Teddy’s life starts in that weird gray zone where you’re not really a kid anymore, but people still treat you like one, and the only person who actually gives a damn is Sofia. She takes him in, plays the caring adopter, all gentle smiles and tight blouses that can barely contain those massive tits, and at first it really feels like she’s just trying to do the right thing. Then the touches start to linger. The hugs last a bit too long. Her hand “accidentally” brushes his crotch when she squeezes past him in the hallway. You can almost smell the moment this crosses the line from family drama into “oh shit, this is getting seriously dirty” and the game just leans into it without pretending to be classy. One night she shows up at his room in a half-open robe, nothing under it, asking in that fake innocent tone if he’s having trouble sleeping. Yeah, that scene hooked me instantly.

The corruption angle is slow enough to make you twitchy, but not so slow you get bored. She starts off teasing like crazy. Bending over right in front of him so that big ass fills the screen, pretending she’s “just cleaning”. Stretching with her arms up so the shirt rides up, soft belly and sideboob flashing, and her armpits on full display if that’s your thing. There’s one animated scene where she traps his head between her tits like some kind of mercy kill, rubbing her huge boobs over his face while she bites her lip and makes those ahegao faces that are way too filthy for how soft her voice sounds. At one point she casually starts masturbating on the couch while “watching a movie”, barely covered by a blanket, and you see Teddy just freeze there, trying not to stare at her fingers sliding between her legs. Of course he stares. Of course she notices. She pretends to scold him and then makes him sit closer. I liked that a lot. Actually I hated it. Whatever.

When things finally snap, it’s not romantic at all, it’s messy and horny and awkward like it should be. She strips for him, slow and mean, talking him through every piece of clothing coming off, almost like she’s testing how far she can drag him down with her. There’s titfucks where she pins him down and rides his cock with those big tits like she’s been waiting years for it. Vaginal sex scenes that focus on that moment she shifts from “this is wrong” to “I’m not going to stop”. There’s this wild little armpit sex scene that feels like the dev went “fuck it, I’m doing my fetish today” and honestly, respect. The teasing never really stops, even when they’re already fucking. She keeps twisting the knife, calling him her good boy while she moans with that ridiculous ahegao face and messy hair. The stripping, the way she uses her body, the way she looks too put together and then suddenly not at all, it sells the whole milf corruption vibe better than most games trying to be deep. I only got annoyed that her phone notification sound in one scene is the same default Android chime as mine and now I get horny every time Telegram pings, which is honestly not helpful at all.

Game throws you right into this weird mix of modern world and magic dungeons like it forgot to explain half the rules and kinda expects you just roll with it. You play this ex special forces guy who used to solve problems with guns and tactics, now he has to deal with corridors full of horny demon things and magic bullshit that ignores bullets. It feels a bit like someone mashed a shooter story with a porn VN and then said “yeah, good enough” and honestly I respect that chaos. First time you walk into a dungeon and the MC realizes his gear does nothing, the whole vibe switches from macho soldier to “oh shit I’m meat in a meat grinder” and then suddenly these new powers awaken and it turns sexy in like five clicks. There is this early scene where a monster girl tries to rip him apart, he counters with his new ability, pins her to the wall and the whole fight melts into this really messy violation scene, hips slamming, drool, eyes rolled back, classic ahegao face, and the camera just lingers way too long on the cum leaking out. Felt actually kind of dirty in a good way, like the dev knew exactly what people came for. Animation looks a bit stiff sometimes, but when he finishes inside and you see that little twitch and her belly flexes, yeah, they knew where to spend the effort.

The whole sandbox structure is messy as hell but also kinda addictive. You bounce between dungeon runs, hub areas and some random encounters that feel like the dev woke up and said “today I add mind break scene, no explanation.” I liked one run where I pushed too far into a deeper floor, got the MC grabbed by this big ogre thing, health sc*** down to 0, and instead of a simple game over, it triggered a long *** scene where he gets forced into fucking some corrupted priestess as payment for his life, with looping thrust animations and her face switching between terror and that overdone tongue-out expression. I was half annoyed I lost the run and half going “ok yeah, keep going.” Dialogue is clunky, English feels like it was translated by Google on a bad day, which honestly matches my brain, so I didn’t mind. What bothered me more was the UI sound for clicking the damn inventory, it’s like this cheap plastic tick I started to hate and then forgot to mute. Combat has that vibe where you spam skills without reading what they really do, but sometimes you chain them perfect and end on a finisher that auto-plays a creampie scene if you defeat certain bosses. Watching the MC pant over some defeated witch, shoving himself in raw right on the dungeon floor, no condom, no logic, while she twitches and moans like a broken NPC, somehow made the whole “saving the world from monsters” plot feel like background noise. Honestly, I kept telling myself I’m here for the fantasy setting and progression, but next thing I know I’m just farming certain rooms because I know they have that one animation where the MC empties inside and you see it oozing out in a close-up. I forgot what point I tried to make here, but yeah, the game sticks in your head like that.

