead of killing her, this tall futa hunter might “reward” you by using your mouth until the screen literally fogs. I said I was going to play smart and then suddenly I am losing a fight on purpose like a clown.

The mood keeps swinging. You get this bleak, broken-city horror, ruined apartments lit by flickering signs, dead silence in one street and then some giggly banter with Ophelia as she strips piece by piece while pretending it’s part of a “strategic plan” to distract an enemy. Sure girl, it’s for tactics. She kisses another woman in front of you once, slow and deep, and you get that sharp jealous sting that hits harder than most jump scares. If you push it, they drag it into full lesbian territory and you’re just there, stuck between wanting to watch and wanting to join. There’s also these quiet POV moments when she crawls into your lap in some half-collapsed shelter, tells you stupid jokes, then casually opens your pants and starts sucking you off while still talking about survival routes like this is the most normal thing. The romance side is weirdly soft in places, with her asking little things about what you like, what you hate, how rough she can be, and from that point the dating sim brain kicks in and you start gaming her affection like it’s Tinder but with actual teeth. I wish the UI for the crafting menu didn’t look like it was slapped together in a hurry, but in a twisted way it fits the whole ruined-world energy, so I’m not even confident I want it changed. Just be warned: if you’re like me and tell yourself “I’m going to focus on survival”, you’ll still end up knee deep in sex scenes where losing a turn in combat means some hungry girl-monster is riding you in full animation and you suddenly forget completely why you came into that area in the first place.

Government fantasy but everyone’s horny and badly behaved, that’s basically the vibe here. You’re this regular dude in a fucked up city where the “Order” controls everything, and instead of joining the resistance like some heroic idiot, you get your hands on a mind control tech and go, “yeah, I’m gonna use this to fuck people.” And the game fully leans into that. Every time you “liberate” someone, it’s not really freedom, you just swap one kind of control for another and wrap it in sex. One moment you’re pretending to care about your neighbor’s safety, next moment you’ve got her on her knees in the kitchen, mascara running, while her husband is in the next room watching state propaganda and you’re trying not to laugh. There’s a lot of that quiet, wrong tension. You click a choice and you know it’s scummy, but the game is winking at you like: yeah, go on, do it anyway.

The cast hits pretty much every guilty pleasure. You got the strict older women from the “moral committees” that end up on their backs, legs shaking, calling you sir like they’re the ones getting judged. There’s a high ranking inspector you can slowly break, making him call you “master” while you shove him into messy gay scenes he’d arrest people for in public. One run I had him on his knees in his own office, sucking me off while his big monitor still showed official reports and I swear that contrast made it ten times hotter. Another night, I had a family under my thumb, the mom pretending to resist while her son watches from the doorway with that dazed, corrupted look, and the whole thing spirals into messy incest corruption that just keeps escalating. Group scenes get wild fast: you start with a “discreet meeting” and end with a row of naked bodies, asses up, everyone glazed over, and you walking between them deciding who gets a handjob, who gets anal, who has to lick who clean. The voyeur parts hit nice too, like spying with cameras you installed yourself, watching someone finger themselves, then walking in and making them finish the job with your cock. It’s dirty, it’s mean, and sometimes the pacing drags a little in the non-sex bits, but the payoff when the next scene finally snaps back into some fresh humiliation or control kink makes it worth grinding through. It’s less “save the city” and more “own the city’s holes, minds, and pride, in that order,” and the game does not pretend otherwise.

Moonlight throws you into this dirty, glossy future where everyone pretends they’re happy because their brain is on a leash. Neural implants drip little shots of pleasure in your head while an app rents out your meat-suit to whatever corpo wants a warm body. It sounds ridiculous but it feels… too close. You’re this burnt-out detective with more regrets than friends, poking around a death that smells like murder but is written up as “unfortunate malfunction”. Classic. Except here the corpse has an implant history that doesn’t add up, a porn subscription tied to a dead identity, and an ex who cries like she’s rehearsed but still clutches his jacket like a real widow. The game keeps you in that sweet spot where you’re never sure if people are lying or if the tech is lying for them. Also there is so much teasing it’s almost rude. One moment you’re going through encrypted chat logs, next moment a milf corporate handler is leaning over your shoulder, blouse half open, casually asking whether you’ve ever tried orgasm lock with a neural override. The flirting keeps cutting through the bleakness in a way that feels very queer to me, like everyone is using horniness as armor. I relate too much probably.

