Halloween drinks, shitty plastic fangs, that kind of fake-spooky vibe where everyone’s already thinking about fucking before the first jump scare even happens. That’s the mood here. You’ve got Crystal and Dana doing the “who can show more cleavage without admitting it’s on purpose” contest, Elena pretending she’s above it while her dress is doing absolutely nothing to hide that ass, and Finn trying to act like the only thing he’s eyeing is the cocktail menu. Then somebody throws out the genius idea to keep the party going in an abandoned house by the beach, because horny people in horror stories never learn. It’s a short kinetic ride, no choices, just sit down, click, and let it roll, like when you open Telegram on your phone just to check one thing and suddenly you’re watching some cursed porn thread for 15 minutes straight. Same energy.

The engine part is actually kinda funny to me. It’s simple, yeah, but the 3D models carry personality. The bodies look heavy and real enough that when the girls start teasing each other, tits bouncing, hips pressed against old dusty walls, you can almost hear your GPU go “bro, calm down” even though the game is not that demanding. Crystal is the one who feels like she’s always one bad decision away from taking her top off in public, and here she kinda does that. The exhibitionism ramps slowly, first with jokes in the bar, a hand sliding too low on a thigh, a dare to flash in the old house corridor where every shadow looks like it’s watching. Then you remember this is futa horror, not some softcore pool party. The protagonist packing a thick futa cock under that tight outfit is the real jump scare for anyone in the group who thought they knew what they wanted. There is anal, there is humiliation, there is that uncomfortable moment where pleasure and fear get so close you’re not sure which one is making your dick twitch. And in the middle of all that, the timing stumbles a bit. A key reaction shot lingers too long, a moan subtitle pops slightly off-sync, one bigger scare lands kind of flat and I kept thinking “ok, you could have given me one click to react there”. But then another scene hits where the futa MC gets pushed against a rotting window, ass raised, someone’s hand forcing her to show herself to the beach outside, and the game suddenly remembers exactly what it wants to be.

What I liked most is how the pacing snaps from playful to cruel without asking for permission. One second they’re laughing about costumes, next second someone is on their knees, lipstick smeared, gagging on a thick trans cock while the house feels like it’s listening. The milf energy here is not polite either. Dana feels like that older woman who knows exactly how far she can push humiliation before it breaks you, and she stays right on that edge, grabbing hair, whispering filthy stuff that is way more degrading than the actual acts. Big tits press together, sweat and cheap Halloween makeup mixing while the story calmly reminds you that something in the house is not right. No branching, no stats, no grinding. Just a tight little nightmare where big asses and bigger dicks brush up against rotten walls and the camera is not shy about angles that make you feel like a creep in the corner. If you want to squeeze everything out of it, don’t rush. Let the silences sit. Don’t spam-click past the build-up. Read the lines where they talk shit to each other, where the fear slips into arousal and back. That’s where the horror and the horny really twist together and your brain goes “I shouldn’t be turned on by this” while your body’s like “too late”.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.

Death in this game feels almost like a dumb joke. One moment you’re gone, next moment some higher power tosses you back into the city like “here, go clean up horny ghosts now.” You’re not a hero, you’re more like a half-confused exorcist with a dirty mind, wandering around dirty streets and creepy apartments where every shadow might be a spirit or just a girl with tits that look like they’re breaking the fabric of her bra. It’s that kind of mix: cheap horror vibes, lots of soft colored lights, then suddenly there’s a MILF ghost asking if you’re here to banish her or “take responsibility” for waking her up. And honestly, you kinda want to do both. The whole thing plays out like an ecchi anime someone forgot to censor, with a bit of cheap cartoon style humor where even the scariest curses somehow end with you face-first in some big ass or with a hand up a shirt you probably shouldn’t be touching.

