It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Isekai Brothel feels like someone cracked open my anime watchlist, dumped it on the bed, and said, “Ok, pick who you wanna fuck first.” It’s a dating sim wrapped around a brothel idea, but not the usual boring “pick one route, marry waifu, roll credits”. Here you jump between worlds and timelines, grab girls from different series, and basically run this horny multiverse where fidelity is a suggestion, not a rule. As a poly person this hits weirdly close to my fantasy: not needing to “pick best girl”, just stacking them like a chaotic harem Jenga tower and seeing what breaks first, your dick or your free time. And yeah, it’s messy. The art style and scenes don’t always match perfectly between girls, the transitions sometimes feel like someone hit the skip button too fast, but honestly that fits the vibe. It feels like a porn stash, not a museum.

What I liked a lot is how it leans hard into the “brothel” part without pretending to be moral about it. You flirt, you pay, you fuck. Sometimes you date first, sometimes you go straight to raw dog in a rented room. One moment I was having a kinda sweet “date” with a shy girl, choosing dialog options that made her open up, and then suddenly I was balls-deep while she begged me not to pull out. The jump from wholesome to filthy is fast and I actually enjoy that whiplash. There are quick sex scenes for when you just want a 2-minute stress relief, and longer dates where you build some tension before ruining her makeup. The game throws in fetishes pretty casually, like, “Oh, you clicked this girl again? Guess we’re doing anal now” and doesn’t over-explain anything. It trusts that if you’re on an adult site and recognize half these characters, you already know what you’re here for. One tiny thing that annoyed me: sometimes dialog sounds like it was translated twice through Google, then drunk-edited, but honestly I still liked that more than fake polished porn writing that nobody talks like.

The multiverse teleport tech is a cool excuse for why everyone is in one place, but the real fun is when you start mentally mixing “lore” from different shows while you’re mid-thrust. I was fucking a certain very proud, very stacked demon girl while thinking “if her boss from that other universe walked in right now, he’d probably applaud.” Then I switched to a sweet healer-type girl and went from rough choking and hair pulling to soft missionary and kissing like some kind of emotional whiplash speedrun. The game doesn’t punish you for jumping from girl to girl; it almost encourages it, like “you liked that dommy mommy? Nice, go cuddle the awkward schoolgirl now, coward.” It’s not trying to be classy, and I appreciate that a lot. Sex here can be romantic, sure, but it can also be just sloppy blowjob in a side room while other clients are busy in the back. I kinda wish there were more scenes where the girls interact with each other and not only with you, like full-on group sessions that acknowledge relationships between them, but at the same time I like the feeling that I’m sneaking from room to room, collecting different bodies and personalities like a horny little goblin. The whole thing feels like a guilty browser tab you forget to close, which is exactly how this kind of game should feel.

The earthquake drill thing is such a weird plot device, honestly. Like, who thought "natural disaster simulation" would be the perfect meet-cute scenario? But whatever, it gets you roommates with Riley and that's where things get interesting. This femboy graphic designer has serious emotional baggage - the kind that makes you want to both protect him and corrupt him at the same time. His whole deal about being harassed and discriminated against feels real enough, even if the setup is janky.

Riley's got this vulnerable thing going on that hits different. He's not just some stereotypical uwu softboy - there's actual depth here with his insecurity about his work, his sexuality, his place in the world. The visual novel mechanics are pretty standard fare, nothing groundbreaking, but the writing around his character development surprised me. When he opens up about his past relationships and the shit he's dealt with, it doesn't feel like cheap trauma porn. Though I gotta say, some of the dialogue choices are weirdly specific - like why can I ask him about his skincare routine but not his actual job stress?

The adult content builds naturally instead of just throwing sex scenes at you every five minutes. Riley's sexual awakening feels earned, especially when he starts getting more confident and assertive. The art style works well for what it's trying to do, though I wish there were more clothing options during the... interactive moments. Also, why does every yaoi game have to make such a big deal about who's topping? Like, switches exist, developers. The emotional payoff when Riley finally trusts you enough to be completely vulnerable is genuinely sweet, even if the path there involves some questionable dialogue trees. Could use more variety in the intimate scenes though - feels like they ran out of steam halfway through development.

