Brother comes back home after vanishing for years and the game just throws you into that weird mix of “family reunion” and “what the hell actually happened”. It starts pretty normal: school days, awkward small talk, sister trying to act cool but clearly obsessed that her missing brother is finally back. She waited nine years, she’s not sane, let’s be real. At first it feels like standard romance VN with a bit of teasing, some tits bouncing in your face every other click, that classic “I’m your sister but I look like a hentai search result” thing. Her ass is huge, her chest is huge, her emotional issues are somehow even bigger. The game really leans into that contrast: cute everyday stuff at school, then you go home and there’s this constant tension, like everyone is lying and only the MC is too horny and confused to notice.

The interesting part is how the erotic scenes are tied to progression. You don’t just click through to unlock CGs, you poke into the wrong room, ask the wrong question, check a phone you shouldn’t, and suddenly the sister’s route heats up because you showed “concern”. Affection feels like a stat, but it isn’t just “do nice things, get boobs”; sometimes the right choice is actually rude, suspicious, almost cruel. I liked that you can be a bit of a shit and the game still rewards you. One moment you’re in a sweet, almost wholesome scene, touching her carefully, she’s trembling because she’s still technically a virgin and doesn’t even understand her own arousal. Next moment it cuts back to some brutal flashback with blood on the pavement, and people yelling, and your dick has to just sit there and deal with unresolved trauma. It’s kind of funny and fucked up at the same time. Pornhub tab energy but with guilt.

There’s actual investigation stuff too. You go around, ask classmates weird questions, dig through old reports, follow shady hints at night. Sometimes you’re chasing ghosts, sometimes it feels like a straight crime story, like someone in the family did something really bad and covered it with this whole paranormal angle. The game likes to mess with you: you’ll be in the middle of a clue chain and suddenly you’re in a softcore scene with your stacked sister pressed against you in the hallway, her ass grinding your crotch while she whispers about how scared she is of losing you again. It should kill the tension, but it kind of doesn’t. Or maybe it does and I just didn’t care because her tits were right there. The MC is that usual clueless male protagonist, virgin brain but thrown into a house full of secrets, and sometimes he acts sharp and suspicious, then in the next scene he forgets everything because she bends over in a short skirt. The mix of horror, crime, and incest-flavored romance is messy, not subtle at all, and honestly that’s why it sticks in your head more than it probably deserves to.

This one feels like somebody took a classic point & click detective game, got horny, got drunk, argued with their own libido, and then put it in a circus. In a good way. Mostly. You start as this male detective in a circus where everyone looks a bit too hot to be just performers, and every girl has “please interrogate me harder” vibes. It’s not just click-next visual novel stuff either, you actually poke around the scene, chase clues, and try to figure out who is lying, who is hiding something, and who just wants your cock in their mouth as a distraction. And yeah, sometimes it’s all three.

What I liked most is how the investigation parts and the lewd parts keep tripping over each other. You’re trying to follow a lead and suddenly you corner a suspect in some cramped circus wagon, and you get this choice: push her on her alibi, or push her on her knees. I went “ok, police work first” and of course the game basically went “nah dude, she’s into rough stuff, you’ve got time.” The girls are not all copy-paste sluts too. There’s the controlling older woman that just screams MILF energy, who pretends she’s above you, until she’s drooling around your dick and looking at you with those ahegao eyes like her brain fell out through her pussy. Then there’s the cute girl who acts innocent but lets you tie her up fast enough that you start thinking she has more experience than you. Sex scenes are pretty filthy, group stuff shows up, there’s creampies everywhere, and when the game goes BDSM, it actually leans into it instead of just putting a collar on and calling it a day. Some lesbian scenes feel like they’re there mostly to tease you, which somehow works even better. Watching two suspects “comfort” each other while you stand there and decide which one to accuse later is just… yeah.

The art is actually weird in a cool way. Clearly AI-generated in places, so some CGs have that slightly off feeling, like a girl’s pose that looks too perfect or a face that’s almost uncanny, but in this circus context it kind of adds to the vibe, like everyone is a mask anyway and you’re trying to rip it off. The animated bits during oral scenes, with spit strings and eyes rolling back, got me way more than I expected. And the harem angle sneaks up on you. First it’s just one suspect, then two, then suddenly you’re in a wagon with several of them, half convinced one of them is a murderer, and you’re still fucking them all like a degenerate that forgot what “evidence” means. I like how you can actually accuse the wrong girl and still end up with a nasty ending, not a game over screen, just a different kind of circus. I kinda hated one small thing: sometimes the clue you need is this tiny clickable thing on the background and I spent minutes pixel-hunting instead of making someone gag on my cock, and it pissed me off, and then I found it, and forgot I was mad once the next scene turned into an interrogation with your dick. The writing swings between serious detective talk and horny nonsense in a way that feels like my brain when I have 10 tabs open in Chrome, one of them being Pornhub. It’s messy, not polished, but the mix of mystery, domination, circus absurdity and girls looking at you cross-eyed with cum dripping out hits some very specific brain cell I didn’t know I had.

