It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

Undertail: Toriel is basically that one horny AU fanfic you read on your phone while pretending to “check emails” at work, except now it’s kind of a game and kind of a shitpost and somehow still hotter than it has any right to be. You wander around this janky little Underground knockoff where literally only Toriel exists, and yeah, that’s the whole point. No huge cast, no epic journey, just you and goat mom in a small world that feels like someone ripped out the first slice of Undertale and then said: “ok but what if we fuck it up. Literally.” It starts pretty innocent, like the original vibe, her leading you around, being caring, talking too much, all that. Then the dialogs slowly stop pretending this is wholesome. She “worries” about you in that clingy, possessive way, touches your sprite for too long, says things that sound like they came from a horny Discord RP at 4 in the afternoon when everybody pretends they’re normal.

The core hook is simple: those classic Undertale battle boxes, except now every turn feels like you’re edging through a weird roleplay. You still pick actions, but they’re all pushing the line: flirting, teasing, letting her “teach” you, or playing innocent and watching her get more frustrated. You pick “Flirt” and instead of the cutesy response you remember, she gives you something way more loaded, like she’s trying to be your mom and your dom and completely failing at choosing one. You dodge attacks while the game throws text at you about her body, her scent, her soft fur, her tits pressing against your character when she tries to “protect” you. The art is rough, not all angles are sexy, some of it feels like early DeviantArt energy, but that almost makes it better. It feels like watching someone’s fetish grow in real time. There are moments where you’re half jerking off and half going “wow, this is actually kind of depressing” because she is obviously lonely as hell, clinging to you like you’re the last bit of warmth in the Ruins. The game doesn’t really go anywhere bigger than that, and it doesn’t need to. No meta twist, no clever morality system, just a slow slide from motherly care to possessive lust, trapped in a little loop where the only exit is either her letting you go or you giving in and wanting to stay. It’s messy, horny, unfinished, emotionally weird, and yeah, that’s pretty much the charm.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Man, this MHA dating sim is like finding a twenty dollar bill in your old jeans pocket - unexpectedly good but kinda wrinkled around the edges. The Koikatsu engine does most of the heavy lifting here, and honestly? It works better than it has any right to. You're basically living out every weeb's fantasy of hooking up with the Class 1-A girls, plus some pro heroes who definitely shouldn't be giving you the time of day but here we are.

The character roster is honestly impressive - we got Ochako being all cute and bubbly, Momo with that rich girl energy that somehow makes the paizuri scenes hit different, and don't even get me started on Mirko because that rabbit hero will absolutely wreck you in the best possible way. Mt Lady's scenes are chef's kiss, especially when she's in that cheerleader outfit that makes zero sense contextually but who cares. The dialogue tries to stay true to the characters which is... ambitious, I'll give them that. Sometimes Tsuyu sounds exactly like herself, other times she's spouting lines that would make Mineta blush. It's inconsistent but when it works, it really works.

Look, the gameplay loop is pretty standard dating sim stuff - talk to girls, pick dialogue options, unlock increasingly spicy scenes. Nothing groundbreaking there. But the variety of positions and scenarios keeps things interesting. The footjob scene with Jiro had me questioning my life choices in the best way, and the lesbian content with Toga and Uraraka is surprisingly well animated. Sure, some of the English translation reads like it went through Google Translate twice, and occasionally the girls' personalities do complete 180s between scenes, but when you're balls deep in a threesome with Mina and Hagakure (invisible girl jokes write themselves), you're not exactly critiquing the narrative consistency. The visual novel elements feel tacked on but whatever, we're not here for Shakespeare.