This thing starts innocent like some cheap training sim and then suddenly you’re in a weird horny dojo where every “lesson” looks like it came from Pornhub comments. You play this asian girl with big tits and big ass, cute dumb face, no memories, just dropped into a place where the Master clearly has more ideas about her body than about martial arts. At first you’re just clicking around, picking up mop, bucket, little useless items, thinking “ok, normal point & click stuff, puzzle time, yay”. Then it hits you that half the “puzzles” are just excuses to make her strip, bend over, get on her knees and play the obedient student who “accidentally” flashes everything.

The best part is how it pretends to be serious dojo cleaning. You’re told to mop the floor, right, very basic. Then the floor is not the only thing getting wet. One wrong choice and she slips, falls on her ass, skirt flips up, panties pushed aside, and of course the camera suddenly finds the exact angle where you see her pussy and the little sex toy the Master “made her wear inside so she focuses more”. You click something again, oops, the toy starts vibrating. She’s stuck there, blushing, trying to keep “proper posture” while her legs shake. It’s dumb humor, but it works. The game never shuts up with teasing. Dialogue is all like “you want to be a good student, yes? then open your mouth wider” and it’s obviously not about pronunciation. One scene has you “practice breathing” and it just turns into slow oral, with her trying to keep rhythm like it’s some yoga app, except instead of “inhale” you get “don’t spill it”. Spoiler: she spills it, then gets humiliation talk and clean-up duty. With her tongue.

There’s a nice mix of control and helplessness. You click where she goes, you choose answers, but it always ends with her getting more exposed, more used. Exhibition stuff creeps in all sneaky. You’re told to train in the courtyard, thinking it’s safe, then some students pass by while she’s in half-open gi, no bra, nipples basically saying hello. She pretends she doesn’t notice, Master pretends too, and you actually have to click to make her keep “holding position” while they walk around and stare. And yeah, the game uses 3D CG in that kind of plastic hentai-poser way, but sometimes the angles are just filthy in a good way. There’s this one scene where she’s doing “private meditation” at night, which is just masturbation with a toy she “found during training”. You control how fast she goes, when she stops, if she pulls her top up or completely strips. If you push it too far, she gets caught in the middle of orgasm, legs shaking, fingers still inside, and then you get a long humiliation scene that somehow manages to be hot and kind of funny and kind of “wow, this dojo is HR nightmare”. Vaginal sex is mostly framed as “reward” she’s not really ready for, so you click through her hesitation, get this slow teasing penetration, and of course they go raw, finish inside, and act like it’s part of spiritual discipline. Creampie just sits there on her thighs while she tries to bow politely, and you can click around to get close-ups. It’s messed up in that specific porn-game way where everyone talks about honor and training while she’s literally drooling cum from both ends.

This one starts like some horny Erasmus fantasy that went completely off the rails. You’re this Italian guy dumped in Japan, and the whole thing leans hard into the “foreign dude in a place where he shouldn’t be this cocky” vibe. He’s not some shy herbivore either, more like a walking Roman ego with a nice accent and way too much confidence for his own good. The game really pushes that feeling that he’s hunting, not waiting. Every time you think he’ll back off from a married woman, or a woman clearly too mature for his level, he just… doesn’t. He treats every new apartment, workplace corridor, and tiny Tokyo side street like it’s some old Roman province that needs to be “conquered”, which sounds cringe, but it actually works because half the time you’re laughing at how far he goes. Then suddenly there’s this scene where the mood switches and the flirting hits way harder than it should, and you catch yourself actually caring if she replies to his late-night message.

The women here are the real reason to stay, obviously. Classic Japanese housewives with that soft, tired face and huge tits that bounce way too much for “just talking in the kitchen”. That older office lady who acts strict at work but melts fast once he starts pushing her buttons. A neat, classy milf in perfect makeup sharing “innocent” tea with the gaijin, then five minutes later she’s pressed up against the hallway wall, whispering that her husband must not know. The cheating stuff is all over the place: wedding rings, family photos on the shelf, husbands working late, that whole guilty-but-still-horny energy. The corruption feels slow in a good way, like you’re watching them slide from “this is inappropriate” to “I need your dick again” across several encounters, not just suddenly flipping a switch. And yeah, the tits are huge, but not just plastic balloons glued on; the game really takes time with how they move when she leans forward to pour coffee or when you push her against the couch and her blouse struggles to contain anything. Sometimes it’s hot in a quiet way, like a lingering hand on the thigh under the table, sometimes it jumps straight into her riding you while trying not to moan too loud because the kid is sleeping in the next room.

