This whole thing feels like someone took every anime waifu you've ever crushed on and threw them into a blender with gacha mechanics. Pocket Waifu's got everyone - Megumin doing her explosion thing, Lucoa being all thicc dragon energy, even Tatsumaki looking perpetually annoyed while somehow being incredibly fuckable. The clicking gets mindless fast but honestly? That's kinda the point. You're not here for complex gameplay, you're here because seeing Rias Gremory in progressively skimpier outfits while numbers go up hits some primal part of your brain that retail therapy usually handles.

The progression system is whatever - click, level up, unlock scene, repeat. But fuck me the variety is impressive in a chaotic way. One minute you're getting a titjob from Lucy Heartfilia, next you're balls deep in some Nikke girl whose name I can't pronounce. The animations aren't groundbreaking but they get the job done, especially when Erza's doing that thing with her tongue or when Hinata finally stops being shy and goes full slut mode. Rosa from Pokemon looking absolutely stacked was not something I expected but here we are. The costumes unlock pretty regularly which keeps things fresh - nothing beats seeing Darkness in a maid outfit begging for it.

What's wild is how they managed to cram so many different series together without it feeling completely schizophrenic. Though honestly the Kobayashi dragon maids feel a bit out of place next to the more explicitly sexual characters, but whatever, Ilulu's tits make up for any tonal inconsistencies. The anal scenes with Sakura Matou hit different when you're three hours deep into idle clicking. Sometimes I forget I'm supposed to be managing resources and just end up staring at Yor Forger's ass physics for way too long. The mobile interface works fine but occasionally the click detection gets wonky during the more intense scenes which is annoying when you're trying to... multitask.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Beast Boy's always been the comic relief of the Titans, right? Well, this visual novel takes that green shapeshifter and throws him into situations where his animal instincts aren't exactly PG-rated anymore. The whole "embracing his animal side" thing gets pretty literal when you're making choices about how far he'll push his powers with the ladies around him. And by ladies, I mean basically every female character from DC you can think of - Harley Quinn's there doing her crazy thing, Supergirl's got that innocent act going until she doesn't, and don't even get me started on what happens when Poison Ivy shows up. The corruption mechanics work through Beast Boy's transformations, where different animal forms unlock different... let's call them "interaction options" with each character.

What caught me off guard was how the game handles the power dynamics. Sometimes Beast Boy's the one calling the shots, using his abilities to get what he wants, but then you'll hit a scene where someone like Catwoman flips the script entirely and suddenly he's the one getting dominated. The lactation scenes with Power Girl were completely unexpected - like, who thought of that combination? But somehow it works in this weird universe they've created. The AI-generated artwork is hit or miss though, sometimes the proportions get absolutely ridiculous even by comic book standards, and Beast Boy's face occasionally looks like he's having an existential crisis mid-transformation.

The multiple endings thing is where it gets interesting because your choices about which animal forms to use actually matter for the story branches. Go full predator mode and you get the darker corruption routes, stick to gentler animals and you unlock the more romantic paths. Though honestly, the line between "romantic" and "completely fucked up" gets pretty blurry when tentacles are involved. The Raven storyline especially goes places that made me question my own kinks, but in a good way? Maybe? Look, if you're into transformation stuff and DC parodies, just prepare for some wild rides.

I’m not gonna lie, the first ten minutes of this so-called “slime forest adventure” had me thinking it was going to be another lazy pixel jiggle-fest. Then Lulu showed up - yeah, the succubus with that annoying half-smirk that looks like she’s about to insult you and kiss you in the same breath - and suddenly I stopped clicking just to grind stats. Her voice lines are soft in one moment, razor-edged the next. It’s weirdly human how she teases right after battle, like she knows you’re doing badly on purpose just to hear her talk dirty again. And I swear, the way the slime enemies wobble before they pounce? Too much animation detail there, makes you wonder if the dev accidentally coded in love. Or obsession. Both, maybe.

The combat isn’t hard, except when it is. One turn she’s rewarding you with a lazy hand motion that makes your health bar flicker, the next she’s draining your mana with a wet laugh that somehow feels heavier than the soundtrack. You keep collecting these weird trinkets - slime cores, silk strands, whatever - and they hint at crafting, but I can’t tell if it’s for equipment or foreplay setups. It’s not explained, which drives me insane and also kind of keeps me. There’s this camp mechanic, and the “rest” option turns into a slow tease with Lulu talking about freedom and ownership like she’s reading your private thoughts. Then she bites your neck. The game pretends to be about exploration, but every map just leads to her again, like the world’s folding around her thighs on purpose.

I still think the censored bits ruin some rhythm. You don’t need to show everything, but don’t flash white screens like it’s 1998 hentai VHS, come on. But maybe that’s the charm - it’s half-lust, half-fable, like somebody coded their diary into a turn-based RPG after too many nights alone. I wanted more enemies, less slime. Or more slime, less shame. Don’t know anymore.