Foggy forest, quiet as hell, and you’re lost with a hard-on you don’t want to admit you have. That’s pretty much the mood here. The trees feel wrong in that fairy-tale way, like they’re watching, but not in a horror movie thing, more like they’re just waiting for you to do something stupid and horny. Then this witch shows up, and she doesn’t look like the usual “I cast fireball” witch. She’s got that lazy smile that says she already knows what you’re going to click, and she smells like a toy store mixed with a bath bomb shop. Latex, sugar, soap, that weird clean-but-not-innocent vibe. The game doesn’t rush to shout what you’re in for, but yeah, if you’re into inflatables and transformation and that floaty, rubbery ownership of a body that stops being flesh and turns into a damn balloon, it hits that itch pretty directly.

The cool part is how low-key everything starts. It’s just you poking around her little forest corner, clicking stuff, poking at bottles, weird trinkets, that sort of thing. Half of it feels like background junk until you notice something reacts if you try again, or if you did another scene before. There was this moment where I accidentally triggered a change too early, and my character’s body started filling out, tight and squeaky, and I actually paused, staring at my screen like, “ok, I did not expect it to jump to that this fast.” The game is short, yeah, but it doesn’t waste your kinks. The inflation is not just “you get bigger.” It’s that slow, pressurised feeling in the text and art, the witch teasing you, almost casual about turning your body into her private float, testing how much air or magic you can hold. She treats the whole thing like a cozy craft project, while you’re the one struggling with how round you’re getting. It’s a weird mix of mystery and fetish, and I like that it doesn’t apologize for it even once. You’re not playing a hero, you’re playing a future decoration, and she knows it way before you do.

The forest itself is small, but it feels like one of those “hidden room” games where there’s always one last strange item you haven’t clicked in the right order. I spent way too long clicking the same damn stump because I was convinced it had a secret, and honestly I’m still annoyed it didn’t. But while I was being stubborn, I kept noticing little reactions: the witch’s comments changing, the way she hints at other “guests” she inflated before, maybe still around, maybe not in the shape you expect. There’s magic everywhere, but it’s that squishy, rubber-magic. You’re not slinging spells; you’re more like the spell result. A toy, a trophy, an experiment. The furry angle sneaks in too, with those hints that your body isn’t only filling with air, it’s shifting into something cutesy, animal-ish, then more object than creature. Ears, tail, then plastic sheen, then hollow. It’s honestly hot as hell if you’re into losing control and becoming a thing instead of a person. And the best part, or the worst, depending on your brain, is that the witch never seems cruel. She’s playful, almost seasonal, like some twisted holiday hostess inviting you to become part of the decorations, tucked between the trees, gleaming under moonlight, filled tight and waiting. You kind of know from the beginning this forest is not a place you walk out of on your own feet. You’re rolling, floating, squeaking your way out, if you leave at all.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?

You start as this nobody in a school full of assholes, basically wallpaper that can hold a bag. People bump into you in the corridor and don’t even say sorry, teachers misread your name every single time, and the only time anyone looks at you is when they need a free note from last lesson. Then the game quietly puts this “tool” in your hands. No tutorial, no glowing button, just a weird interface, some profiles, and the feeling that someone is watching you from behind the screen. It looks almost boring at first, like some cheap chat app or a bad school portal, and then you send one message and the story flips from “sad nerd” to “oh shit, I can actually break people.”

The fun part is how much of it lives inside text and your imagination. You are not walking around with WASD or anything, you are sitting in your room, reading and typing, going through chats with classmates, teachers, that weird girl everybody calls a freak, the thot who lives on Instagram, the strict class rep who pretends she hates attention. The game lets you poke inside their heads, first gently, then deeper, then way too deep. You use pressure, little lies, blackmail, secret pics, their own kinks they try to hide. One moment you are just convincing a girl to send a “harmless” selfie after school. Next moment you are telling her exactly how to touch herself while she tries to keep her voice down because her parents are in the next room. The writing is so casual it hurts. No big description of “her luscious curves” bullshit, just things like “her hand shakes near her skirt as she waits for your next message” and your brain fills the rest.