The story jumps around in a funny way. One moment you chase a curse to some old building, expecting some Ring-style crawly nightmare, and instead you bump into a tsundere waifu ghost that calls you an idiot for messing up the ritual while her gigantic boobs are literally clipping through her shirt. You talk, pick some choices, mess up a line, she gets pissed, and then somehow that leads to her pinning you against the wall and “absorbing your spiritual energy” with her mouth in a way that is absolutely not PG. There’s one scene in a tiny bathroom where the light flickers and the mirror starts bleeding, and out comes this shy specter girl with huge eyes and even huger tits, trembling like she’s actually scared of you, and when you purify her, the game flips it into this incredibly tender blowjob scene. It’s kind of sweet and fucked up at the same time. And then there’s a milf neighbor who’s not even dead, just “cursed,” walking around in a robe that never closes properly, and the game keeps giving you camera angles that stare right at her cleavage, like it’s reminding you every ten seconds that you’re not here for the plot.

What I liked is how it doesn’t pretend to be classy. Some scenes are just straight-up porn: you’re grinding this big-thighed ghost over a ritual circle while sigils glow under her ass, and she moans about how the curse is leaving her body while your dick is clearly the only exorcism tool being used. It’s stupid and hot. There’s one alley scene where a demon girl bends you over spiritually, and the choices you made before actually change her dialogue and how rough she goes, which caught me off guard because I thought it would be just click-next-to-cum. On the other hand, some “romantic” paths feel rushed like the dev got horny and stopped writing halfway, so you go from awkward small talk to full anal in maybe three lines of text, no buildup, just “okay, clothes off.” The text sometimes reads like it was written half on coffee, half on horny brain, with weird jokes that made me laugh just because they were so dumb, like a ghost calling your dick “holy staff.” And the game loves big tits so much it basically forgets asses exist, except for two or three scenes where the camera finally goes behind and you’re like: damn, where was this angle the whole time. Music is that chill loop you forget is there, which is good because you’ll be tabbing out to Telegram or watching something on YouTube between scenes, then suddenly there’s a haunted school stairwell and a busty spirit in a half-ripped uniform asking if you’re brave enough to “finish what she couldn’t in life,” and of course you pick the most degenerate option just to see how far it goes. It kind of feels like opening a cursed doujin and then realizing it reacts to the stupid choices you make, and by the time you’re balls-deep in another “purification ritual,” you’re not even thinking about ghosts anymore, just hoping the next girl moans louder and the dev remembers to add more positions this time.

You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.

Fog rolls in, streets go quiet, and John is just stuck at work with two women he mostly knows from awkward breakroom small talk. That’s the whole vibe here: not some badass hero fantasy, but a guy trapped in an office while the world outside rots in a toxic soup. One second he’s checking his phone, the next the signal dies and the city kind of just vanishes behind this white, angry fog that literally burns skin if you get too brave. It’s weirdly intimate, because when everything outside goes to hell the only thing left to play with is people’s nerves, their fears, their bodies, their need to feel close to someone while it all might end tonight or next week or never. The horror parts hit first, and then slowly the romance and the sex leak in around the edges like the fog under a door, not some instant “you are the chosen dick” story. You feel stuck with Kallie and Laura in this poisoned little bubble, watching them crack, get scared, get horny, get angry, sometimes all in the same scene. It’s messy in a good way. Not every line lands, some conversations ramble, and sometimes John acts like a confused Reddit thread, but that’s also kind of believable.

