In the early 20th century, the promise of fame and fortune fuels humanity’s hunger to explore the unknown. Among these dreamers is Amber, a young archaeologist desperate to prove himself. When he uncovers an ancient inscription hinting at a hidden city of unimaginable riches deep in South America, his path becomes clear: he will be the one to find it.
Driven by ambition and adventure, Amber sets out with his companions Gabriel and Mateo to navigate the treacherous Colorado River in search of the Lost City of Caesars. Explore their perilous journey in this 18+ visual novel of adventure, discovery, and unexpected intimacy.​

GAME FEATURES
Engaging Story: ≈75k words (approx. 6 hours of play)
Stunning Original Artwork: Sprite and CG art by Aark0
Detailed CGs: 20+ CGs (not counting variations)
18+ Intimate Scenes
In-Game Achievements
And so much more!

Alister is the kind of horny disaster that walks into a scene like he owns it and then immediately proves he has no idea what the fuck is going on. Demon, ripped, cocky, literally dragged out of hell and dropped into this pretty, fucked up fantasy world where everyone either wants to use him, fuck him, or both at once. The game just throws you into his vibe without a big tutorial lecture. One moment he’s pissed about being yanked out of hell, next moment he’s in front of this disgraced prince who looks like he hasn’t slept since his last royal scandal, and a tiny gnome bard who flirts with anything that has a pulse and probably a few things that don’t. You just kinda roll with it. I liked that the first really horny moment didn’t feel like “okay now is the sex scene,” it creeps in under the banter. A hand on his chest holds just half a second longer, a gaze drops to his hips, someone makes a joke that is way too loaded, and suddenly you’re sitting there, dick in your hand, pretending you’re still reading for the story. Sure.

What surprised me is how romantic and trashy it feels at the same time. You get this ex-prince trying to act all noble and serious while his eyes very clearly keep checking out Alister’s body, tracing the lines of his abs, his shoulders, the way his tail moves when he’s annoyed. He says things like “this is strictly professional” right after you pick the dialogue option that has you pressing him against a wall in some corridor lit with torches that flicker like they know what’s about to happen. It’s not subtle. The writing lets you choose if Alister leans into being a seductive bastard or acts confused by how fast mortals get horny, and both paths feel dirty in a fun way. I had him pretend he’s above all this “mortal lust” while describing in detail how the prince’s hands feel on his thighs. That hypocrisy is hot. Then there’s the gnome, Alek, who is small, smug and basically a walking thirst comment section. He’s strumming his lute, making filthy little songs about demon dick, and when you encourage him he turns that energy on you, climbing into your space like size is just a suggestion. The game really likes playing with power and who’s actually in charge in the moment. Sometimes you’re the big scary demon using your strength to pin a guy down, other times you end up on your knees because someone figured out that demons are weak to praise and a firm grip around their horns. The game does romance, but it never forgets to be horny first, feelings later, and then suddenly you care way too much if this idiot prince actually likes you or just wants the monster in your pants.

The pacing is a bit weird, like a feast where you get dessert before the main dish. You slam into some spicy stuff early, hands wandering, suggestive touching, a nice long look at Alister’s body where the camera definitely knows what part people care about, and then it pulls back into plot talk about warlocks and kingdoms and “honor.” I was there like, yeah yeah, political fallout, but can we go back to when he was breathing against my neck and calling me dangerous. At the same time, the small things are what stuck with me. Like one scene where they’re camping, and you can choose to sit closer to the fire or closer to Izaak. If you sit by him, his knee brushes yours, and he doesn’t move away. It’s nothing, but it’s not nothing. Or when Alek casually asks if demons can cum more than once and delivers it like he’s asking about the weather, then grins when Alister chokes on his drink. Stuff like that makes the world feel horny even when nobody is naked yet. I kinda wish there was an option to be more mean with your flirting, like really corrupt the prince, drag him into something filthy he’ll hate himself for loving, but maybe that’s me being too spicy. Anyway, if you’re the type who likes big bodies, messy power dynamics, and that slow slide from “I summoned a monster” to “I’m riding him and moaning his name like a prayer I’m not supposed to say,” then just let this game happen to you and don’t rush. Take time with the dialogue choices, push a little on the borders, and when the scene turns hot, actually read it instead of skipping for the CG. There’s a lot of fun in making Alister say the wrong thing on purpose and then fucking his way out of trouble.

Tomai feels like one of those messy horny summers you remember wrong on purpose. You’ve got this cocky little guy who thinks he’s hot shit in his tiny village, tossing himself between hanging out with his chill monster dad, this weirdly intense Lady who clearly knows more than she says, and two best friends who are so obviously fuck material it almost hurts. The whole thing plays out over a handful of days before the Night Festival, but it never feels rushed. You’re bouncing between lazy lakeside afternoons, drunk laughing in someone’s cramped-ass bedroom, smoking under trees while everyone pretends they’re “just friends,” and then suddenly you’re in the middle of some soft-core emotional chaos where somebody’s hand is exactly where it shouldn’t be. It’s not porn that jumps at you in the first second. It’s that slow-build kind of erotic, like when you’re on Discord at midnight, typing dumb jokes, and the chat suddenly shifts into “ok but what if we actually kissed though” energy.

The sex doesn’t feel like some porn studio script. It’s clumsy sometimes, sweet sometimes, occasionally too much and you’re like ok, calm down, you are still children of the forest or whatever. The boys especially, Burdoc and Malik, they’ve got that idiot-friends-who-accidentally-make-out vibe. One minute they’re teasing Tomai about being “a big deal” and the next you’re watching them pin him down on the grass, fingers on his waist, breath way too close, and you feel that little lurch of “oh shit, they might actually go all the way.” When it gets explicit, it leans into bodies, sweat, little sounds, the awkwardness of someone not sure where to put their hands, the shock when a tongue goes lower than expected. It is horny, but not factory-produced horny. More like walking home from a date, replaying every time their thigh brushed yours, except here you do get to see what happens when someone finally snaps and says fuck it, come here. There is also this whole quiet queer thing going on, like everyone is way too chill with how flexible their attraction is, but not in a fake woke way. More like: “yeah, I want to ride my best friend and maybe also worship this terrifying goddess and ask my dad why he looks so hot in that robe” kind of way. Feels relatable if you ever had a crush on three people at the same party.

What surprised me is how intimate the small stuff is. Like you’ll spend a day just fishing with Father, the sun low, water slow, the conversation circling around growing up and expectations, and suddenly your brain jumps to those nights where you open Twitter to check memes and end up doomscrolling queer threads about “found family” and “polycules that actually work.” The game quietly says: yeah, you can love more than one person, you can want more than one body, and it doesn’t have to blow up in drama every time. Sex here fits inside that mood. Sometimes it’s comforting, almost like aftercare before the actual care. Sometimes it’s a horny mistake that still feels good. The festival becomes this excuse for everyone to push past what they usually pretend in public. You get that mood of: are we still just joking or is your hand staying on my thigh a little too long on purpose. It’s not polished, some scenes feel a bit rough, like a fanfic draft your friend sends you on Telegram at 2 in the afternoon, but that roughness actually fits. There are dick jokes beside serious talks about futures, kisses that turn into grinding, a lazy afternoon that becomes a threesome if you play it right. It’s queer, a bit shameless, sometimes soft, sometimes filthy, like puberty plus magic plus “I saw this on Pornhub and wanna try.” Not subtle, not clinical, just horny kids on the edge of adult life, pretending they’re in control while their bodies and hearts absolutely are not.