Sometimes you play the big dominant asshole, pushing them to call you “sir” or “master,” making them kneel in the empty classroom they thought they locked, forcing them to write “I am your slave” fifty times instead of homework. And then the game flips and throws a girl at you who is way more broken than you are. She reads your messages like you are the toy, not her, and you realize you walked into her trap. There are scenes where she orders you to describe your own kink in detail, mocks your hard-on through the screen, then uses your own fucked up fantasies to turn you into the obedient one. She’ll tell you to put your phone on speaker, pull your cock out and stroke only when she texts “go,” punish you when you slip, and it feels unfair because you thought you were in control. I loved that. I hated that. No, actually I loved that. The whole “mind control” thing is not just hypnosis magic, it’s the way text can slowly twist someone’s brain, and the game is kind of rude about how easy it actually is. You blackmail a shy girl with stolen screenshots until she agrees to meet in a dark classroom, hands on the desk, ass out, and when you finally slide your hand under her panties and make her jerk you off with those shaking fingers, you realize she isn’t just scared, she is getting addicted to obeying.

There are some nice AI-style images popping up here and there to glue the fantasy to your brain, but they never explain why one girl’s hair suddenly looks slightly different from another angle and it annoys me every single time. Also the phone notification sound is slightly off, like some cheap Android clone, and it drove me crazy, but I never muted it anyway. You go from reading stupid school gossip to ordering a girl to record herself choking on a dildo in the school bathroom, and then later she casually sends you a pic of her wearing her uniform with the shirt open, collar pulled up like a leash, pupils wide like she’s high, waiting for your next command. The game often pretends you have this big “moral choice” but we both know you are here to corrupt everyone, including yourself. And it works: by the time you have one girl calling you “owner,” another one blackmailing you right back, and a third one begging you in private chat to make her your personal pet so she doesn’t have to think anymore, you’re not really sure if you’re the villain, the victim, or just the pervert sitting behind the keyboard, grinning at a bunch of text boxes like it’s the most important thing in your life. Which it kind of becomes, at least while the game is running.

Martina and Lukas roll up to this weirdly cozy, kinda off hotel that looks like the sort of place where the minibar is haunted and the WiFi is judging your search history. They’re there to film a “totally professional” weekend review for their channel, but the vibe goes horny and strange almost from the check‑in. The staff smiles a little too long, doors don’t always lead where they should, and the whole Feeneera place feels like it wants to watch them as much as they want to film it. The game lets you bounce between both of them, so sometimes you’re in Martina’s head checking if her outfit is more “sponsor friendly” or “oops, my tits are almost out,” and then you swap to Lukas trying not to be the guy who stares at his own girlfriend’s ass on camera while also… absolutely doing that. There’s this early moment where they test lighting in the hallway, and suddenly a gust of cold air flicks Martina’s dress up way higher than it should go. You can choose if she laughs it off, pulls it down fast, or just kind of leans into it for the camera. Tiny scene, but it sets the whole tone. Hotel wants a show.

Sex-wise it doesn’t rush, which is funny because once it starts, it doesn’t really pretend to be shy. You get the usual couple stuff: Martina on her knees in front of Lukas, lipstick probably ruined, trying to keep quiet because there might be someone outside the room. The camera from earlier is just sitting there on the tripod, red light off, or… maybe on if you feel like being a chaotic little shit. The game is pretty clear you can go soft and loving or straight up filthy. One branch has her pushing him back on the bed, climbing on top, sliding him inside her slow while she keeps glancing at the open curtains, like any second someone could see them. Another path, she’s the one pinned, legs spread, staring at the weird pattern on the ceiling while he fucks her deep and she’s half moaning, half asking if he remembered to lock the door. The hotel occasionally “helps” with lights flickering, shadows in the corner of your eye, or a door that opens on its own at a very bad moment when her mouth is full of his cock. I like how it plays with exhibitionism without just going full porn logic immediately; it feels like those messy real situations where you start something and only afterward think “shit, if anyone walks in right now…”

The paranormal stuff is less jump scare and more “is the building horny too or am I just projecting.” Sometimes you’re walking Martina alone through the corridors, phone in her hand like she’s recording B‑roll, and she catches something in a mirror that is absolutely not just her reflection. Then next scene, she’s in the room with Lukas, trying to act normal, but the options let you nudge her into using that tension as an excuse to get closer to him, to distract herself with his mouth on her body, his fingers between her legs. There’s a late path where things get weirder and the hotel almost feels jealous, like it wants to keep them there forever, feeding it with more and more intimate shit. Multiple endings spin out of how honest they are with each other, how reckless they get with showing skin in public areas, and how deep you lean into the creepy side instead of just “haha, haunted hotel, anyway suck my dick.” The funniest thing is the damn room keys sound effect, which for some reason is louder than the moaning and it annoyed me every single time, and then I forgot to adjust it because I was too busy deciding whether to have Martina swallow on camera or just wipe her lips with this smug little smile. The game never pretends to be classy, but it also sneaks in these sweet little couple moments in between the blowjob angles, like when she rests her head on his chest after fucking and the lights flicker softly instead of going full poltergeist. Then the next scene you’re back to choosing if she walks down the hallway without panties, just to see if someone or something notices.

