You play as a Math (MILF Hunter) exchange student in this game.
Your goal is to get good at math... blah blah. But the real story: get the MILF and live happily ever after.
What are you waiting for? Start the game!

James looks like that guy you see at the gym who has his shit together, but the game opens when his body basically says “nah, not today” and puts him on his ass. Suddenly the dude who used to be the stable husband, the protector, is weak as hell, running on pills and doctor visits, and his head is just as fucked as his body. You feel it from the start: he’s scared his wife will see him as broken, less of a man. And yeah, the game actually leans hard into that, not just for drama, but for sex too. Weak body, weak morals, strong dick confusion.

Valerie, his wife, is not some cardboard cutout. She starts all sweet loyal partner, but you can see her frustration creep in each time you click through. She still loves him, but the “no sex, only cuddles” routine is wearing her down. When they take this “healing vacation” together, it feels like a last try to feel normal again. Instead, shit goes sideways. He runs into a ghost from his past, something he never told Valerie about, something that hits him right in his pride. This is where you start getting that nasty mix of jealousy, curiosity and horny panic. The game lets you sit in that feeling. You watch him watching his wife, noticing every look she gives someone else, every time she dresses just a bit more revealing for the hotel bar, every “innocent” chat that lasts too long. He knows he started this by lying and by being too proud to admit he’s scared, but he still gets off on the fear of losing her. It’s messy and kind of hot in a way that feels wrong.

Sex scenes are not just “click to fuck, next.” The best ones come out of small tensions: a comment about how another guy looked at her, a bottle of wine too much, James being too tired to perform and Valerie not pushing it, but her nipples still hard through the thin top while they sit on the balcony. The camera really loves her body, the curves, the way her clothes cling when she’s not even trying to be sexy. Later, when things start getting more risky, when she’s walking around the resort in outfits that are basically a dare, the game slides into that pervy thrill really smoothly. You get those moments where she “accidentally” bends too low, or lets a stranger’s eyes wander over her a little too long, and James is there, half turned on, half dying inside. The crazy part is that sometimes he’s imagining scenes that might not even be happening, and the line between fantasy and reality blurs in his head. That’s where the game is nastiest: it makes you complicit in him wanting to see his own wife on display, even while he’s pretending he hates it. And you kinda want to see it too.

This one looks innocent at first, like some cheap mobile drama game you’d find between Candy Crush and Duolingo, and then suddenly you’re stuck in this tiny apartment where everybody’s boobs and asses need their own postal code. You play as this young guy, stuck in a cramped place with “roommates” that feel way too close to be just roommates, if you know what I mean. The older woman in the house is clearly on the “I raised you, but now I’m bending over in yoga pants for no reason” side of things. Big tits, big ass, no personal space, and she keeps walking around the kitchen in a tank top that’s absolutely not safe for children. Or adults, to be honest. I was checking Instagram between scenes and felt weird even having this game open in the same room as my kid’s tablet. At the same time I kept playing, so maybe I’m the problem here. You get a lot of teasing: she leans too close when she talks, grabs your arm for tiny things, “accidentally” presses her chest on you when reaching behind your chair. They pretend it’s normal family affection, but it’s not the kind you talk about at Sunday lunch.

What gets me is how the game keeps asking you if you want to be the nice supportive guy or the controlling jerk. It pops up with these choices like “comfort her” or “lay down the rules” and you’re there thinking, ok, this is mature relationship stuff. Then two clicks later you’re staring at her ass in tight shorts while she does the dishes and the text is like “you can’t help but look.” It feels a bit like those trashy TikTok point-of-view videos, just interactive. The other girl in the house, the roommate, is younger and acts like she’s totally casual with walking around in tiny shorts, sitting on the couch with her legs open, pretending she doesn’t notice your eyes glued to her. She calls you out for being strict, then five minutes later she’s stretched over your lap to “reach something” and the camera angle is right on her butt. And I hate how good the expressions are, but they also look a little plastic sometimes, like everyone had the same face filter from Snapchat, and then you forget that complaint immediately when the MILF leans in with her tits almost falling out. The relationships feel messy, like some weird mix of porn, actual family drama, and that anxiety you get when your WhatsApp shows a message from two people at once and you know you answered the wrong one too flirty. There were moments I genuinely felt bad choosing the more dominant options, and then a scene pops where she bites her lip because you talked rough to her and you’re like, alright, this is absolutely not going on my “recent apps” screen when someone borrows my phone. The game pretends it’s about “how you want to live your life,” but let’s be real, most of the time it’s about how long you can keep your hands off the curvy woman bending over in front of the fridge.