Michelle lands in New York like she just installed the “hard mode” DLC on her own life. She wants to be a serious journalist, y’know, awards, big stories, all that, and instead she’s stuck juggling rent, horny thoughts in the shower, and a murder case that keeps poking her libido in weird ways. The game throws you right into her routine: checking emails, stalking sources on Instagram, pretending to be professional on the phone while lying on the bed half naked, one hand scrolling, the other wandering down between her thighs because boredom hits and that vibrator in the drawer is just too close. It’s not just random sex scenes pasted on top of a story; her investigation and her kinks kind of leak into each other. She’ll be reading an old case file, see some detail about bondage in a testimony, and then later in her tiny apartment she’s masturbating with that in her head, imagining herself in handcuffs instead of the suspect. Very “brain says work, body says no” energy.

The main hook for me was how the investigative stuff keeps colliding with her own corruption. She starts all moral and straight: “I will find the truth, I’m a serious reporter.” Then Victoria, the hot lawyer everyone thinks might have killed someone, shows up with this calm older woman vibe and very expensive clothes that are tailored way too tight on purpose, you can tell. First time Michelle visits her office, she’s digging for clues, checking documents, pretending to look at degrees on the wall while her eyes drop to Victoria’s legs. You get little choices like if you keep the conversation clean or you “accidentally” flirt just a bit too much to get her to open up. You can play Michelle as kind of naive girl who gets overwhelmed and then goes home to finger herself while replaying every touch in her mind, or lean into it and let her decide that fucking her way closer to the truth is basically just another tool. One minute she’s at a crime scene taking notes on her phone, next minute she’s in a dark bar meeting a cop, slowly letting his hand slide up her thigh under the table because she wants his info and also, honestly, she just wants it. The mobile-friendly pacing is funny: you can be on the bus, do a quick dialog branch, end up making Michelle tease herself in the bathroom mirror before an interview, finish, lock your screen, and she’s still panting in your head.

What I really like is how the city itself feels horny even when nothing explicit happens. Walking back to her apartment after a long day of interviews, she’ll notice a couple making out in an alley, or see a girl in a short skirt hail a cab, and her thoughts drift again. The corruption is not like instant “now she’s a slut”, it’s more like each scene pushes her boundary a bit. First she only masturbates alone in bed with her fingers. Later she’s using toys while replaying audio from an interview, getting off to the suspect’s voice. At some point she finds herself recording a source secretly with her phone while also grinding her thighs together because the way he talks about power and control turns her on. There is this one moment I keep thinking about: she’s supposed to be taking pictures of a building connected to the case, nothing sexy at all, but it’s late, she’s alone, and she suddenly decides to slip her hand into her panties right there in the shadow of the doorway, half scared of being seen, half wishing someone would catch her. It’s messy, sometimes a bit clumsy, some dialogs sound like they escaped from Google Translate, but it actually fits her vibe, like she’s still learning who she is while the city and the case slowly drag her deeper into trouble and orgasms.

Moonlight throws you into this dirty, glossy future where everyone pretends they’re happy because their brain is on a leash. Neural implants drip little shots of pleasure in your head while an app rents out your meat-suit to whatever corpo wants a warm body. It sounds ridiculous but it feels… too close. You’re this burnt-out detective with more regrets than friends, poking around a death that smells like murder but is written up as “unfortunate malfunction”. Classic. Except here the corpse has an implant history that doesn’t add up, a porn subscription tied to a dead identity, and an ex who cries like she’s rehearsed but still clutches his jacket like a real widow. The game keeps you in that sweet spot where you’re never sure if people are lying or if the tech is lying for them. Also there is so much teasing it’s almost rude. One moment you’re going through encrypted chat logs, next moment a milf corporate handler is leaning over your shoulder, blouse half open, casually asking whether you’ve ever tried orgasm lock with a neural override. The flirting keeps cutting through the bleakness in a way that feels very queer to me, like everyone is using horniness as armor. I relate too much probably.