What I actually liked most is that the protagonist is kind of an asshole, but in a charming idiot way. He talks big about “conquest” like some budget Caesar, but half the time it feels like he’s winging it, improvising seduction with half-broken Japanese and raw confidence. It’s not subtle at all, but weirdly that’s the fun part: you know he’s a walking red flag, the women know he’s a walking red flag, and they still put their legs around his waist. Some routes feel a bit too gamey, like the “right” dialogue line is too obvious, and there are moments where a milf falls for him almost too fast. I also hate how one specific scene teases a long, slow build-up in the bath and then just cuts the foreplay short when it was finally getting really filthy. But then the next time you’re back in that same bathroom, she’s the one reaching for him first, her face red, water dripping down those massive breasts, muttering that she “can’t stop now” even if her husband is in the living room. It’s that kind of cycle: small frustrations here and there, and then a single scene that hits your specific kink so hard you forget to complain. It’s messy, it’s horny, it’s very “gaijin ruins nice Japanese households with his cock” and it doesn’t pretend to be anything else.

Ayako wakes up in a body that still remembers how to fight, how to fuck, how to obey certain voices in her head, but not who she really is. That is basically the opening mood here: this weird mix of horny confusion, old myth stuff and a girl who knows she used to be terrifying. The game throws you straight into her fake “normal” life, where she’s stuck in this glossy modern city that feels like a cheap set. She moves through it, clicking on doors, phones, neon-lit streets, and all the time the framing is like some animation storyboard that never got finished. Camera angles hold a bit too long, some cuts feel slightly off, like the editor went for a smoke and never came back. Honestly, I kind of like that. There is this rough timing in the cutscenes that makes Ayako’s blank stare feel more broken than sexy at first, and then suddenly the scene shifts and she’s on her knees, mouth open, because someone whispered the right phrase and that “hunter” instinct is now just a puppet string. The whole oral stuff is framed almost like ritual sometimes: slow shots of her lips, lingering on spit and tongue, like the camera is trying to remember something at the same time as her.

The lesbian tension is not subtle, and that is good. When Yumi shows up, she has this soft, almost gamer-girl vibe at first, but the way the shots linger on hands, thigh touches, that slow press of bodies when they think they’re alone, it feels like the animator is low‑key obsessed with girls grinding on each other. There is one scene where Ayako is supposed to focus on some mythological clue, some symbol tied to old Asian underworld lore, but instead the framing just keeps going back to her fingers twitching near her own pussy as Yumi talks, like her body is answering a different question. She ends up masturbating in a small side room while a demon voice in her head feeds her flashes of past battles mixed with images of Yumi’s tongue between her legs. The cut is brutal, no smooth build up, it just jumps from quiet mystery to her gasping and fingering herself, thighs shaking. Then back to plot like nothing happened. It’s messy, but it feels real in this porn-brain way. The mind control angle hits hardest when Rin appears. Rin doesn’t even need to touch her; the voice alone tilts the whole scene. You can see it in the way the camera slightly drops below eye level whenever Rin speaks, giving Ayako this small, almost lost look, then suddenly she’s taking orders, tasting demon essence on her tongue, half in ecstasy, half in terror, and we never really get a clean line between what she chooses and what’s being pushed into her skull. The supernatural stuff is everywhere in the background, glowing symbols, distorted shadows, those brief flashes of Yomi that burn through a frame like a glitch, but your eyes keep ending up on wet lips, shaking legs, two girls clinging to each other in the dark while something old and hungry watches. It feels less like a nice polished hentai movie and more like opening a horny animator’s rough cut folder where nothing is properly labeled, but everything is way too personal.