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.

You wake up on this ugly rust bucket of a fishing ship, wearing an orange sweater that keeps trying to crawl up over your borrowed tits, and everyone is calling you Vilma like that is totally normal. You know that feeling when you're lying to every single person in the room and your dick is half hard at the same time? Yeah, that feeling is basically the whole game. The dev clearly loves Halloween junk and classic mystery cartoons, but everything is twisted just enough that it looks like the cheap porn parody DVD you find in the wrong section of the store. Scrooby keeps shivering, Saggy looks like he smells like wet dog and weed, and you are the “smart girl” with the big ass who is supposed to solve a murder in five minutes or get blown the fuck up by some letter bomb. And of course the real Vilma is naked and tied up in a storage room, annoyed, horny, and way too clever for her own good.

The fun part is how the timer hangs over your head while you are trying to decide if you should drag another clue out of Nymphne with actual logic or just bend her over a crate and fuck her until she starts talking. I wasted two full runs trying to see how much I could get away with before the bomb went off, just speedrunning bad decisions. Took me a bit to realize the “deduction table” is not just flavor text. You slap evidence on it like a crazy wall, except instead of red string you have your cock and some pretty mean dialog options. One run I focused only on interrogations, squeezed Ford until he spilled half the plot, solved the murder like some nerd god, and then realized I had barely touched Vilma in the hold. Next run I did the opposite: ignored half the questions, kept going back downstairs, playing good cop / very bad cop with her. Her reaction when you pretend to be her, while she is tied up and watching you strip off “her” sweater, is nasty in the best way. Also, the jiggle in some of the animated loops is honestly stupid good, then on the next scene a hand looks like it was drawn by someone using a mousepad in a bus. It made me laugh, then still made me horny, which is kind of impressive and also annoying.

What really sold me is how the voyeur stuff is baked into the whole structure. You’re pretending to be the smartest girl on the ship while the real one is naked furniture in the next room, and the game keeps tempting you to leave her there just a little longer so you can wander around and peek at everybody’s secrets. I kept pausing on the same detail: her glasses. When you put them on and walk into an interrogation, people suddenly trust you, but you know they actually belong to the girl who is currently gagged and getting her ass toyed with below deck. The contrast between playing the clever detective and then going downstairs to use her like a cum-dump clue dispenser is filthy in a way screenshots don’t show. Some of the humor hits hard too, like when Saggy tries to tell you he “respects women” while staring at your chest, or when Scrooby freaks out at the idea of anal like that is somehow worse than the murder. I had one run where I solved the case perfectly, unlocked a fancy sex scene with Nymphne, then realized I had missed a tiny conditional flag in the storage room so the Vilma finale variant didn’t trigger and I actually growled at my monitor. Still going back to clean up those last few CGs like a pervert completionist.

Memory comes back to you like a drunk kiss in a dark alley: rough, confusing, kind of hot, kind of scary. You wake up in this ugly-beautiful world that smells of steel, sweat and wet soil, and the first thing you see is her. Big soft tits leaning over you, hair falling like a curtain, lips moving, voice low, asking your name while you’re still staring down her cleavage instead of answering. The game doesn’t rush, it just lets you sit there in that POV angle, eyes level with her neckline, while she talks about war and kingdoms and you’re thinking about everything except politics. It feels dirty in a slow way, like fingers sliding under a shirt when no one is in a hurry. Then suddenly you’re walking through a camp where men scream and banners burn, and the same woman acts like nothing happened, like she didn’t just wake you by practically smothering you with her chest. That little emotional whiplash is half of the charm here. Or half of the problem. Hard to say.

What surprised me is how often your dick has to wait while your brain does some work. You click around in this point and click wandering, poking at tents, broken carts, blood stains, talking to people who all want something. Then the game throws you into turn based combat out of nowhere, and for a moment you almost forget there is sex at all, until after you win and she thanks you with her mouth in a quiet corner, on her knees, your view locked right in POV as her lips stretch around you. There’s this scene where you finish a dungeon, half dead, armor cracked, and the other love interest, colder, sharper, with that perfect body that looks like it was made to be pressed against a stone wall, just grabs you by the collar and drags you into a ruined chapel. She talks about strategies and sides in the war while stroking you lazily with her hand, like it’s nothing, like you’re just another weapon she oils before a battle. I hated how sometimes the teasing goes on too long, how the game lets you wander three screens clicking empty barrels instead of pushing you back into her arms, but then that slow pace makes it hotter when it finally breaks and she drops to all fours, back arched, tits swinging while you pound her from behind as if the whole world outside is burning. Which it kind of is, with all that graphic violence splattered around, heads split, bodies on spikes, and then suddenly you’re in a tent with soft candlelight, her lips shiny with spit and your cum, talking about who you should support in this stupid war like it’s pillow talk.

