Caroline used to be the kind of girl who never checked price tags. Now she’s counting every bill and pretending the cheap motel sheets don’t itch. That’s where this game hits you first: it throws her from penthouse to gutter and then just... leaves you there with her, in this giant, hungry city that wants her body, her pride, and probably her last cigarette. You’re not some faceless god, you’re stuck in her skin, making choices that feel way too personal. One moment she’s arguing with a sleazy landlord who keeps staring at her ass instead of the contract, next moment you’re hovering on that “accept” button while he offers a “discount” if she just bends a little. Or a lot. It’s not instant porn spam, it’s more like a slow infection in her head. She starts the story all proud, expensive hair, that cold rich-girl look, walking like her tits are made of gold. Then the city keeps kicking her, and every time you help her stand up you quietly steal something from her: a bit of shame here, some dignity there, another tiny “no” turning into a shaky “...maybe.”

The game is very horny but never feels like someone yelling “SEX NOW” in your face. Caroline’s body is a constant presence: big tits under a blouse that’s a little too thin, big ass in a skirt that rides up on the bus when the driver brakes too hard, guys staring, women judging, everyone wanting something. There’s this bar job where she’s supposed to just bring drinks, right? First shift, easy money, some teasing, swinging her hips because tips grow when she “forgets” to button that one button. Then the manager stands way too close in the storage room and you get that classic choice: push him away and keep your so-called morals, or flirt harder and maybe earn enough to actually eat. The arousal stat is sneaky here, she gets turned on in the wrong moments, like when someone grabs her wrist and talks into her ear, and you hate it but also kind of love watching her confused by her own body. One route I went full “good girl” and she still ended up in a filthy situation because the city doesn’t give a shit about your perfect stats. Another time I let her slide into corruption and it was honestly hot and ugly together, her acting like she’s in control while everybody clearly knows her price better than she does.

There’s something satisfying and a bit fucked up in watching her confidence go up when she uses her curves as a weapon, even when it’s obvious she’s being used right back. The animations help a lot: small things like her biting her lip when a boss’s hand sits on her thigh too long, or that moment she spreads her legs just a bit wider on a couch “by accident” when the guy she needs money from is sitting across. Sex scenes feel earned, even when they’re completely trashy. Like that time I had her accept a “private deal” in a luxury office, glass windows showing the whole city while she’s on her knees under the desk, trying not to smudge her makeup on his cock. She starts doing it for rent, for food, for survival, but after a while she starts doing it because it makes her feel something again. Or maybe that’s just me coping. The choices don’t scream at you, they just sit there, quiet, and then five scenes later you realize you pushed her from spoiled brat to perfect little toy without even planning it. It’s dirty, kind of depressing, very hot, and weirdly intimate in the way a bad decision at midnight is intimate. Caroline is not a hero. She’s just expensive meat trying to put a price on herself before someone else does it for her.

Girl goes to a “normal” summer camp job and ends up getting body‑jacked by a horny fertility goddess with zero boundaries, that’s the vibe here. She clocks in expecting brats, mosquitos and bad cafeteria food, and instead wakes up with a thick new surprise between her legs and a goddess in her head giggling like “oops, my hand slipped.” From that point it’s not really a camp anymore, it’s a playground. You’re walking around this peaceful fantasy forest with cabins and lakes and then suddenly you’re pinballed between monster babes, stacked milfs and campers who are way too curious about what you’re hiding in those shorts. The game leans hard into her being both the teaser and the toy. One moment she’s pressing some poor flustered girl up against a tree and groping those tits like she’s kneading dough, and the next she’s on her knees with her own mouth full, acting like this was not in the job description while clearly enjoying every second. Classic “I shouldn’t… but I absolutely will.”