Sex scenes don’t come flying at you every two clicks, they crawl up slowly, like bad decisions at a bar. You talk, you joke, you push someone too hard in an interrogation, they push back, things snap. I had one scene where I was questioning this older lab tech, soft belly, tired eyes, very “I have seen some shit”. We start arguing about consent when your body is on remote control, and suddenly she’s grabbing the collar of your coat, pressing you against a sterile glass wall, telling you she wants to feel a real tongue, not a programmed rhythm. The game lets you decide if you go down on her right there among the humming machines while security cameras pretend to sleep, or if you pull away and keep playing the noble asshole. The animation sells it in a very unpolished way; sometimes the lips clip a bit or the angles look too porn-hub, but honestly it kind of fits. It feels like underground smut recorded in a shitty rented apartment, not some corpo-funded sex sim. There’s blood too, real rough stuff. One route turned into a total mess when the guy I was tailing got his implant fried right in front of me, smoke out of his nose, body twitching on the ground while my character is still half hard from a blowjob in the alley five minutes before. It’s uncomfortable and hot and confusing, and the writing never stops to hold your hand and tell you how to feel. Queer vibe shows up more in the edges than in labels: guys checking you out in clubs, women in sharp suits who don’t care what’s in your pants as long as you can keep up, trauma and desire tangled together. Some romance paths clearly want you to think they’re soft and wholesome, then they will turn around and ask you to choke them while they’re jacked into a virtual beach. And I swear the text messages you get on your in-game phone remind me of my ex who used to sext from the metro, like there is this messy, non-perfect English in some lines that actually hits very close to home for me as a non native speaker. Nothing feels translated for a straight American audience, just tossed at you to deal with. It’s horny, fucked up, a bit clunky, and somehow that makes it more honest.

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

Etlina's Principle looks like one of those games that pretends to be a serious sci fi story, but then five minutes later you’re balls-deep in a slime girl that just tried to kill you. In a good way. You start as this guy in a fucked-up militarized city, everything shiny, wet and wrong, like someone melted a factory over a forest. The symbiote thing is not just flavor text. Your “living suit” literally hugs your skin, reacts when you stare too long at some monster girl hips, and quietly pushes you toward horny decisions while pretending to be “tactical support”. You click around, point at some ruined alley or organic-looking door, and every time you think “ok, normal route”, the game slides in some corrupt little twist. Basic patrol? Suddenly you’re wrestling tentacles on a half-organic staircase while your suit whispers how much better it would feel if you just stop resisting and let them inside. And you can. Of course you can. Sometimes it feels like the dev sat with a notepad that said “how much can I mix graphic violence and sex before someone calls a therapist” and then just kept going, because it’s not shy at all: one room has bodies half fused into the walls, oozing black slime, and right after that you get a shy slime girl offering to heal your wounds with “full contact” and that healing is absolutely not PG. She pulls you in, your character’s mouth opens slightly, the suit tightens, there’s this sick mix of panic and arousal, and you end up fucking a girl whose body ripples around your cock like warm jelly. And the worst part is, it feels earned because you actually solved a little navigation puzzle to reach her, so your brain goes “reward unlocked” like it was Steam, while your dick already pressed Alt+Enter.

The point and click stuff is simple but sneaky. You think you’re just searching for ammo or lore, then you click on some pulsating growth on the wall and boom, now it’s a living corridor that closes behind you, dripping, and you realize you triggered a corruption path. You still get choices, VN style, but they’re often like: “shoot the monster girl” or “let her pin you and maybe suck your soul through your cock”. You try to be the good soldier, member of this HOWL squad, keeping humanity safe, then a corrupted girl with half-mask latex face straddles you and suddenly “humanity” feels very abstract. Tentacles here are not just background props either; they function as navigation, trap, and sex toy at the same time. You fall in a pit, slime tendrils grab your wrists and ankles, the suit tries to harden to protect you, fails on purpose, and then the game slowly describes how one slick tendril slides under the living armor and nudges your shaft, while another teases between your legs and you realize the encounter gives you a permanent symbiote buff if you let it continue. It’s smart, annoying and hot. I like how the city feels like a giant living dungeon, all this dystopian crap and nervous military chatter on the radio, then you turn a corner and meet a monster girl with bright eyes who talks like a horny Discord roleplayer and still manages to be scary when she opens her chest and you see teeth where boobs should be. The only thing that bothered me was this tiny UI click sound that feels like Windows XP and does not fit at all with wet latex apocalypse, and it never changes. And while the violence gets really rough sometimes, with ripped bodies and messy transformations, the game still keeps pushing you back into vaginal sex scenes like that’s the “normal” part, as if getting shoved into a slime nest and slowly corrupted into something not fully human is just another Monday. Somewhere in the middle you stop asking “is he still the same man” and more ask “ok but what happens if I let the symbiote fully take control during the next boss fight and sex scene combo”, because the line between battle and fucking gets thinner every click.