Sex scenes don’t come flying at you every two clicks, they crawl up slowly, like bad decisions at a bar. You talk, you joke, you push someone too hard in an interrogation, they push back, things snap. I had one scene where I was questioning this older lab tech, soft belly, tired eyes, very “I have seen some shit”. We start arguing about consent when your body is on remote control, and suddenly she’s grabbing the collar of your coat, pressing you against a sterile glass wall, telling you she wants to feel a real tongue, not a programmed rhythm. The game lets you decide if you go down on her right there among the humming machines while security cameras pretend to sleep, or if you pull away and keep playing the noble asshole. The animation sells it in a very unpolished way; sometimes the lips clip a bit or the angles look too porn-hub, but honestly it kind of fits. It feels like underground smut recorded in a shitty rented apartment, not some corpo-funded sex sim. There’s blood too, real rough stuff. One route turned into a total mess when the guy I was tailing got his implant fried right in front of me, smoke out of his nose, body twitching on the ground while my character is still half hard from a blowjob in the alley five minutes before. It’s uncomfortable and hot and confusing, and the writing never stops to hold your hand and tell you how to feel. Queer vibe shows up more in the edges than in labels: guys checking you out in clubs, women in sharp suits who don’t care what’s in your pants as long as you can keep up, trauma and desire tangled together. Some romance paths clearly want you to think they’re soft and wholesome, then they will turn around and ask you to choke them while they’re jacked into a virtual beach. And I swear the text messages you get on your in-game phone remind me of my ex who used to sext from the metro, like there is this messy, non-perfect English in some lines that actually hits very close to home for me as a non native speaker. Nothing feels translated for a straight American audience, just tossed at you to deal with. It’s horny, fucked up, a bit clunky, and somehow that makes it more honest.

Christmas lights, cheap tinsel, fake smiles and then suddenly the room tilts and your brain feels like it’s running on Windows XP in safe mode. That’s basically Becky’s life now. You’re in her head, this 21-year-old brunette with a body that makes every camera angle feel like it’s trying to cop a feel: big tits squeezed into clothes that are definitely one size too hopeful, ass fighting the seams whenever she bends to pick something up. It’s not just “oh wow she’s hot”, it’s that kind of heavy, bouncy flesh that makes every quiet hospital corridor sound louder in your skull because the game actually gives her weight. Footsteps soft on tile, the tiny swish of fabric when her thighs brush, the creak of a cheap chair when she shifts her hips. I’m a sound nerd, I notice this stupid stuff.

The “Vertigo” thing isn’t just a plot excuse, it feels like a constant little audio bug in the back of your ear. When Becky has one of her episodes, the whole soundstage starts to warp, like someone dragging a vinyl record with their finger. Background hum from the hospital suddenly dips, people’s voices slide slightly out of pitch for half a second and then snap back. It’s unnerving and kinda hot at the same time, especially when it hits in the middle of a lewd scene. One second she’s getting pushed against a wall by a woman in a tight nurse outfit, clipboard clattering on the floor, breathing getting faster, soft wet sounds starting up, and then boom, that weird heartbeat-in-your-ears effect kicks in and you feel like you’re going to tip over with her. The nurse here isn’t just “sexy outfit + boob window”, she talks to Becky like she’s a patient and a plaything. Latex gloves snapping, that faint rubber squeak when her hand slides over bare skin, the rustle of sheets when she pins Becky down for a “check up” that has zero to do with medicine. Slight moan in the left ear, a low whisper in the right, it’s surprisingly intimate for a porn VN.

Outside the hospital stuff, you get this slow-burn investigation mood where Becky tries to figure out what Vertigo actually is, and why other people have their own twisted versions of it. You walk into apartments at night and the whole ambience changes: fridge hum, distant city noise, floorboards creak when that older woman with the milf energy steps closer. She’s got that dangerous calm voice, like someone who already made a bad decision and wants company. When she leans in, you hear the faint clink of jewelry against her cleavage, her breath deeper, more confident than Becky’s shaky little gasps. Sex scenes with her feel heavier, more raw. Bedframe hits the wall with a dull thud, Becky’s muffled cries against a pillow, wet sounds not overdone but sharp enough you feel them in your neck. Then, in the same game, someone screams in another room, there’s blood on tile, and the sound design doesn’t flinch: impact is meaty, not cartoony, and the silence after is worse. No heroic music, just the buzzing light and Becky’s breathing going from horny to panicked. It jumps between lust, fear, curiosity so fast it almost feels broken, but that messy mood actually matches her: horny, confused, turned on by people she should probably be running away from, chasing answers that only lead to more fucked up nights. I still hate one thing though: there is this one looping corridor ambience that has a tiny echo in it, like a spoon touching a mug, and once you hear it you cannot unhear it. Never fixed, just sits there, quietly annoying, while Becky’s big ass walks past another door that definitely hides something you probably shouldn’t open.