What really caught me is how often the game lets you just say small shit. Little comments that don’t blow up the plot, they just sit there in the back of someone’s mind. You flirt at the wrong moment and Desire ticks up a bit even while Anxiety spikes, so she might still let you slide a hand under her shirt later, but she’ll shake when she kisses you. You’re nice and soft with her after she has a panic attack and Love crawls higher, which makes the eventual creampie scene feel more like “we might die, please stay inside me” than porn hub speedrun. It’s not all sweet, though. There are moments where the sex is raw and selfish, bodies slamming together on some half-clean office couch or cramped storage room, her moaning while the building around you feels like a coffin. Condoms exist mostly as a suggestion, which the characters ignore whenever the tension finally snaps, and the game leans hard into that risk. You can have a romantic talk, then five clicks later you’re pinning her against a window with the toxic fog just beyond the glass, filling her up because you both need proof you are alive. I wish the UI text was a bit bigger on my phone, but anyway, the story quietly shoves you into this fucked up little family, where trust, lust, fear and love keep shifting around like stats you pretend not to care about while you very much do. Sometimes the pacing drags for a scene or two, then suddenly you’re in a pitch-dark hallway, breathing with her, feeling her hand find your crotch because she wants reassurance in the only stupid way she knows. It’s not subtle. It’s also strangely tender. And then out of nowhere the game just drops a line that feels like a shitpost and you remember people made this on actual computers and not in some cursed fog dimension.

Civilization is basically a smoking crater, the streets are full of rotting corpses and hungry dead things, and somehow this game still manages to feel more about horny, stupid human choices than about the zombies themselves. You start in this ruined city where everyone keeps saying “freedom” like it’s a religion, and yeah, they absolutely use that word as an excuse to fuck anything that moves, drink anything that burns on the way down, and chase every dark kink they were too scared to Google when society still had laws. The vibe is half horror, half “what if Pornhub and a bad trip had a baby during Halloween cosplay night,” and honestly it kind of works. The writing swings from serious to trashy in like two clicks, one moment you’re checking a blood–smeared hallway and the next you’re balls-deep in some girl who thinks moaning louder keeps the undead away. Spoiler, it doesn’t.

What surprised me is how often the story gives you a choice that looks simple on screen but hits weird after. You’re not just picking “fuck / don’t fuck” every time, sometimes it’s “do you help this desperate guy who’s clearly high as hell” or “do you use this girl’s messed up daddy issues to get what you want.” It pushes that line where you catch yourself thinking, ok, I’m kind of an asshole here, but then you click anyway. There’s a scene early on where you’re holed up in a shitty apartment, sirens long dead, city quiet like a morgue, and your partner for the night wants to try something rough while there’s a zombie literally scratching the door. The game lets you decide if you stop and deal with the threat or keep going and turn it into fear-play. I picked the second option. Felt dirty, didn’t regret it, regretted it, still not sure. That’s the type of thing that sticks. The horror is not the dead; it’s you getting used to this new normal where necrotic moans outside are just background noise while you eat pussy on a broken kitchen counter. And yeah, the game knows exactly what it’s doing when it leans into drugs, shady trades for sex, and people using the apocalypse as an excuse to finally turn their porn tags into real life. Sometimes it’s hot, sometimes it’s gross, and sometimes those two are the same thing and the game just shrugs and lets you click “continue.”

Game feels like someone threw Stalker, a sex toy shop and a bad breakup into a mixer, then forgot to put the lid on. You play this girl wandering a fucked-up anomaly zone, where everything hums like a cheap fridge about to explode. No choices, no branches, it just drags you along, but in a weird way that works. You’re not “roleplaying” her so much as watching her unravel while you sit there with one hand on the mouse and the other… yeah. One of the first scenes that really stuck with me is when she’s alone in some rusted-out industrial corridor, all red emergency lights, and she pulls this ugly, jury-rigged vibrator from her pack. It’s not sexy at first. It looks like something you’d use to torture information out of someone, like, wrong shape, wrong noise, buzzing like an electric toothbrush dying. She’s covered in grime and bruises, and instead of the usual porn-game bullshit where the girl poses like a catalog model, she just slides down the wall and starts using it because she needs something, anything, to remind her she’s still a person and not just meat walking through radiation. That mix of “I shouldn’t be turned on by this” and “okay but I am” pretty much sums up the tone.