I like how the main girl starts out kinda panicked, like “what the hell is this thing hanging from me” and five scenes later she’s using it like a laser pointer to get people’s attention. There’s this one bit where a big‑ass, big‑tits camp counselor milf corners her in the storage shack, half scolding, half staring at the bulge, and slowly drags a hand down over it. That grab is shameless, the kind where you can almost hear the fabric stretch. Then she drops to her knees and you get this sloppy, messy oral scene where the milf is way too experienced, like she’s been waiting years for someone to show up with this exact equipment. Contrast that with the shy monster girl in the woods, who pretends she wants to “study” the new anatomy and ends up getting pinned against a rock, tail twitching while she’s ground on until she’s begging. The flirting is actually funny sometimes, very “lesbian disaster with magic dick tries to act smooth and fails” and I’m into that energy. Some dialogues are awkward in the wrong way though, like someone typed it on their phone during a bus ride and never read it again, but somehow that fits the messy, horny chaos of the story. Nothing is polished, everything is thirsty, and the goddess just keeps whispering in her head like a rude little coach, egging her on to go further, get rougher, try new holes, push new buttons. It all snowballs fast, from teasing and light groping at the lake to full‑on futa pounding behind the cabins, pussy eating in the showers, and girls sitting on her face like it’s a camp activity. At some point you forget there was ever a normal job involved at all, which is honestly exactly the point.

You come back to this glossy, fake-perfect hometown like some prodigal son who learned how to fuck with people’s brains instead of just getting a normal job. Now you’re the new psychologist in a mega rich tech corporation, walking into rooms where everyone smiles too wide and lies for a living. Under the marble floors and glass walls, it all smells like perfume, power and bad decisions. The game leans hard into that. Every session you run feels like foreplay and interrogation at the same time. You’re supposed to help them, of course, but the tools they give you, the tech, the hypnosis routines, the little “mental triggers” you slip into their thoughts, it all starts feeling less like therapy and more like slow, sweet corruption. You’re not just listening. You’re adjusting. Pushing. Groping minds before you even touch their skin.

What I liked is how the story keeps mixing that clinical talk with very physical, shameless scenes. One moment you talk with a high-ranking MILF executive about workplace stress while she crosses and uncrosses those ridiculous thick thighs, blouse two buttons too low, always “by accident”. Next scene, you’re in her penthouse, city lights behind her, and she’s asking you to “help her relax” while your hand is inside her blouse and she’s kneeling between your legs, lips shiny, voice all shaky from a suggestion you planted earlier. It is not subtle. It’s not even trying to be. It knows exactly what it is doing when it gives you dialogue options that look responsible, then clearly marks another one that will nudge her a bit deeper into dependence, into that warm, obedient haze. You tell yourself you’re testing the boundaries of the tech, that it’s for science, but then you’re making her slowly strip for you in her office, door half open, her tits bouncing in those little looped animated scenes that repeat just enough times you realize you’ve been staring too long. At some point there is a scene with a “family dinner” that pretends to be normal, like catching up after you’ve been away. It goes sideways fast if you choose the more daring lines. Old resentments on the table, wine flowing, and you quietly dropping cues, peeling away all the polite surface. Watching someone who should absolutely not be touching you like that run a hand along your thigh under the table while the others talk about business mergers feels filthy in a very particular, incest-tinted way the game clearly enjoys. It toys with romance too, like putting sugar on poison. There are moments where one woman’s shy smile, the way she leans on you on a balcony, actually feels tender, almost pure. Then you remember you installed a mental reinforcement earlier that makes her horny when she smells your cologne, and the next kiss is tongue, teeth, desperation, her grinding that big ass into your crotch while she whispers how safe she feels with you. I still hate the phone UI popups that slide in at the worst times and cover half the boob, by the way. Whoever designed that deserves a very stern handjob without lube. The branching is sneaky. You think you’re just picking filthy or filthier, but later the game tells you in its own way that you chose whether she becomes a loyal lover, a brainwashed toy, or something broken and dangerous. Multiple endings hide behind small choices in early scenes, like whether you give someone a comforting hug or you “accidentally” let your hand rest on her ass a bit too long. And somewhere between giving oral instructions during an actual blowjob scene, watching those smooth 3D bodies glisten, and deciding if you’ll let one of them keep a bit of free will, you realize you’re not playing the hero here at all, just enjoying every slow, dirty step.