This thing hits different than most trainer games, honestly. The Avatar universe stuff works way better for corruption content than I expected - there's something about taking these pure-hearted characters and watching them fall that just... yeah. The *** scenes with Korra are brutal in the best way, especially when she starts breaking down and accepting what's happening to her. Mind control elements feel organic too, not like some cheap excuse to skip character development.

Combat system's turn-based but it's not the focus here. You're mostly grinding to unlock new scenes and storylines. Toph's pregnancy arc caught me off guard - didn't think they'd go that deep with consequences but here we are. The lesbian content between characters like Asami and Korra feels genuine, not just thrown in for variety. Though honestly, the male domination routes hit harder when you've seen how strong these women are supposed to be. Watching Lin Beifong submit after all that tough cop energy? Chef's kiss. The humiliation scenes with Jinora are questionable as fuck but... they're there if that's your thing. Spanking mechanics work well with the trainer format - you actually feel like you're breaking these characters down step by step.

What really gets me is how they handle the corruption differently for each character. Azula's already twisted so her scenes go in completely different directions than someone pure like Pema. The milf content with older characters hits different too - there's actual story weight behind why they're in these situations. Tentacle stuff with spirits from the Avatar world makes more sense than random hentai tentacles. Even the bestiality elements tie into the show's animal companions in ways that are fucked up but... thematically consistent? The whole thing's massive and unfinished but what's there already has more content than most completed games. Just don't expect quick faps - this one's a time investment.

Kasumi Rebirth feels like catching someone’s private mod folder that accidentally got pushed live and nobody had the heart to stop it. It’s just Kasumi, chained up, not doing the “cool ninja” thing at all, and the whole game is basically you seeing how far you can push her body before you get bored or feel weird about yourself. She hangs there in those metal restraints, soft skin, big tits squeezed by the outfit that you immediately start ripping off, because of course you do. There is no fake romance, no “story” pretending this isn’t what it is. You poke her, grab her, slide hands over her tits, pinch her nipples a bit too hard, then harder, just to see if the reaction changes. It turns into this quiet little lab experiment: what if I put fingers in her pussy first, then in her ass, then both, then ignore both and just use her tits like they are toys made of warm jelly. The game doesn’t judge. It just lets you be a freak in peace.

The main loop of Kasumi Rebirth is strangely hypnotic: click, drag, spread her legs, tilt her hips, line her up for doggystyle, then get distracted and go back to playing with her mouth. You pull her head back, slide a dildo between her lips, watch those eyes say everything without a single line of dialog. Deepthroat her with plastic, then switch holes like a bored god with too much free time. Pussy, ass, mouth, back to pussy, then push it in her asshole again just because you like the way she tightens around it. You can masturbate her slowly, tease her clit until she twitches, then ram something inside and go straight for a rough creampie like the concept of foreplay never existed. Cumshots on her face, on her breasts, slipping down her body, and at some point I tried to see if I could cover both tits perfectly and got annoyed because one drop kept sliding off the side in a stupid way that distracted me more than it should. There is also this breast expansion thing going on that feels like someone’s late-night fever dream: you start tweaking and pumping and suddenly her big tits are not just big, they are ridiculous, heavy, almost comical, but somehow it works because this game stopped pretending to be “normal” a long time ago. It is rough, it is ***-y, it is torture dressed up as “gentle play”, and yet the whole thing has this old-school Internet porn game energy that makes you keep testing one more position, one more angle, one more messy facial, just to see how far Kasumi’s body can be turned into a toy before you finally close the tab and swear you’re done with Dead or Alive girls forever.

Minerva really feels like that one toxic ex who suddenly shows up in your head when you’re trying to relax, except here she’s got magic, a cock, and zero interest in playing fair. The whole thing is built around that Fairy Tail moment with Erza and Kagura, but this time it’s like someone paused the anime, said “ok, what if this went completely off the rails,” and then just never stopped. You’re not getting some slow romance or teasing kisses. Minerva grabs the situation by the throat, literally and mentally, with Millianna as the fluffy-eared sacrifice in the middle of this mess. Her capture isn’t just story flavor, it’s the excuse for everything that happens next: hardcore bullying, psychological domination, and that shift into futa mode that feels more like she’s pulling a cursed weapon out of thin air than just “growing a dick.” It fits her, in a fucked up way. She looks at Millianna like a toy she rented, not a person, and the game actually leans into that instead of pretending it’s love.