The sex isn’t soft-focus romance, even when it is technically romance. There’s this guy she keeps crossing paths with, and their chemistry feels like two broken lighters trying to make one working flame. They care about each other, kind of, but everything around them is rotting, and the game loves to tease you with tenderness before smashing you in the teeth. You’ll get a sweet hand-holding moment, then five minutes later she’s masturbating alone in some abandoned checkpoint, using a smooth metal artifact that might be worth a fortune, or might kill her, with this look that’s half desperation and half “fuck it, if I die like this, at least I came.” The toy scenes are surprisingly varied, though sometimes the pacing is off. There’s one long masturbation stretch where I honestly tabbed out to check Telegram because it felt like the same angle and the same moaning loop. Then the game hits you with an absolutely brutal, bloody encounter, and suddenly that earlier slow scene makes sense because your brain’s still echoing with it while you watch her crawl away from a body that honestly looks too real. The violence is not pretty. People get torn up, shot, melted, and the camera doesn’t politely look away. That clash of erotic tension with graphic wounds makes the whole thing uncomfortable in a deliberate way. It’s not “gore porn” for the sake of shock, more like the dev wanted you to constantly ask yourself where your own line is, and then step over it anyway.

The world itself feels claustrophobic even when the locations are open. You can almost smell the wet concrete and rust. Some of the romance bits are genuinely cute though, in this bitter, awkward style. Like she’s sitting in a half-collapsed truck, passing a flask back and forth with her sort-of-partner, knees touching, and for two minutes you forget there are supernatural anomalies outside tearing people apart. Then she ends up grinding on his thigh, trying not to make noise because other scavengers might be nearby. There’s this one shot where her panties are halfway down, gun still strapped to her leg, and you can see a blood smear on her thigh that clearly isn’t from sex, and that detail just lodged in my head. The game likes these ugly little truths. Her orgasms are messy, not glamorous, sometimes a bit sad. She cries once while using a toy, and the camera doesn’t overly fetishize it, it just stays with her long enough that you start feeling weirdly protective. To be fair, a few scenes try too hard to be “deep” and end up coming off like edge-lord poetry, but then the next event is her quietly humping the handle of an artifact while listening to distant gunfire, and suddenly you’re back in it. It’s not romantic in the classic sense, but the way it mixes need, fear, loneliness and pure raw horniness feels more honest than most “love story” porn games I’ve seen. And yeah, I’m still annoyed that one corridor light flickers in exactly the same rhythm every time and my brain catches it like a gnat, but I keep thinking about that filthy wall, that awful buzzing toy, and the way she keeps going anyway.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

Intertwined feels like somebody smashed together a horny gay romance, creepy cosmic horror and furry body weirdness, then wrapped it in a visual novel that pretends to be gentle but keeps poking places you try not to think about. You play a guy who is very much not okay, walking around in this fantasy world that looks normal on the surface and then suddenly is not normal at all. The game never just goes “here is your route, pick your boyfriend.” Instead it keeps a quiet little score in the background with this devotion thing, and then later the story suddenly remembers that choice you made when you were half distracted scrolling Twitter and hits you with “oh you wanted this, remember?” That part actually got me to close Chrome on my phone a few times and stare at my ceiling, which is not what I usually expect from a porn game where I was mostly trying to see some cock and maybe a cute tail. The sex scenes are not thrown at you every five minutes, they sneak up on you when you are emotionally soft, after some death talk or some heavy trauma shit, and I kind of hated that and also loved it. One minute you are reading about someone’s wounds and the next you are watching two guys tear each other’s clothes off in a ruined temple like this is a therapy session with dicks out. The stripping is sometimes playful, like “oops my shirt fell,” but then you get stuff where you are forced to stand half naked in someplace you really should not, while monsters and maybe gods are watching, and that hits the exhibitionism nerve in a nasty good way. It is lewd, but sweaty, nervous-lewd, not “haha porn logic.”