Rob is the kind of main guy who already feels cursed before the story even starts, and the game leans into that in a way that kinda tickled the little eldritch goblin in my brain. He’s this broke college kid, forgotten by his own parents like some unwanted relic in the attic, while his sister is treated like the golden idol in the house. Nothing supernatural on screen yet, but the family vibes feel wrong in a way I usually only get from old horror books where no one says the quiet part out loud. You can feel something rotten behind that “strange event” with the parents, like an old cult ritual gone bad or a deal with something that doesn’t care about humans at all. Then he goes to a poker game, which sounds boring, right? It’s not. That table might as well be a summoning circle, because from that moment the whole thing starts slipping out of normal reality into this twisted mix of sex, crime, and violence that feels like a god with eight mouths is laughing just off screen.

The erotic stuff doesn’t pretend to be healthy or pure. Sex here is raw, rough, and often tangled in fear and power games. One scene sticks with me: Rob is in this cheap, dim room with a girl who’s supposed to be just a “contact” for his little criminal step up. Conversation goes nowhere, nerves are high, and instead of some slow, tender buildup, it just snaps into a hungry kind of fucking that feels like both of them are using each other as a way not to think about how close to death they are. Her eyes roll back, tongue out in that over-the-top ahegao way, but it doesn’t feel goofy, it feels like she’s losing a piece of herself to whatever dark mess Rob is dragging behind him. Another time he’s in the middle of an investigation, blood on the floor, body still warm, and he ends up getting his cock sucked in the next room like the violence just opened a door inside him and now everything is leaking out. It’s wrong in a very deliberate way, like the game is asking “you still jerking off to this?” while it keeps pushing more. And yeah, I still did.

What really hooked me is how the sexy moments and the cruel ones keep melting into each other. One minute you’re flirting, pulling a girl closer, her lips on you, her hand guiding you in, and the next you’re dealing with torture, murder, talk of ***, this heavy criminal underworld that doesn’t respect life at all. It’s like watching a ritual where blood and cum are treated as the same offering. Harem vibes grow slowly around Rob, too, but not as some nice power fantasy. It feels more like he’s accidentally building a cult around his broken life, women orbiting him for all the wrong reasons, some of them wet and giggling, some half-broken, some clearly dangerous. The animated scenes hit hard enough, sometimes a bit clunky, sure, but the impact is there: thighs shaking, mouths stretched around him, bodies tied to dark choices he made earlier. I wish the investigation parts had a bit more brain to them, sometimes they just feel like clicking through until you get to the next sex or mutilated corpse, and there’s this one sound effect that keeps repeating and drove me nuts, but in a weird way that roughness makes it feel more like some cursed underground thing you found by accident rather than polished porn. It’s not realistic at all, and that’s honestly what I liked: everything feels like the city itself is a hungry thing watching Rob fuck and kill his way deeper into a story that’s only pretending to be about a poor student.

Your grandparents vanish off the face of the earth, everyone acts like they’re dead, and the whole town just kind of… moves on. Years later you roll back in, phone in your pocket, brain full of horny thoughts you really shouldn’t have while asking people about missing old folks. It starts quiet. A simple mobile-style interface, tapping around like you’re just checking Instagram, but each location you poke has a little secret. A window left half open. A shower running too long. A MILF neighbor “too friendly” who somehow knows way more about your grandparents than she should, but instead you’re watching her bend over, thinking with your dick and not your head. Classic.

It tries to be a mystery first, and somehow still rubs your face in sex every few minutes. You follow clues like a point and click, only instead of boring keys and doors, you catch a girl masturbating with a toy on her couch because you checked the wrong camera at the right time. Or the right camera at the wrong time, depends how moral you are, I guess. There’s this voyeur vibe everywhere: security feeds in weird places, people who “didn’t know the camera is on,” and you, the good little detective, totally not replaying the clip three times before interrogating her about where she was the night your grandparents disappeared. The game teases you constantly. Women strip to distract you mid-dialogue, big tits pushed in your face while you’re trying to remember who lied about the last time they saw grandma. You tell yourself you’re focused on the case, but the next scene is you balls deep, creampie, and then going “oh shit, what was I doing again.”

