This one starts quiet. Not horny-chaos-from-second-one, more like slow boil. You’re this young acolyte in a tiny mountain village, technically there to “serve the gods” and “keep the sacred balance” and all that formal crap, but after like ten minutes it’s very clear the real job is getting tangled up with muscular divine men who have way too much body hair and zero sense of personal space. It feels like a romantic stats spreadsheet that accidentally grew a dick. You run around doing rituals, picking dialogue options, watching your “bond” values crawl up like you’re tracking conversion rates in Google Sheets, except every successful “ritual” ends with you pinned to an altar by some mythic beefcake who looks like he could bench press the whole temple and your character is just… letting him.

The vibe is surprisingly cozy before it gets filthy. The gods aren’t these distant glowing things, they’re big guys with scars, fat cocks and weird insecurities. One of them talks like he’s a grumpy uncle, huge chest, hairy belly, thick arms, and then once you choose a bold response instead of the submissive one he slams you against the shrine wall. That escalated fast and I loved it. You start to notice little patterns: be too polite with the storm god and you get one kind of scene, push back and suddenly he chokes you lightly while he fucks you on the temple floor, thunder outside like some overdramatic porn soundtrack. It’s all text and vibes, but the way it describes weight, warmth, the way your thighs shake after he finishes inside you, it’s not coy at all. I actually had to pause a route because my brain was trying to calculate which affection threshold triggered the anal scene while my dick was like “shut up, we’re busy”.

The writing jumps between sweet and trashy in a funny way. One moment you’re helping fix a prayer banner and talking about duty and devotion, next moment that same “gentle” god has you straddling his lap, his cock grinding between your cheeks while he whispers that a devoted acolyte offers his whole body, not just his hands. There are small mechanics that you start to min-max without even thinking: like which nightly duty to take, which offering to pick, how “pure” you pretend to be in public. I kept a stupid Excel sheet open tracking which answers gave intimacy points and which unlocked what, then I blew one of the big endings because I got greedy and went for one more sex-heavy choice with the other god. Suddenly the “husband” style route snapped, and the guy who had been all soft and protective basically looked at me like I was a slutty tourist in his temple. Still fucked me, rougher than before, but the epilogue text hit different. That walk-of-shame paragraph where the villagers bow to you while you’re sore and know you technically saved them but kinda broke your main relationship? That stuck more than any cum detail.

It’s lewd as hell without feeling like a cheap porn generator. When a scene says he pushes deep, it lingers on stretch and breath and how your legs tremble, not just the finishing line. There’s one altar scene where your acolyte is on his back, robes pushed up, the god holding your ankles up high so your hole is exposed to the candlelight, and he just… takes his time, tracing your rim with his thumb while you squirm and try not to beg. That whole thing is like fifteen screens long and I remember more about the way it built up tension than about who was technically “on top” in the lore. Also, tiny nerd complaint: the save slots are labeled in a slightly weird way and I keep overwriting the wrong branch, which made me replay the same blowjob under the waterfall three times. Not that I’m mad about that specific scene, the description of water running down his abs while he holds your head and groans is stupidly hot, but still. I keep forgetting which path I’m planning, then some god with thick thighs and a smug smile shows up and all the careful “route optimization” goes out the window and I’m just clicking the option that sounds like “yes, ruin me, holy daddy”.

War in this game doesn’t feel clean at all. Everything is humming, buzzing, a little wrong, like the whole space station is breathing slow and wet around you. You’re tossed into Alexis’ head right after this lunar mess, and the world around him is all hard metal, cold corridors, alarms that whine in the background while the camera just lingers too long on another guy’s neck, his jaw, the way sweat slides down under the collar of a uniform that’s clearly one size too tight on purpose. It’s funny, because the story pretends to care about strategy meetings and patrol routes and alien intel, but the real action is in those tiny pauses when Osman leans a bit too close, when Evan’s voice drops for no reason, when Leon looks like he wants to punch a wall or kiss it. There’s this low constant echo in the sound design, just a little reverb on footsteps and doors, and somehow it makes every quiet conversation feel like it’s happening in a hidden corner where you’re not supposed to be, but you stay, because of course you stay.

First time you get Alexis alone in the barracks, the game lets you click around useless shit, like his datapad, the locker, the stupid little plant that somehow survived an alien invasion. I spent way too long poking that plant. It wiggles in this pathetic way and doesn’t matter at all, but I kept expecting it to do something horny. It never does. Anyway, the real heat starts when Osman shows up with that lazy grin and sits on the edge of the bed, and the music just drops to this slow, pulsing beat that feels like it’s syncing with your pulse… or lower. There’s no silly fade out when things get explicit. You actually hear belts, zippers, the soft thud of bodies against the mattress, the little breath Alexis sucks in when fingers go somewhere new. The choices here aren’t explained much. You get lines like “Push him further” or “Hold back” and you’re just thrown into it. Sometimes the “gentle” option leads to Alexis getting his throat fucked rough, and the “aggressive” one just turns into a desperate cuddle against a bulkhead after a mission. That messy, not-quite-logical reaction of the game feels actually honest, like sex after trauma isn’t neat or predictable, it’s all over the place.

The sci-fi side is weirdly intimate too. You’re on this ship in the middle of nowhere, “protecting mankind”, but really you’re just watching horny soldiers try to forget everything for a while. A briefing room scene with Leon starts as a boring report about alien movements, then your choice to “reassure him” ends with his hand on your throat, pushing you back into the commander’s chair, the big holographic map of the war flickering calmly while he grinds against you, still half in uniform, half undone, like the galaxy can wait while he ruts. Later with Evan, you’re supposed to be calibrating some scanner, but the game keeps letting your eyes drift down to his crotch, his tailbone, the hint of muscle under the suit. The interface even tilts a bit, like Alexis is losing focus. There’s this one shot where the window shows the dark of space, a slow blue flare of some distant thing, and in front of it you just see their silhouettes, one guy on his knees, the other bracing against the console, sounds of sloppy head mixing with the quiet hum of the ship. It’s hot, but also kind of sad, and then suddenly it’s funny again because a random alert pops and you both have to scramble, dripping, to act like nothing happened. It’s clumsy, horny, sometimes too slow, sometimes it rushes you right into a scene where you’re pressed between two bodies and a cold wall, and none of it feels polished. Which is exactly why it sticks in your mind when you close the browser and realize you still hear that low ship hum in your ears, together with the little broken noises Alexis makes when someone finally pushes him way past what he thought he wanted.