I tried my best to skip combat or violence when possible, and the game actually lets you be that kind of soft idiot. You can avoid some fights by talking, flirting, or just choosing not to push people, which I appreciate, but then consequence bites you in the ass later because you did not grow the balls the story wanted you to grow. Bodies are not fixed here. One scene you are still just a scared human guy, later you wake up with claws, fur, or things under your skin that move wrong, and the text leans hard into that transformation horror. It is sexy and gross at the same time, like your own reflection is trying to seduce you while also whispering that you are not really you anymore. The furry stuff is not just “he has ears and a tail, please clap.” There is this slow, squirmy feeling of changing into something more wild, more dangerous, and sometimes that turns you on against your own will, which is fucked up in a way that works here. Some of the romance routes feel cozy and warm, with two guys just trying to hold each other together in a broken world, and then out of nowhere the story drops another mental breakdown or suicide memory and I suddenly wonder why I was jerking off five minutes earlier. The art is 2D and actually expressive, like faces change a lot, not just copy paste, but every now and then a hand looks a bit weird and it stuck in my head way more than it should. I kept poking the save slots like a maniac because the devotion system loves to lock scenes behind “you were not devoted enough” or “you were devoted to the wrong thing,” so there is this slightly toxic replay feeling where you go back just to see that one alternate sex scene with more skin and maybe more teeth. Best way to enjoy it? Play horny, but don’t rush the text. Let the quiet moments and the fucked up cosmic stuff marinate, then when the clothes finally come off, ride that scene for every dirty, uncomfortable, delicious second.

There’s this thing the game does right away that I actually respect: it doesn’t pretend you’re a hero. You’re just a messy, horny, slightly broken person thrown into a gothic hellhole where every shadow either wants to kill you or fuck you or both at the same time. The “survival horror” part actually matters, not just in the jump scare way, but in the “ok, if I follow my dick here, I might end up chained to a wall with some demon girl sucking my soul out through my spine” way. First time I got that “choose to hide or follow the moaning” prompt, I obviously followed the moaning. Of course the corridor was lit in that sick red and the sound design was wet as hell. And yeah, it was worth it, but I walked away from that scene with my health wrecked, sanity lower, and a mark on my body that keeps showing up in later scenes. That mark is like this little dev note written on your skin: “you’re horny, I know, you will suffer for it.” Sexy punishment, basically.

What I really liked is how it lets you lean into being submissive, dominant, or that chaotic horny survivor that just flips depending on who’s in front of you. One moment I’m pinning a possessed priestess to the altar, hand at her throat while she’s whispering this prayer that sounds more like begging for dick than religion, and the very next route dump I’m the one on my knees in some filthy crypt, forced to “pay” a demon guard with my mouth so he lets me pass. It’s not just “pick dom option, get dom scene” either. If you act like a ruthless bastard earlier, some characters remember that and push back. I had a run where I kept choosing the arrogant, aggressive replies and finally one of the demon twins snapped, took control mid-sex scene and basically used me like a toy until my character passes out. That reversal felt earned. Annoying and hot. Like a bad ex that knows your buttons too well.

Small thing that irritated me: the text choice boxes are too close to the bottom and on Chrome mobile I kept hitting the damn navigation UI when I just wanted to pick the option about biting the nun’s thigh. It pulled me out of the moment every time but I kept playing anyway because the pacing of sex and horror is like watching a slow car crash in latex. Half of the nudity is filthy, sweaty, scratches-on-your-back kind, but then you get this scene in a candlelit library where a demon boy with white eyes reads your mind while fingering you under a table, and you forget you were even supposed to be scared. Or bisexual tension hits out of nowhere: you walk into a ritual chamber, there’s this couple, one demon, one human, and instead of choosing who to fuck, the game lets you slide right into a threeway that still somehow keeps the occult vibe going. I kept telling myself “ok, this time I’ll actually try to survive, not just chase every hot body,” then the UI pops a new corrupted choice in red text and, of course, I click it like an idiot. And the worst part is that the game knows. It keeps asking what you crave, like some smug supernatural therapist who gets paid in your orgasms and bad decisions.