What really messed with me is that there are superpower bits thrown into this small-town detective story like it’s normal. Suddenly you’re reading micro-expressions, nudging minds, or freezing time long enough to enjoy an “accidental” upskirt that lasts way too long to be accidental. It’s half sci-fi, half horny soap opera. The pacing is kinda weird sometimes, you’ll be in a really tender romance moment with a shy girl finally taking off her clothes slow, proper teasing, then the next tap dumps you in some sandbox area where a dominant older woman drags you around by the balls and talks like she owns the whole town. And you let her. Of course you let her. There’s one scene where a so-called respectable “auntie” type corners you during an “investigation,” pushes you into a chair, rides you until you’re shaking, then tells you important story info while you’re still buried inside her. That mix of information and sex is absolutely stupid and also exactly what my brain wanted. Animation helps a lot, nothing crazy, but enough bounce and wetness that when a big ass grinds on you, it actually feels like something. The game jokes about itself too, throwing in weird humor about old people, porn logic, and how no one ever calls the police, like it knows exactly what kind of trash it is. And yeah, sometimes the dialogue hits like a bad meme from 2014, yet I kept tapping, waiting for the next time a “serious interview” turned into you on your back, MILF on top, mystery temporarily forgotten under her.

Twilight City is one of those places that looks like a shitty Netflix crime show if you squint, but then it opens its legs and suddenly you remember why you still play this kind of stuff instead of scrolling Pornhub like a goldfish. You’re the guy with the dead eyes and the old case eating your brain, the whole “Red Tape Killer” urban legend that refuses to stay buried. Instead of doing the usual noir thing where everything starts in some smoky office, the story yanks you straight back to your college days, when your biggest problems were exams, cheap coffee, and trying not to stare at your classmates’ tits for too long. That part is actually the nice trick here: you know this is all going somewhere very ugly, but the game forces you to wade through that bittersweet student life where every girl feels important and every bad choice is quietly sharpening the knife for later.

College isn’t some generic porn campus here, although yeah, there’s plenty of “oops, she’s bending over again” moments. You’ve got this mix of girls who feel like they stepped out of different games and accidentally ended up in the same one. There’s the playful tease who keeps fucking with you during group projects, brushing her hand along your thigh under the table while the professor drones on, acting like nothing is happening. Another one pretends she’s only interested in “helping you study” then slowly slides her hand into your lap while asking about your future, as if your cock is part of the career plan. The sex scenes don’t waste your time with theatrical bullshit either. Handjobs that start messy and rushed because you’re both afraid someone will walk in. Slow, drawn out oral where she looks up at you with that smug “I own you now” expression. Classic pussy pounding in a tiny dorm room that squeaks at every thrust while you’re both trying to keep the volume low and completely failing. Tits and ass are front and center, obviously, bouncing in rhythm with every movement. The animations are not perfect, some loops feel a bit stiff, and sometimes her mouth movement is weirdly off from the audio, but honestly that rough edge gives it this cheap porn studio vibe that kind of works. Then again, I’m half blind from too many Steam “adult” games, so maybe I’m just broken.

Under all the fucking, there’s that slow burn detective thread doing push-ups in the background. Random details from banal scenes suddenly matter, like a half-seen red ribbon tied to a bag, or a line in a casual conversation that hits differently when you remember you’re chasing a serial killer. One time I picked a dialogue choice just to be a bit of a sarcastic asshole and later realized it was tied to whether someone actually trusts you enough to open up about a creepy incident on campus. Choices don’t scream “THIS WILL CHANGE EVERYTHING” in neon text, they just sit there, and later you realize you nudged the story into a darker corner. The investigation parts are pretty light, more about talking, piecing together small clues, and deciding who you believe instead of playing CSI with a magnifying glass, but the tone fits. That mix of college romance, interracial hookups, and a slowly closing criminal net is strangely addictive. You’re balls deep in a girl, her legs wrapped tight around your waist, and at the same time your brain is quietly replaying that message the killer sent you in the future, trying to match the threat to one of these pretty faces. It’s fucked up, it’s horny, it trips over its own shoes sometimes with pacing, and the writing swings between sharp and cheesy like a drunk on a staircase, yet I kept clicking next, just to see which of these “innocent” memories is hiding the rot.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

The moment you step back into your hometown after serving in the army, things aren’t as perfect as you remembered. Your father, who works for one of the most cutting-edge pharmaceutical companies, is caught in a storm, especially since his close friend died under mysterious circumstances. Ever since that tragedy, your family has been drowning in severe financial troubles.

Determined not to let your family fall apart, you decide to dive headfirst into this shadowy pharmaceutical world. But nothing here is straightforward - every step forward drags you deeper into secrets, lies, and dangerous liaisons.

In this game, you’ll navigate complex relationships with colleagues, rivals, and allies alike. Your decisions will shape not only your career but also the fate of your family and the company itself.

Get ready to immerse yourself in a raw, gritty tale of ambition, danger, and desire.

Will you uncover the secrets that could save your family or destroy everything you care about?.