So there's this weird little game about Lincoln getting cursed by some horny demon, and honestly? The premise is so ridiculous it actually works. You're clicking around trying to seduce your crush Leni while this succubus is literally sucking the life out of you - but here's where it gets messy in the best way. The sound design hits different when Luna's moaning in that fake British accent, and Rita's... well, let's just say the landlord situation escalates quickly. The ahegao faces are over-the-top cartoon bullshit, but somehow that makes the whole thing hotter? Like when you're groping Leni and her expression just breaks - it's so fucking exaggerated it loops back to being sexy.

The pacing is all wrong though, which might be intentional or just sloppy coding. You'll spend forever clicking through dialogue with Luna about her punk aesthetic, then suddenly you're balls deep in a handjob scene with Rita that comes out of nowhere. Actually, that's not true - there are buildup moments, but they're buried under so much parody humor you miss them. The big tits physics are laughably bad, bouncing like they're filled with jello, yet I found myself replaying those groping sequences anyway. Rita's ass is rendered with this weird attention to detail that doesn't match the rest of the art style, like someone spent way too much time on that specific asset. The point-and-click mechanics feel clunky as hell - you're hunting for hotspots while Lincoln's supposedly dying from demon possession, which creates this bizarre urgency that doesn't match the gameplay at all.

What really fucks with me is how the milf content with Rita feels more genuine than the main Leni storyline, even though she's supposed to be the fashionable crush driving the plot. The demon possession angle becomes background noise once you're deep in the sex scenes, which defeats the whole supernatural premise but... honestly, who cares when the handjob animations are this detailed?

Rush description during subway, sorry if my english go weird.

This one throws you right into that quiet, uncomfortable space at home after a funeral, but then slowly turns it into something way more fucked up and horny than it has any right to be. You’re Saigo, the older brother, stuck in a tiny apartment with Hana who used to be lively, now she’s like a doll that talks. Her face is empty, eyes kinda dead, but she still says pervy stuff with flat voice and it messes with your head. Game doesn’t even pretend to be normal romance for long. It starts with “care,” then it becomes “how far can I push my sister while telling myself it’s therapy.”

There’s no choices, it just moves, one scene into another, and you just sit there on your phone like an idiot on the bus watching your own character cross line after line. It starts with harmless touching, “checking her temperature” while she lies on the bed in her school uniform, shirt just a bit open, bra visible. You tell yourself it’s nothing, but then your hand stays too long on her chest and the text says her nipple is hard under the fabric. She doesn’t react, no blush, no cute anime squeal. Just “Is this necessary, onii-chan?” in that blank expression, and it’s somehow nastier than normal moaning. Later she’s in her classroom, sitting by the window, and you get a flashback of when you first noticed her tits got huge in middle school. That scene lingers way too long on how her blouse buttons are fighting for their life. Four screens of text only about the way the fabric hugs her big ass when she leans forward. I actually missed my stop once because of that stupid button tension.

The sex escalates like a slow boil. There’s this one scene in the bathroom where she’s brushing her teeth and you come in behind her, and the camera just stays on the foam around her lips while she stares at her reflection. You touch her hips, and she doesn’t move away, and somehow that’s hotter than if she jumped on you. When you finally get her to wrap those soft hands around your dick, she keeps this weird monotone commentary like “The hardness is increasing” while pumping you, no emotion, drool shining on her chin. The first blowjob is wild because she goes from robotic to full ahegao in about three lines, tongue out, eyes rolled, tears at the corners, like her brain just flipped a switch. You cum on her face and she calmly asks if this is part of the “treatment plan.” That line killed me and turned me on at same time. And the creampie scenes later, on her bed with the old photo of your dead mom on the nightstand looking right at you, are just wrong in the exactly right way. She wraps her legs around you, huge boobs bouncing, pussy soaking, and only then you notice at the very bottom of the screen there’s a tiny text note about her still wearing her school socks. I don’t know why that detail hit harder than the whole harem side thing with the other girls at school, including that scene where you eat her out behind the gym while your so-called “girlfriend” is waiting on LINE. The cheating angle barely gets called out, which somehow makes it filthier. It’s like the game assumes you already accepted you’re trash, so it doesn’t bother to judge you. Or maybe it does and I just pretended not to see it.