Millianna is the soft spot in all this nastiness. Those ears, the tail, the way her body language switches from defiant to helpless once Minerva starts pushing her around. At first she’s trying to stay strong for Erza and Kagura, but once the magic cock shows up, that brave face cracks. She’s put in these positions that really show off her curves, her stockings slipping a little, hands forced behind her or pinned, and her eyes doing that half-ashamed, half-turned-on thing that always hits harder than pure blank lust. There’s a lot of focus on her pussy getting used, stretched, stuffed full by Minerva’s new “toy,” and it’s not gentle. You see her get pounded from angles that feel more like humiliation than intimacy, with her cute beast-girl aesthetic clashing against the brutal way she’s treated. It’s dirty in that proper hentai parody way, the kind where you know the original characters are completely ruined and that’s exactly the point. The whole lesbian tension that usually hangs around Erza’s crew gets twisted here into something darker, turned into Minerva’s playground instead of a sweet girl-on-girl moment. She taunts, she plays with Millianna’s reactions, sometimes slowing down just to watch that mix of pain and pleasure spread across her face. By the time she really starts ramming Millianna’s pussy like she owns it, the game has already made clear that this isn’t about happy endings. It’s about taking a familiar catgirl and breaking her on the floor, using that big magical cock until she’s nothing but sweat, tears, and a soaked hole that keeps clenching around Minerva whether she wants it or not. Erotic, mean, a bit too much in the best way.

This Metroid parody throws all that space bounty hunter dignity right out the airlock. Samus gets herself captured and tied up, which honestly feels like terrible tactical planning for someone who usually blows up entire planets. But hey, that's where the fun starts because now she's completely at your mercy in this interactive playground of debauchery.

The soundtrack? Pretty basic electronic stuff that tries to sound futuristic but mostly just loops in the background while you're busy exploring all the different ways to mess with our helpless heroine. Speaking of exploring, there's actually a decent variety of toys and tools at your disposal - vibrators, tentacles, the works. You can strip her down piece by piece or keep some of that iconic orange suit on if that's your thing. The customization options are surprisingly thorough, letting you decide whether you want her shaved or natural, and there's even a pissing mechanic that's... well, it exists. Some people are into that water sports action, though the animation quality is pretty rough around the edges. The whole thing feels like it was made by someone who had big ideas but maybe not the biggest budget to execute them properly.

What really gets me is how they managed to make Samus look both vulnerable and still recognizably badass even while she's completely helpless. The facial expressions change based on what you're doing to her, which adds some nice reactive elements to the experience. You can work your way up from gentle teasing to full-on hardcore penetration, and everything culminates in some pretty explosive creampie scenes that'll definitely satisfy if you're into that finishing move. The physics on her chest bounce around more than they probably should, but honestly that just adds to the whole over-the-top hentai vibe they're going for here.

I swear this game messed with my head more than any so-called “psychological” visual novel ever did. You wake up rich, spoiled, surrounded by girls who look like they stepped straight out of some fever-dream crossover - like, imagine Asuka Langley arguing with Hinata about who gets to sit closer to you at breakfast, and then Merlin just casually walks in wearing nothing but a towel that doesn’t even try to do its job. It’s ridiculous, yet there’s something weirdly believable about it. Maybe because the dream logic fits too well: everything looks perfect, but your brain keeps whispering that something’s off. I liked that uneasy feeling until it got buried under all the moaning and skin. Then again, maybe that’s the point - when reality breaks, people reach for pleasure first. Or I’m overthinking pixels again.

There’s this scene - I won’t spoil too much - but you’re supposed to choose between helping Yor Forger study or letting Jinx drag you to her room. I picked Yor, thinking it’d be wholesome. Yeah, right. Five clicks later she’s on the desk, glasses half-off, saying things no spy should ever say. The animation isn’t flawless; sometimes her eyes lag behind her face, which made me laugh when I shouldn’t have. But that glitchy charm stuck with me longer than any of the polished stuff. And the sound design? Way too real. My cheap headphones couldn’t handle Tsunade’s voice purring through them. Still, I kept replaying the same moment like an idiot chasing déjà vu.

Funny thing: I started playing for the sexy chaos, but ended up stuck thinking about that blank-memory setup. Like maybe the main guy deserves the confusion. Maybe we all do. It’s a horny game pretending to be philosophical - or a philosophical game pretending to be horny. Doesn’t matter. When Nami whispers something about “remembering the wrong things,” I actually paused. Then I unpaused, because, well… she was already moving.