Remote islands in games always make me think of runaway brides and moody seaside editorials, not a horny young doctor patching up people who may or may not be possessed by something that wants to crawl under his skin. This one feels like someone mixed a medical drama, a ghost story and a porn parody in one Pinterest board, then forgot to tidy anything. You arrive as this fresh doctor, supposed to learn from a famous woman that just… is not there. She is everywhere in the story, in whispers, in family photos, in that weird smell in the clinic hallway, but she’s also gone. Same energy as when I send a lingerie sketch to a client and they “love it” and then vanish. The island itself feels like a big, damp bedroom. Everyone knows everyone. Everyone hides something. People come to your clinic with a fever and leave with your hands on places that are definitely not in any medical manual. And under that, there is this constant small fear that the body you are touching is not completely their own. Something rides them, slides inside their eyes, speaks through their mouths. It’s hot for a second and then you get that little cold under the spine that usually only happens when Gmail crashes right after you hit “send sample pics”.

What I really like is how the erotic part and the horror part keep tripping over each other. You have these older women, very self aware, playing the nurturing card with a little too much tongue, like a MILF campaign from a cheap underwear brand, only with more blood tests. They tease you, they act all motherly, then they say something that sounds like it belongs to someone much older, or not even human, and suddenly the whole vibe flips. There is a scene where one of them comes in late, storm outside, clothes half soaked, asking for a check-up in a tone that is clearly “fuck me on the exam bed, doctor”. The lighting, the breathing, the little touches, it all builds up, and you are so busy undressing her that you almost miss the moment her voice shifts, a second personality pushing through while you still have your fingers inside her. That fucked me up in a good way. I design harness bras on my iPad with Procreate running, Spotify in the back, then I alt-tab to this game in Chrome and suddenly I’m thinking about how to make lingerie that looks like it could be used in an exorcism and in a family dinner at same time. And there is this whole incest twist floating through some of the families on the island, spoken half-open, half like forbidden fabric you only use on special orders. People call each other “son” and “aunt” and you are not always sure if the soul inside that body is actually related or just borrowing the title. I kind of wish the clinic had more small props, like disposable gloves stacked wrong or mismatched curtains, but it will probably stay like this forever and that’s oddly fitting. The romance parts go from sweet to fucked to sweet again with no warning, one minute you’re gently comforting a scared girl, next minute something that might be The Nightrest is whispering through her lips that it knows exactly how your cock tastes from “another time”. Then everyone acts normal again, like the game gaslight you. I kept telling myself I’m here for “research”, for fabric inspiration, but by the time the lights flickered in the hallway during a blowjob scene, I realized I was just horny and slightly afraid of my own bedsheets.

Max is this kind of idiot I relate to way too much. He walks into a fantasy world full of loot, monsters, magic, and somehow he keeps ending up with his dick in the middle of every mistake. It looks like a normal dungeon crawl at first: you grab a sword, smack a few slimes, think about gold and maybe some huge tits in a tavern after. Then the game just quietly takes your hand and says, “ok, now you’re going to lose control of everything that makes you you.” One bad magical artifact, one “oh this chest looks safe”, and suddenly your big hero is waking up with soft thighs, a tight pussy and clothes that cling in all the wrong places. I mean, the right places. Depends how honest you are with yourself. The story doesn’t treat it like some trauma drama, more like “yep, that happened, your ass jiggles now, keep moving”. That mix of goofy humor with really filthy stuff works weirdly well. You’re chuckling at a dumb line and then the next click your transformed body is getting eyed by an orc with a cock like a weapon, and you’re wondering when exactly you went from “adventurer” to “walking breeding target”.