Kendra walks back into Al-Mara Academy like she owns the place and also kinda hates every brick in it. She is this vampire witch mix, all sharp eyes, big tits, big attitude, and you can feel she is here to fuck things up and also maybe fuck half the staff. The school used to be her home, now it is more like this creepy ex you have unfinished business with. Her old mentor vanished, there is talk about forbidden rituals, monsters in the basement, and students who look way too innocent until they have you pinned against a gothic column with fangs at your throat. The whole place has this strange vibe where a classroom can turn into a crime scene or a sex dungeon with candles and leather in about two clicks. One path you are asking questions about the rector. Next scene you are on your knees in the staff lounge, tasting someone’s secrets while they pull your hair and whisper spells straight into your ear.

What I like is how regular academy shit mixes with the horny and the strange. You are supposed to teach, right, be this serious professor in dark robes, but five minutes later you have a tattooed monster girl with claws tracing your throat, teasing and refusing to give a straight answer unless you let her ride your face. There is a lot going on under the surface. Racial tension between different magical races, old rules broken, new rules nobody respects, and then Kendra trying to keep her cool while her own hunger is constantly poked. Some scenes are soft, like slow romance in a quiet library, fingers brushing over a spellbook before sliding between thighs under the table. Then the game suddenly goes hard into BDSM, collaring, spanking, ropes glowing with runes, a student calling you “Professor” with that stupid ahegao face while you push deep and she clenches around you and begs for creampie like it is extra credit. The tone jumps from mystery to pure filth so fast it feels almost wrong, but in a good “yeah okay ruin me more” kind of way. Sometimes the investigation stops dead because some tall vampire with a big ass leans over the desk and you just forget you were checking clues and not her panties.

Sex here is not just “scene, cum, next.” It feels tangled with power and identity. Female domination pops up a lot, and Kendra is not always the one in control. Sometimes she has a student on their back, legs wide, nails in their hips while she grinds down and makes them choke on her pace. Other times some older witch presses her face into the mattress, whispers a spell, and you feel her tongue and magic at the same time, like she is rewriting you from inside. Oral, vaginal, messy creampies that drip down pale skin, monster girls with weird tongues and tight bodies that are almost human and not quite. In one scene a shy girl in gothic lace finally snaps, shoves Kendra against a stained glass window, bites her lip hard enough to draw blood, and rides her hand with this desperate rhythm while outside the bell tolls like a judge. And you still have to remember which suspect lied to you earlier. Or not. Honestly, half the fun is getting lost in the academy’s shadows and letting its sick little mix of romance, fear, and wet sheets pull you wherever it wants.

Guy gets fried by lightning on the way from his boring office job and wakes up as the new dark overlord. Sounds badass, right? It actually feels more like getting dumped into horny hell with a to-do list. You’ve got a demon castle, a bunch of monster girls who either want to serve you, ruin you, or sit on your face, and a curse inside your body that randomly flares up like the worst horny migraine ever. One moment you’re checking resource numbers and troop morale, next second your vision goes blurry, your body heats up, and you’re pinning a monster girl to the wall, pounding her while she’s got that full ahegao face, drool hanging, tongue out, eyes rolled. The game doesn’t fade to black, it goes all in. Animated sex scenes, hips actually moving, tits bouncing, ropes tightening, soft moans turning into straight up screaming when you decide to go rough. I keep pausing to capture the best frames into GIFs, then going back because I miss whole animations. It’s stupid how many times I rewound one anal scene with a slimy tentacle girl wrapping around the hero like a hentai octopus hug.

What I didn’t expect is how the management and rpg stuff keeps baiting you into lewd trouble. You open the map just to plan some combat, then some “innocent” patrol report pops up with a busty orc girl who “failed her mission” and now needs punishment. You can humiliate her in the throne room, bend her over the steps, slap that big ass until it jiggles, then decide if you’re fucking her like a toy in front of frightened underlings or actually comforting her with slower vaginal sex. Both still end with her broken, panting, eyes blank. Or that virgin elf mage you recruit, acting all pure and holy, but the first time the curse really bites you in front of her, you lose control, shove her against a bookshelf, tear her clothes and fuck her until she’s drooling and begging you to corrupt her more. She goes from “please, dark lord, control yourself” to “don’t stop, use my mouth too” really fast. There is some light combat, yeah, you smack monsters around, get loot, level up, but it mostly just feels like foreplay to unlock new positions, toys, and kinks. The bdsm scenes surprised me. Ropes look tight, skin goes a little red if you keep spanking, chains rattle when she tries to squirm away, and there’s this humiliation angle where you make monster girls lick your boots first, then your cock right after. It hits that fantasy of being absolute bastard overlord, even though the guy is still kind of clueless office worker inside, panicking in his own thoughts while his body is happily choking a girl with his dick. Honestly, the small UI sounds are too loud on mobile and it annoys me every damn time I adjust volume, but then the next scene has a monster girl choking on your cock with tears in her eyes and you kinda forget everything.