I liked that the male protagonist is not some mute wall of muscles, he throws small comments, gets confused, sometimes sounds like a horny idiot who pretends he cares more about honor than about getting his dick sucked, and that feels very real. I had this one moment where I chose to help some poor bastard on the roadside, and it turned into a bloody mess, cut throats, dark magic, and afterward one of the girls looked at me like I was her personal hero, slid under my cloak and started slow oral right there behind a broken wagon, while the sky glowed red from burning villages. It aroused me and also annoyed me because the controls in that scene felt fiddly, like the cursor just refused to land where I wanted, and I kept thinking about that instead of focusing on the way her tongue moved. But then she looked up with cum on her lips and laughed, and I forgot my little complaints for a while. The world feels heavy, any step might drag you into another fight, another dungeon, another choice about who lives, who dies, who gets to ride your cock in a dirty cave with echoes of moans mixing with screams from somewhere far away. It all tastes like metal and sex, like sweat on bare skin under armor, like being torn between going home or staying just one more night in this cursed place because you want to see her on top again, tits bouncing in rhythm with the turn based beating of your enemies outside the tent. Dare to play it alone, or invite company?

You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.

Guy wakes up from a nasty bike crash, his girl is dead, his body is somehow fine, his head is a mess. He thinks: new city, new university, new life, forget everything. Of course it goes to shit immediately. You’re walking into this school full of tight uniforms and way too short skirts, trying to act normal, and the game keeps reminding you that you shouldn’t even be alive. You’re this mix of horny and broken, which is honestly relatable after a long workday when your brain is mush but your dick still loads Chrome by muscle memory. One moment you’re in class pretending to take notes, next moment you’re staring at the teacher’s blouse and the little gap between buttons, then some creepy flicker in the corner of the screen like reality just hiccuped. It plays with that switch a lot: you’re laughing at a dumb joke, then suddenly you remember your dead girlfriend’s voice and the whole scene turns weirdly cold.

The sex stuff hits slow at first. Lots of teasing, legs crossing, girls leaning way too close, that kind of cocky flirting where you’re not sure if they’re into you or just bored. The milf professor who “cares about your trauma” but sits on the desk so you can see the shape of her ass in that tight skirt. A classmate who sends you a “homework question” pic that absolutely is not safe for study group. There’s a scene where you’re stuck in a stairwell during a fire drill, watching a girl change her shirt through this tiny glass window, and you can back out like a decent human or keep watching while she slips off her bra and you see those huge tits bounce, and the game actually reacts to that choice later. Handjob behind the gym after practice, messy blowjob in a parked car while some weird shadow moves in the background like something else is watching both of you. That part hit hard, because you’re trying to focus on her tongue and the little spit strings and instead your brain is like “hey remember your dead girl, remember her throat taking you, remember the blood”. It’s horny and fucked up at the same time and the game doesn’t try to clean it.

The best part and also the most annoying is how often it lets you be an asshole or a softie and both feel wrong. You flirt with this shy girl who clearly has a crush, she’s clumsy, big ass in those tight jeans, and you can push her into stripping for you in some empty classroom. It’s hot, she’s blushing, slowly pulling her panties to her knees, you can see a bit of her wetness catching the light, and your guy still flashes to his ex lying broken on the road. Romantic route tries to happen, but the world keeps glitching, you keep seeing that accident, and sometimes the game hits you with graphic stuff out of nowhere, like a quick shot of torn skin or crushed helmet, just long enough to kill your boner for a second. Talking to the milf in her office about “moving on” turns into her on her knees, stroking you slow, asking if you’re thinking of her or the girl who died, and you almost want to close the tab, but of course you don’t. I wish the pacing wasn’t so jumpy sometimes, like it goes from goofy meme humor in group chat to “oh look, maybe something supernatural wants you dead” in two clicks, but then I’m sitting on public transport with one earbud half in, pretending to read emails, watching a fully animated sex scene where you pin a girl against a dorm wall and fuck her raw while her phone flashlight keeps turning on and off. And in the reflection of the window behind you, there’s something standing there, just looking. You finish anyway.