The thing that hit me hardest is how the corruption creeps in. At the beginning you still think like a guy. You try to cover your chest, you feel humiliated when someone stares at your nipples through a torn shirt, you hate that your hips sway and everyone notices. Then there’s that one scene where a monster pins you to a dungeon wall and you know you should be fighting back, but the game lets you just… stop. His hand is between your legs, your mind is screaming and your new clit is buzzing and you catch yourself grinding against him. After that, every choice feels a bit dirtier. You tell yourself you hate the mage who keeps “testing” new spells on your body, but you still show up to his room. You say you’re disgusted by getting filled with hot cum and feeling it leak down your thigh in a quiet corridor, but your hand is between your legs the moment you’re alone, panting like a bitch in heat. The netorare flavor creeps in there too. Watching someone you care about get pulled away from you, hearing her moan for another guy, feeling your own body already softened and trained, like the world decided you’re not the one doing the fucking anymore, you’re the one getting used. There is one lesbian scene that absolutely fried my brain: you, fully transformed, trying to prove to yourself you’re still in control, so you take the lead with another girl. Except halfway through, she’s the one gripping your hair, riding your face, and your own fingers are inside yourself, dripping, because her smell and her voice are turning you on more than any memory of your old cock. It’s messy, a bit cruel, sometimes very funny in a shitpost way, and then suddenly you’re watching a creampie animation stay inside just a bit too long and the word “pregnant” pops into your head and refuses to leave. That feeling of “I shouldn’t enjoy this” but you keep clicking anyway, that’s what stayed with me after I closed the tab and tried to pretend I was just checking Twitter.

A story about violence, betrayal, lust, revenge, and of course... Love.

You play as a guy in his late 30s. For the last 6 years, you have been living alone in your apartment building, away from your family. After a long time, you were able to open your heart to a few people, but there is still a big part of you that wants that old life back, which was stolen from you. But one day, someone from your past forces themself back into your life. With this person's arrival, a series of events start happening. Finding a new investor for your company, helping your favorite barista, catching your sweet innocent neighbor doing something very sinful, and confronting your childhood bully. You can't remove the hatred and anger that the past birthed inside your heart, but the future is in your hands. Will you treasure the people you love? Or will you drown yourself in the well of vengeance?

You are a detective from a small provincial town. Five years ago, your sister Norika disappeared without a trace. The memories of her and your relationship with her still haunt you, but you've lost all hope of finding her. However, the death of your brother and some unexpected news push you to pull yourself together once more. Immerse yourself in a captivating story, investigate the case, and find your sister.
Along the way, every choice you make will have consequences, shaping the storyline and determining the ending. A plethora of charming ladies and captivating H-scenes will keep you entertained.​

When your father, John, unexpectedly passes away, you and your mother, Susan, are left to sort through his old belongings in the attic. You stumble upon a mysterious, ancient book. The moment your hands touch it, you both feel a surge of energy, something dark, seductive, and impossible to ignore. Later that night, after a few too many drinks with friends, you slip into a strange, vivid dream. In this strange realm, you meet Elaria, a woman who introduces herself as the Goddess of Temptation. She reveals the truth behind John’s secret: years ago, he made a pact with her, wealth, power, and pleasure beyond imagination, in exchange for loyalty.
But John broke their deal when he fell in love with Susan, sealing Elaria away in the very book you found. Now, you and Susan are chosen as Elaria’s next "partners", whether you want it or not. Her influence begins to seep into your daily lives, twisting innocent glances and casual touches into moments charged with forbidden desire. With each passing day, you and Susan feel yourselves being drawn together, fighting, or maybe craving, the temptation that grows between you. Elaria’s offer is simple: accept her gift and indulge in a life of luxury, pleasure, and wild abandon, with many new opportunities and women to chose… or resist her pull and stay true to your heart.

"The Witness’s Eye" is a slow-burn visual novel focused on a couple in their early fifties who have been married for barely a year. Behind the appearance of a stable relationship, the story explores a gradual, believable descent shaped by underlying tension, a chain of choices, and a couple dynamic that was already slightly unbalanced.

The game emphasizes psychology, ambiguous situations, and character evolution - where the point of no return isn’t a dramatic event, but an accumulation of seemingly minor decisions.​