It’s messy in the best way. You’re some kind of half-drunk alchemist in a vampire’s den, tossing glowing ingredients into a cauldron that looks suspiciously alive, waiting to see if it spits out gold, slime, or a moaning succubus with tits like forbidden fruit. The game doesn’t explain much, just lets you mix weird shit - holy water, demon ichor, maybe a drop of your own sweat - and then bam, the screen flashes and suddenly you’re staring at a futa nun grinding against a bound werewolf priest. It’s ridiculous, but you can’t stop clicking. The logic makes no sense and that’s kind of the point. Sometimes you get a soft scene, a slow kiss between a vampire girl and her human pet. Other times, tentacles, everywhere, like the game’s trying to outdo itself in how far it’ll go before you blush or laugh.

There’s something about the tone - half gothic, half horny fever dream - that makes it feel like the devs were just daring each other to see what the next transmutation would unlock. The art shifts between elegant and unhinged; one moment you’re admiring the lighting on a pale thigh, next you’re staring at a corrupted angel with too many wings and not enough shame. The alchemy system feels more like foreplay than crafting. You think you’re mixing for power, but really you’re just chasing the next perverse reveal. I tried to keep track of the endings but gave up after the third one involved a talking dildo that might’ve been sentient.

The weirdest part? It’s kind of beautiful. Between the absurd fetishes and over-the-top transformations, there’s this pulse of dark humor and lust that keeps it alive. It’s not about winning or finishing - it’s about curiosity, that itch that says “what if I mix blood and holy oil again?” Do it. The game rewards the reckless.

Yuu looks like one of those quiet types you’d never notice in a crowd, but that’s the trick, isn’t it? The game doesn’t start with fireworks or any fancy menu music - it just drops you right into his head. You can almost feel how tense he is around Misaki, his little sister who’s too innocent for the filth swirling around her. It’s that kind of story where every click feels heavier than it should, because one wrong choice and things slide from tender to completely fucked-up. And they do. You think you’re protecting her, then suddenly the camera lingers too long, she’s asleep, breathing soft, and your cursor hesitates. It’s not subtle about temptation. The voyeurism here is dirty in a way that makes you feel complicit, like you’re peeking through a crack in a door you shouldn’t have opened.

The animation hits that weirdly realistic zone - not uncanny, just raw enough to make the moans stick in your ears. There’s this one scene where Yuu’s hand trembles before touching her thigh, and the sound design makes it worse, or better, depending on what you came for. When the blackmail angle kicks in, everything starts looping back: guilt, lust, anger, repeat. Some endings hit harder than expected - one actually made me shut my phone for a minute. Then I went back anyway. The multiple paths don’t feel like “good” or “bad” endings, more like different shades of corruption. You’ll probably hate yourself a bit, which is exactly why it works.

Weird thing - the romance thread actually lands emotionally once or twice, like when Misaki whispers his name during the sleep scene, half-awake, half-aware. It’s messed up and strangely intimate. You won’t find polished heroes or tidy morals here, just a slow descent wrapped in warm skin and bad decisions. Dare to play it alone, or invite company?

The first time I logged into this thing, I didn’t even care about the classes or whatever plot it pretends to have - the way the avatars breathe, the tiny tremor in their lips before a kiss, that’s what got me. It’s like the devs poured all their soul into making skin look touchable. There’s this one girl in a half-armored cosplay outfit, silver hair glowing like some digital eclipse, and when she leans close, her breath fogs your screen. Maybe I imagined that, but hell, it felt real. The sci-fi cities behind her hum like they’re alive, something between a nightclub and a dream you shouldn’t be having. The game doesn’t shout about its mechanics, but when you figure out how to sync movement and body sensors, it’s almost too much - like your nerves are being rewritten to crave every vibration.

Sometimes the story pretends to be about mystery - a missing player, a corrupted zone - but nobody’s really fooling anyone. The real puzzle is how long you can last before giving in to pure heat. The VR immersion slips between sweet and filthy faster than your mind can keep up; one moment you’re chatting with a student NPC about history, next she’s on her knees, glasses sliding down, eyes wide like she’s learning anatomy for the first time. There’s group stuff too, awkward at first until it’s not. Someone mentioned modders replaced the background drones with moaning echoes; I laughed until it happened in my session and I swear it made everything feel more chaotic and alive. The music, though? Too clean. Needs something grittier, maybe a heartbeat instead of these sterile synths.

I still can’t get over the fact that clothing physics act like they’ve got personalities - skirts that refuse to stay where they should, latex that remembers your touch. You can taste the future here, but it’s messy and dripping and maybe a bit too honest. Every time I log out, reality feels thinner, like a veil that won’t settle right.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.