This My Hero Academia parody hits different when you realize Deku isn't getting his quirk from All Might. Instead of the usual "I must protect everyone" bullshit, we get an Izuku who's been shaped by someone way more manipulative and calculating. The setup alone makes you wonder what kind of fucked up situations he'll end up in with the girls from Class 1-A.

What really caught my attention was how they handled the corruption angle without making Midoriya a complete psychopath. He's still recognizably himself, just... twisted in interesting ways. The harem mechanics work surprisingly well here because instead of the typical "oh no I accidentally walked in on you changing" scenarios, there's actual psychological manipulation at play. Bakugou's dynamic with this version of Deku creates some genuinely tense moments, especially when Ochako and Tsuyu get caught in the middle of their power games. Mei Hatsume's scenes are particularly wild - her inventor personality gets exploited in ways that feel both wrong and oddly fitting for her character.

The isekai elements feel a bit forced though, like they threw that tag in just because. Sometimes the story gets so focused on the corruption aspect that it forgets to develop the actual relationships beyond the sexual tension. But honestly? When Uraraka starts questioning her own moral compass because of Deku's influence, that's when the game really shines. The writing doesn't shy away from showing how manipulation can be subtle and gradual. Sure, some of the dialogue feels clunky and the pacing drags during certain character interactions, but the core concept of "what if the hero wasn't so heroic" keeps things engaging enough. Just don't expect the same wholesome Deku you know from the anime - this version will make you uncomfortable in all the right ways.

It’s weird how this one sneaks up on you. At first it feels like one of those parody dumps you scroll past on itch.io or Nutaku and forget - then you’re watching Hange fuss with her goggles and catching yourself halfway between laughing and, well, not laughing. There’s a kind of dirty sincerity here, like the dev didn’t know whether to make fun of the universe or to really bathe in it. One moment you’re getting briefed about Titans, the next Mikasa’s hand hesitates on your chest and you realize the “sandbox” part is literal - wandering through the quarters, flipping dialogue triggers that suddenly get hot without warning. That random transition is what makes it surprisingly human. You don’t see the gears until you stumble over one and it clanks.

I’ve seen folks complain that the pacing’s off: you chase down a half‑rendered encounter with Ymir that just sort of fizzles out, then an hour later Historia corners you behind the mess hall like she’s delivering classified files but she’s… absolutely not. I like that inconsistency though; it’s messy, like someone stitched a daydream with shaking hands. Animation’s oddly specific - hands twitch, breathing loops are slightly off - but when Petra looks up mid‑scene, it gets under your skin. Levi’s scenes? Short. Like they were scared to write him too softly. And yet, the quiet when he leaves the frame lingers longer than any moan line. Maybe it’s accidental genius, maybe just bad QA, but it works. The worst bug I hit was a sound loop that kept repeating a wet slap under normal dialogue. Left it running for five minutes on accident - didn’t even hate it.

What actually caught me off‑guard was the romance side. The game pretends it’s about strength and powerups and whatever, but half the time it’s people craving touch between apocalypse schedules. There’s this one sequence with Frieda where nothing explicit happens for, I don’t know, ten minutes? Just eye contact. I kept waiting for the usual payoff…and it didn’t come till later, in the next dream, where her voice cracks mid‑breath like she’s remembering that past life. The rough grammar in her textboxes somehow makes it sadder. It’s clumsy, hungry, and weirdly kind all at once - like the dev poured in every horny emotion and forgot to filter anything out. I respect that. I hate it. I can’t stop thinking about it.

I didn’t expect a game about the Demon Slayer Corps to make me blush harder than losing a match in front of chat, but here we are. The logic puzzles look innocent, clean even, with that cozy click of tiles sliding into place - until you start unlocking “rewards.” I don’t even think rewards is the right word. When Tanjirou’s voice line kicked in after merging a perfect set, it sounded like a mix between a moan and a sigh, just a bit too long on the inhale. Maybe it was a glitch, or maybe those devs knew exactly what they were doing. And the way Shinobu’s eyes shift after the fifth stage, a fraction too slow, gives the strange impression she’s watching *you*, not the other way around. I kept thinking about the sound design, the wet pop when you connect two higher-tier buildings - it’s subtle, but yeah, definitely intentional.

What’s funny is that it’s all framed as upgrading headquarters, yet it ends up feeling like you’re teasing characters rather than managing structures. I made a perfect combo once and everything pulsed pink, even the damn cursor. Kanao shows up then, quiet but dripping with unspoken... something. Her blush animation could melt steel, but sometimes it freezes the frame entirely and forces you to restart. Infuriating, but in a weirdly rewarding way. You start thinking, “Okay, maybe one more merge, maybe the next one shows something wilder,” and then hours later your coffee’s cold and you’re still chasing one more perfect set. It scratches that part of the brain that likes order and filth at the same time.

I can't decide if the best part is the weird ASMR-engineered effect of the demon-slaying soundtrack or the slow reveal of how much of this game is secretly a fetish for control. It’s horny but methodical, like foreplay dictated by spreadsheets. The click, the glow, the sudden gasp - and then silence. Hate how much I loved that silence.

Kasumi Rebirth feels like catching someone’s private mod folder that accidentally got pushed live and nobody had the heart to stop it. It’s just Kasumi, chained up, not doing the “cool ninja” thing at all, and the whole game is basically you seeing how far you can push her body before you get bored or feel weird about yourself. She hangs there in those metal restraints, soft skin, big tits squeezed by the outfit that you immediately start ripping off, because of course you do. There is no fake romance, no “story” pretending this isn’t what it is. You poke her, grab her, slide hands over her tits, pinch her nipples a bit too hard, then harder, just to see if the reaction changes. It turns into this quiet little lab experiment: what if I put fingers in her pussy first, then in her ass, then both, then ignore both and just use her tits like they are toys made of warm jelly. The game doesn’t judge. It just lets you be a freak in peace.

The main loop of Kasumi Rebirth is strangely hypnotic: click, drag, spread her legs, tilt her hips, line her up for doggystyle, then get distracted and go back to playing with her mouth. You pull her head back, slide a dildo between her lips, watch those eyes say everything without a single line of dialog. Deepthroat her with plastic, then switch holes like a bored god with too much free time. Pussy, ass, mouth, back to pussy, then push it in her asshole again just because you like the way she tightens around it. You can masturbate her slowly, tease her clit until she twitches, then ram something inside and go straight for a rough creampie like the concept of foreplay never existed. Cumshots on her face, on her breasts, slipping down her body, and at some point I tried to see if I could cover both tits perfectly and got annoyed because one drop kept sliding off the side in a stupid way that distracted me more than it should. There is also this breast expansion thing going on that feels like someone’s late-night fever dream: you start tweaking and pumping and suddenly her big tits are not just big, they are ridiculous, heavy, almost comical, but somehow it works because this game stopped pretending to be “normal” a long time ago. It is rough, it is ***-y, it is torture dressed up as “gentle play”, and yet the whole thing has this old-school Internet porn game energy that makes you keep testing one more position, one more angle, one more messy facial, just to see how far Kasumi’s body can be turned into a toy before you finally close the tab and swear you’re done with Dead or Alive girls forever.