The reunion starts awkward as hell, honestly. You're back with these girls you used to know everything about, but now they're all grown up with curves that definitely weren't there before. Sarah's got this whole MILF thing going on now, massive tits barely contained in her sweater, while Jessica's ass has filled out in ways that make you forget how to form sentences. The cabin feels smaller than you remember, or maybe everyone just got bigger in all the right places.

What gets weird though is how the whole weekend keeps... repeating? Like you'll be getting a handjob from one of them behind the kitchen counter, then suddenly you're back at Friday night again. Except this time you remember what happened, so you can push things further. Maybe instead of just watching Sarah breastfeed her kid through the crack in the door, you actually walk in and see what happens. The lactation scenes hit different when you're not just some creepy voyeur - she actually wants you there, wants you to taste what she's offering. The game doesn't explain the time loop thing much, but honestly who cares when you're building a harem of your childhood friends?

The lesbian content comes out of nowhere but it works. Watching them explore each other while you're getting a titjob from someone else creates this whole group dynamic that feels natural despite being completely insane. Sometimes you're groping multiple girls at once, sometimes you're just observing them figure out their own desires. The reunion becomes less about catching up and more about catching feelings, or at least catching orgasms. Each loop lets you shape different relationships - maybe this time you focus on the shy one who gives incredible blowjobs, or maybe you corrupt the innocent one until she's begging for more. The CG scenes are unpolished but they capture that raw, desperate energy of people making up for lost time.

Game feels like someone took a normal horny road trip fantasy, forgot the brakes, and then just kept pressing the gas while laughing. You start as this dude who is way too confident for how messy his life actually is, stuck in a car with people you probably shouldn’t be left alone with, especially not overnight and definitely not with alcohol in the mix. It has that “this is a bad idea but I still click yes” vibe. Half the time you’re choosing between being a pervy asshole or pretending to be a decent human, and the game kind of rewards both in different ways. It leans into point of view a lot, like the camera is glued to your eyeballs, so when someone bends over in front of you, it’s not subtle. At all.

Stuff escalates pretty fast. One moment it’s jokes and stupid banter, next you’re watching someone’s girl doing things she really shouldn’t be doing where everyone could see if they turned their head a little. The voyeur bits hit hard because they’re not super theatrical, more like “oh shit I shouldn’t be seeing this but I’m still watching” and the game knows exactly that feeling. There is cheating, there is straight up humiliation, and sometimes both in the same scene. Got one run where I tried being nice and careful and still ended up sitting there like an idiot while the woman I was trying to “protect” got railed by another guy in the next room, with a door that really should have been closed tighter. Audio and facial reactions go pretty far, like the exaggerated ahegao faces make it just cartoony enough that you’re not taking it too seriously, but it’s still hot. And sometimes kind of fucked up. In a good way, mostly.

What I like is how the game lets you flip between being in control and getting totally owned. Some routes you’re the one pushing her against the car in a dark parking lot, making her stroke you while she’s terrified someone will drive past, and other routes you suddenly find yourself on your knees, or getting talked down to while she rides someone else and looks at you like you’re furniture. There’s this older guy character who shows up in some paths and every time he appears, shit gets more intense. He has that big “I know exactly what your girl really wants” energy, and if you lean into the darker choices, you can just let him corrupt everything while you watch, hands tied metaphorically or not. The mix of anal, oral, creampies, all that, it’s not thrown randomly, it sort of matches the mood. Like if things get more degrading, the sex gets rougher, dirtier, more public. Humor keeps it from feeling too heavy, lots of dumb jokes and weird dialogue, but then there’s those moments when the punchline is you losing someone, or letting them be taken right in front of you, and the game doesn’t stop to comfort you. If you want the spiciest content, pick the options that feel wrong, choose the detours, let the jealousy burn a bit, and never trust a “harmless” stop on a long highway.

Luke's got this whole university thing figured out - or at least he thinks he does. This isn't your typical college romance where some awkward freshman stumbles through dating mishaps. Nah, Luke's been through this rodeo before, literally. Time loops, resets, whatever you want to call it - he's lived his first year over and over until he's basically gaming the system. Now he's ready for what he calls "Phase Two," which sounds way more strategic than it probably should be for a guy just trying to get laid.

The whole premise is pretty wild when you think about it. Luke's essentially become a relationship speedrunner, knowing exactly which buttons to push with each girl. There's this maid cafe setup that becomes central to everything - because of course there is. The game throws you into managing relationships with different girls who each have their own specific kinks and fetishes. One minute you're dealing with some vanilla romance situation, next thing you know you're deep in BDSM territory or watching some serious NTR unfold. The variety is honestly overwhelming sometimes. You've got your classic anime parody characters mixed in too - I spotted what looked like Nico Robin and Boa Hancock variants, which feels both nostalgic and weird at the same time.

What gets me is how the game handles the whole "perfect base" concept Luke keeps talking about. It's like he's treating relationships like some kind of RPG stat management, which... honestly isn't that far from reality if we're being real here. The turn-based combat elements feel randomly thrown in, but somehow work with the overall simulator vibe. There's phone interactions, dating mechanics, and this whole corruption progression system that gets pretty intense. The multiple endings thing means you're constantly second-guessing your choices, wondering if you're optimizing for the right fetish path or missing out on some kinky scenario. Luke might have his advantage, but navigating all these relationship dynamics still feels like controlled chaos.

You come back from war all hyped for glory and instead you get this drafty old mansion, a weird title, and a wife who looks like she hugs knives for stress relief. Aeris smiles like she loves you, but every time you pick a dialogue option you’re low-key checking if she’s plotting your funeral or your orgasm. Half the game you’re sitting in this dim room, talking about politics and money and who’s going to screw who over, and then suddenly you’re on your knees between her legs, or she’s on hers, and the camera just goes full “yeah, this is why you’re here, admit it”. It’s like Crusader Kings opened a Pornhub tab and forgot to close it.

The mansion itself feels like a horny ant farm. There’s this servant, Yssa, and she is absolutely not normal. Sometimes she’s obedient and soft and totally in “yes, my lord” mode, and sometimes, if you let her get away with little things, she starts testing how far she can push you. One playthrough I treated her like property, pure “I’m the master, you’re the toy” energy, and the way the scenes shifted into rougher, more corrupt vibes was actually kind of scary hot. Another time I tried to be nice, share power, ask her opinions, and she slowly slid into this quiet, manipulative dom energy, like she was petting the leash around my neck but pretending she wasn’t holding it. The game never shouts “CORRUPTION ROUTE” in your face, but you feel it every time you confirm a choice and the next sex scene lingers a bit longer on who is actually in control. The POV angles during oral are wild too, by the way. Not overblown, just that slow, close-up rhythm where her lips shine and you can see her eyes looking up, and yeah, I had to pause one time because I forgot there was even a plot.

What got me hooked isn’t the amount of sex, because honestly it’s not a nonstop fuckfest. Scenes are spaced out, they tease you hard, you’ll go several decisions in a row just managing gold, alliances, council idiots and who eats at whose table. But when a scene finally triggers, the animation hits like you just unlocked a rare drop in Genshin. I had this moment where Aeris, who I’d been treating as an equal partner, suddenly went hard dom on me in bed, pinning my wrists and riding me like she’d been waiting the whole game, and the dialogue was still in that political tone but twisted into bedroom power talk. Another run, I flipped it and made her into more of a submissive trophy wife, and the exact same room turned into this private stage where I made her kneel beside the bed and take me in her mouth while Yssa “just happened” to walk in. The tension there, with Yssa pretending to be scandalized but not leaving, kind of broke my brain in a good way. Only thing that annoyed me is that sometimes the choice that looks like it will lead to a scene just gives you more council talk instead, and I was sitting there like “I did the mental gymnastics, give me the blowjob, not another debate about trade routes.” But then eventually the game does pay you back with this slow, animated vaginal scene where hips are moving, bodies are grinding, and all that political bullshit suddenly feels like foreplay that took way too long but somehow worked. I still hate that one small UI delay on some menus though. Never getting over that.

I didn’t expect to laugh this much while, you know, also being wildly turned on. *Furry Bang Town* sounds like some cheap meme bait, but halfway through the first date scene with that smug wolf barista (he keeps pretending he’s bored while his tail literally wags), I realized this game knows exactly what it’s doing. There’s this weird mix of parody and genuine horniness - it flirts with irony but still goes all in when things get wet. The humor hits that awkward space where you don’t know if you’re supposed to cringe or moan. And the writing? Kind of broken in places, but in a way that feels like someone poured their kinks into Google Translate and said, “good enough.” It works. Too well maybe.

I keep thinking about Judy - not the movie one, but the version here who’s somehow both a cop and a futa stripper on weekends. Her route wrecked me; she teases like she’s reading your mind, then there’s this beach scene where she just drops the uniform and starts talking about “justice” while grinding against your thigh. It’s ridiculous. I almost closed the tab, but the sound design pulled me back - heavy breathing layered with seagulls and waves, absurdly effective. Then suddenly, boom, Pokémon crossover out of nowhere. A Lucario bartender offering “protein shots.” I wanted to roll my eyes, but I was already clicking through dialogue faster than I’d like to admit.

The public use scenes are messy in every sense - crowded cafe bathrooms, fur everywhere, people pretending not to watch. It’s filthy, kind of funny, and weirdly intimate. I hated that it made me feel something beyond just arousal. Also, the ending just stops mid-sentence, like the dev gave up or came too early. Still, I can’t stop thinking about that line where the pony character whispers, “You smell like story.” What does that even mean? Maybe nothing. Maybe everything. I’m probably overthinking it, but whatever - this game got under my skin in ways it really shouldn’t have.

You’re stuck in a dusty foreign base with a shitty Wi‑Fi signal and a gun that feels lighter than your stomach, and all you really have is your phone and a redhead you’re scared to lose. That’s basically the heartbeat of this thing. You’re the soldier, she’s Grace, making coffees for random assholes while you count the days, and the game never lets you forget that there’s an entire ocean between you when the worst possible guy walks into her cafe. Not a thug, not some cringe teen. A smooth, confident photographer who actually listens to her, calls her beautiful without stuttering, and knows exactly where to put his hands on a woman’s waist for “just the right pose.” It hits way harder than some cartoon villain, because he acts normal. Too normal.

The way it starts is almost boring in a good way. Your first calls with Grace are sweet, a little awkward. You talk about missing her, she tells you about rude customers, tips, her stupid co-worker, what she wore to work. And then she casually mentions “this photographer guy” who said she has a good face for his next project. Nothing dramatic. It just sits in your head. Later you unlock options during calls: push her to chase the opportunity, or brush it off, or sound jealous without admitting it. The game never slaps you with morality. You just feel it when she texts you a selfie from the shoot, wearing a dress that hugs her in all the places you remember touching, and you know some other man asked her to tilt her hips like that. The 3D scenes are clean and very physical: the way her bra strap slides down her pale shoulder, the shine on her lips from cheap cafe gloss, the slightly nervous way she holds her own elbow at first. Then in later shoots she doesn’t do that anymore. That tiny change hit me harder than the first kiss scene.

Sex here is not just porn filler. Early on, you get those needy calls at night, where she whispers your name in bed, fingers moving under the sheets, and you can guide how dirty the talk gets. If you encourage her to explore, she gets bolder, sending pics from the bathroom, pushing her panties aside to show just the wet line between her thighs, asking if you still want her even if other men look at her. If you give her strict “no flirting, no photos” vibes, the tension twists into something rougher later. There’s a run where she shows up at the photographer’s studio in a loose shirt and no bra, nipples poking through when the room gets cold, and you can practically feel the moment she stops thinking about you and starts thinking about how it feels when he stands behind her, guiding her hands, telling her to “trust the process” while his fingers spread her legs for a more “intimate composition.” It’s corruption, but not fast; it’s this slow slide where every choice you made before suddenly matters while she’s on that couch, thighs open, breathing hard, trying to convince herself it’s still “just art” even as his tongue is on her and her phone with your unread message is lighting up on the table behind her.

And the worst part? Half the time, when she calls you after, her voice is soft, almost more loving, because the guilt makes her clingier. So you’re there on a crackly line saying you can’t wait to fuck her brains out when you get home, imagining her wet and untouched, and the game zooms on those faint red marks on her inner thighs from someone else’s grip. No dramatic music. Just that quiet “I miss you” in your ear while she’s still sore from another man.

Zack is the guy who had everything handed to him way too early and fucked it up in a very believable way. At eighteen he’s the “next big thing”, flashing cameras, fake smiles, everyone grabbing his ass for a photo, then he just ghosts the whole industry right after his own premiere. When you meet him now, he’s not some alpha god, he’s making cappuccinos in a tiny town café, trying to look invisible behind the espresso machine, pretending he doesn’t hear when girls at the tables whisper “is that… him?” You’re not just clicking through flavor text, you’re basically steering this washed-up almost-celebrity through awkward small talk, horny scripts, and old wounds. One minute he’s wiping a table, next minute some blast from his Hollywood past walks in, looking way hotter than he remembers, and suddenly he’s back in that world of fake kisses on camera and real hard-ons between takes. The fun is that you decide if he leans into the casting couch bullshit or if he actually builds real relationships while still letting you stuff him in every available mouth and pussy on the way up.

The sex fits the story instead of just being slapped on top. A director corners him after an audition, reading his lines way too close, brushing fingers over his jaw, and you get the choice: play the good boy, or close the distance, drop to your knees and give him that sloppy, noisy blowjob that clearly isn’t in the script. There are scenes where Zack’s in a trailer with a co-star who can’t keep her hands off him between takes, panties already to the side before the assistant even calls “reset”, and you push him to fuck her deep and raw on that tiny couch, bare, because she wants to feel him spill inside her before they go pretend to be “just friends” on camera. The game doesn’t shy away from letting you finish inside, watch her clench around him and then walk out on set with his cum still dripping while she tries to keep a straight face. At the same time, if you’re more into the slow-burn dating sim vibe, you can have Zack build something softer with someone who knows the public Zack and the broken barista Zack, teasing him under the table at some industry dinner, then later riding him at his shitty apartment, moaning his name into his neck while you decide if he pulls out or just gives in to that raw, dangerous creampie she’s quietly begging for. It’s messy, a bit insecure, sometimes funny in a way that actually lands, like when he’s trying to be “serious actor” during a kiss rehearsal and pops a very visible boner, and the game just lets that turn into a full-on makeout, clothes half-off, her on his lap, grinding, until you finally slam into her and forget there’s a crew waiting on the other side of the door. You’re not just watching porn scenes glued together, you’re basically playing with the idea of fame, ego, and how far Zack will go with his mouth, his cock, and his heart to find out if he’s more than the guy who walked away.